Search Results - "Cook, Nicholas"

Beyond the Score: Music as Performance.

Authors: Hooper, Giles

Source: Music Analysis. Oct2016, Vol. 35 Issue 3, p407-416. 10p.

NEW TRENDS IN MODERN MUSICOLOGY. A DISCUSSION WITH PROFESSOR NICHOLAS COOK.

Authors: Bianca Ţiplea Temeş

Source: Studia Universitatis Babeş-Bolyai, Musica. Jun2012, Vol. 57 Issue 1, p5-21. 17p.

‘Asylum Gained’? Aspects of Meaning in Thomas Adès's Asyla.

Authors: venn, edward¹

Source: Music Analysis. Mar2006, Vol. 25 Issue 1/2, p89-120. 32p. 12 Diagrams, 2 Charts.

THE NEW STATE OF PLAY IN PERFORMANCE STUDIES.

Authors: PACE, IAN

Source: Music & Letters. May2017, Vol. 98 Issue 2, p281-292. 12p.

The “Queer" Marriage of Words and Music.

Authors: PURVIS, PHILIP¹

Source: Ars Lyrica: Journal of the Lyrica Society for Word-Music Relations. 2012, Vol. 21, p99-114. 16p.

The Cambridge Companion to Recorded Music.

Authors: ORNOY, EITAN

Source: Min-Ad: Israel Studies in Musicology Online. 2013, Vol. 11 Issue 2, p133-136. 4p.

The Cambridge Companion to Recorded Music edited by Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson, and John Rink.

Authors: Gracyk, Theodore¹

Source: Journal of Popular Music Studies (Wiley-Blackwell). Mar2013, Vol. 25 Issue 1, p114-116. 6p.

The Cambridge History of Twentieth-Century Music.

Authors: Burkholder, J. Peter¹

Source: Notes. Jun2007, Vol. 63 Issue 4, p844-848. 5p.

Subject Terms: 20th century music history, Nonfiction

Reviews & Products: Cambridge History of 20th-Century Music, The (Book)

People: Cook, Nicholas, Pople, Anthony

The Cambridge History of Twentieth-Century Music.

Authors: MORGAN, ROBERT P.

Source: Music & Letters. Aug2005, Vol. 86 Issue 3, p493-497. 5p.

All our yesterdays.

Authors: Fox, Christopher¹

Source: Musical Times. Spring2005, Vol. 146 Issue 1890, p93-96. 4p.

The Cambridge Companion to Music in Digital Culture.

Authors: Rauh, Andreas¹ andreas.rauh@dcu.ie

Source: Popular Music. 2020, Vol. 39 Issue 3/4, p714-717. 4p.

The Cambridge Companion to Recorded Music.

Authors: Morgan, Kenneth

Source: Classical Recordings Quarterly. Fall2010, Issue 62, p57-59. 3p.

The Schenker Project: Culture, Race, and Music Theory in Fin-de-siècle Vienna.

Authors: WEINER, BRIEN¹

Source: Notes. Sep2008, Vol. 65 Issue 1, p89-91. 3p.

Subject Terms: Nonfiction

Reviews & Products: Schenker Project: Culture, Race & Music Theory in Fin-de-siècle Vienna, The (Book)

People: Cook, Nicholas, Schenker, Heinrich

Remixing the Music of the Spheres: Listening to the Relevance of an Ancient Doctrine for the Sociology of Music.

Alternate Title: Novo preslagivanje glazbe sfera: osluškivanje vážnosti stare doktríně za sociologiju glazbe.

Authors: Blackstone, Lee¹ blackstonel@oldwestbury.edu

Source: International Review of the Aesthetics & Sociology of Music. Jun2011, Vol. 42 Issue 1, p3-31. 29p.

Schenker's Vienna: Nicholas Cook on Culture, Race and Music Theory infin-de-siècle Austria.

Authors: korsyn, kevin¹

Source: Music Analysis. Mar2009, Vol. 28 Issue 1, p153-179. 27p.

Boom time for botanicals.

Authors: Mason, Jessica

Source: Frontier. Dec2016, p14-17. 4p. 9 Color Photographs.

Music (Book).

Authors: Olsson, Bengt

Source: Music Education Research. Sep1999, Vol. 1 Issue 2, p252. 3p.

Subject Terms: Music, Nonfiction

Reviews & Products: Music: A Very Short Introduction (Book)

People: Cook, Nicholas

The Schenker Project: Culture, Race, and Music Theory in Fin-de-siècle Vienna.

Authors: Tunbridge, Laura

Source: Current Musicology. Spring2009, Issue 87, p201-205. 5p.

The Cambridge History of Twentieth-Century Music.

Authors: Ravenscroft, Brenda

Source: Journal of the American Musicological Society. Summer2007, Vol. 60 Issue 2, p441-447. 7p.

Twentieth-Century (Light-)Blues.

Authors: Holloway, Robin rgh1000@cam.ac.uk

Source: Journal of the Royal Musical Association. 2005, Vol. 130 Issue 2, p327-339. 13p.