Collecting and Producing New Documentation to Support Curatorial and Conservation Decisions in Helena Almeida's Mixed-media Photography.
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| Title: | Collecting and Producing New Documentation to Support Curatorial and Conservation Decisions in Helena Almeida's Mixed-media Photography. |
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| Authors: | Roldão, Élia1 (AUTHOR), Rosalino, Ana2 (AUTHOR), França de Sá, Susana1 (AUTHOR) susana.sa@fct.unl.pt |
| Source: | Studies in Conservation. Jan2026, Vol. 71 Issue 1, p24-34. 11p. |
| Subject Terms: | Art conservation & restoration, Documentation, Art techniques, Curatorship, Artists, Mixed media (Art), Museum techniques |
| Abstract: | Helena Almeida (1934–2018) was a renowned Portuguese artist known for her mixed-media photo-artworks produced since the 1970s. The preservation of these works presents significant challenges in curatorial and conservation practices. These challenges arise from the diverse range of materials she used – such as paint, horsehair, and ink – along with the limited documentation of her artistic choices and the ongoing deterioration of the artworks. Key gaps remain in understanding the materials, production techniques, and options for display, reprinting, and mounting. To address these issues, a survey of her artworks from the 1970s was conducted, complemented by interviews with various members of the artist's network. This research, for the first time, expands critical knowledge to support future decision-making, particularly regarding H. Almeida's views on alterations to her works, her stance on the transition from analogue to digital printing (including reprinting), display preferences, and the challenges faced by museums. [ABSTRACT FROM AUTHOR] |
| Copyright of Studies in Conservation is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.) | |
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| Header | DbId: 8gh DbLabel: GreenFILE An: 190436364 AccessLevel: 6 PubType: Academic Journal PubTypeId: academicJournal PreciseRelevancyScore: 0 |
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| Items | – Name: Title Label: Title Group: Ti Data: Collecting and Producing New Documentation to Support Curatorial and Conservation Decisions in Helena Almeida's Mixed-media Photography. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Roldão%2C+Élia%22">Roldão, Élia</searchLink><relatesTo>1</relatesTo> (AUTHOR)<br /><searchLink fieldCode="AR" term="%22Rosalino%2C+Ana%22">Rosalino, Ana</searchLink><relatesTo>2</relatesTo> (AUTHOR)<br /><searchLink fieldCode="AR" term="%22França+de+Sá%2C+Susana%22">França de Sá, Susana</searchLink><relatesTo>1</relatesTo> (AUTHOR)<i> susana.sa@fct.unl.pt</i> – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="JN" term="%22Studies+in+Conservation%22">Studies in Conservation</searchLink>. Jan2026, Vol. 71 Issue 1, p24-34. 11p. – Name: Subject Label: Subject Terms Group: Su Data: <searchLink fieldCode="DE" term="%22Art+conservation+%26+restoration%22">Art conservation & restoration</searchLink><br /><searchLink fieldCode="DE" term="%22Documentation%22">Documentation</searchLink><br /><searchLink fieldCode="DE" term="%22Art+techniques%22">Art techniques</searchLink><br /><searchLink fieldCode="DE" term="%22Curatorship%22">Curatorship</searchLink><br /><searchLink fieldCode="DE" term="%22Artists%22">Artists</searchLink><br /><searchLink fieldCode="DE" term="%22Mixed+media+%28Art%29%22">Mixed media (Art)</searchLink><br /><searchLink fieldCode="DE" term="%22Museum+techniques%22">Museum techniques</searchLink> – Name: Abstract Label: Abstract Group: Ab Data: Helena Almeida (1934–2018) was a renowned Portuguese artist known for her mixed-media photo-artworks produced since the 1970s. The preservation of these works presents significant challenges in curatorial and conservation practices. These challenges arise from the diverse range of materials she used – such as paint, horsehair, and ink – along with the limited documentation of her artistic choices and the ongoing deterioration of the artworks. Key gaps remain in understanding the materials, production techniques, and options for display, reprinting, and mounting. To address these issues, a survey of her artworks from the 1970s was conducted, complemented by interviews with various members of the artist's network. This research, for the first time, expands critical knowledge to support future decision-making, particularly regarding H. Almeida's views on alterations to her works, her stance on the transition from analogue to digital printing (including reprinting), display preferences, and the challenges faced by museums. [ABSTRACT FROM AUTHOR] – Name: AbstractSuppliedCopyright Label: Group: Ab Data: <i>Copyright of Studies in Conservation is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.) |
| PLink | https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=8gh&AN=190436364 |
| RecordInfo | BibRecord: BibEntity: Identifiers: – Type: doi Value: 10.1080/00393630.2025.2472457 Languages: – Code: eng Text: English PhysicalDescription: Pagination: PageCount: 11 StartPage: 24 Subjects: – SubjectFull: Art conservation & restoration Type: general – SubjectFull: Documentation Type: general – SubjectFull: Art techniques Type: general – SubjectFull: Curatorship Type: general – SubjectFull: Artists Type: general – SubjectFull: Mixed media (Art) Type: general – SubjectFull: Museum techniques Type: general Titles: – TitleFull: Collecting and Producing New Documentation to Support Curatorial and Conservation Decisions in Helena Almeida's Mixed-media Photography. Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Roldão, Élia – PersonEntity: Name: NameFull: Rosalino, Ana – PersonEntity: Name: NameFull: França de Sá, Susana IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 01 Text: Jan2026 Type: published Y: 2026 Identifiers: – Type: issn-print Value: 00393630 Numbering: – Type: volume Value: 71 – Type: issue Value: 1 Titles: – TitleFull: Studies in Conservation Type: main |
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