To Embody the Marvelous : The Making of Illusions in Early Modern Spain

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Title: To Embody the Marvelous : The Making of Illusions in Early Modern Spain
Description: Winner of the Vern Williamsen Comedia Book Prize, Association for Hispanic Classical Theater, 2023 Winner of the Nancy Staub Award, UNIMA-USA (Union Internationale de la Marionnette), 2023 In its exploration of puppetry and animation as the performative media of choice for mastering the art of illusion, To Embody the Marvelous engages with early modern notions of wonder in religious, artistic, and social contexts. From jointed, wood-carved figures of Christ, saintly marionettes that performed hagiographical dramas, experimental puppets and automata in Cervantes'Don Quixote, and the mechanical sets around which playwright Calderón de la Barca devised secular magic shows to deconstruct superstitions, these historical and fictional artifacts reenvisioned religious, artistic, and social notions that led early modern society to critically wrestle with enchantment and disenchantment. The use of animated performance objects in Spanish theatrical contexts during the sixteenth and seventeenth centuries became one of the most effective pedagogical means to engage with civil society. Regardless of social strata, readers and spectators alike were caught up in a paradigm shift wherein belief systems were increasingly governed by reason—even though the discursive primacy of supernatural doxa and Christian wonder remained firmly entrenched. Thanks to their potential for motion, religious and profane puppets, automata, and mechanical stage props deployed a rationalized sense of wonder that illustrates the relationship between faith and reason, reevaluates the boundaries of fiction in art and entertainment cultures, acknowledges the rise of science and technology, and questions normative authority.
Authors: Esther Fernández
Resource Type: eBook.
Subjects: Illusion (Philosophy), Puppet theater--Spain--History--17th century, Puppet theater--Spain--History--16th century, Wonder (Philosophy)
Categories: PERFORMING ARTS / General, HISTORY / Europe / Spain, PERFORMING ARTS / Puppets & Puppetry, PERFORMING ARTS / Animation
Database: eBook Academic Collection (EBSCOhost)
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  Data: To Embody the Marvelous : The Making of Illusions in Early Modern Spain
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  Data: Winner of the Vern Williamsen Comedia Book Prize, Association for Hispanic Classical Theater, 2023 Winner of the Nancy Staub Award, UNIMA-USA (Union Internationale de la Marionnette), 2023 In its exploration of puppetry and animation as the performative media of choice for mastering the art of illusion, To Embody the Marvelous engages with early modern notions of wonder in religious, artistic, and social contexts. From jointed, wood-carved figures of Christ, saintly marionettes that performed hagiographical dramas, experimental puppets and automata in Cervantes'Don Quixote, and the mechanical sets around which playwright Calderón de la Barca devised secular magic shows to deconstruct superstitions, these historical and fictional artifacts reenvisioned religious, artistic, and social notions that led early modern society to critically wrestle with enchantment and disenchantment. The use of animated performance objects in Spanish theatrical contexts during the sixteenth and seventeenth centuries became one of the most effective pedagogical means to engage with civil society. Regardless of social strata, readers and spectators alike were caught up in a paradigm shift wherein belief systems were increasingly governed by reason—even though the discursive primacy of supernatural doxa and Christian wonder remained firmly entrenched. Thanks to their potential for motion, religious and profane puppets, automata, and mechanical stage props deployed a rationalized sense of wonder that illustrates the relationship between faith and reason, reevaluates the boundaries of fiction in art and entertainment cultures, acknowledges the rise of science and technology, and questions normative authority.
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  Data: <searchLink fieldCode="AR" term="%22Esther+Fernández%22">Esther Fernández</searchLink>
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RecordInfo BibRecord:
  BibEntity:
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      – Code: 791.530946
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Illusion (Philosophy)
        Type: general
      – SubjectFull: Puppet theater--Spain--History--17th century
        Type: general
      – SubjectFull: Puppet theater--Spain--History--16th century
        Type: general
      – SubjectFull: Wonder (Philosophy)
        Type: general
    Titles:
      – TitleFull: To Embody the Marvelous : The Making of Illusions in Early Modern Spain
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      – PersonEntity:
          Name:
            NameFull: Esther Fernández
      – PersonEntity:
          Name:
            NameFull: Esther Fernández
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          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2021
            – D: 02
              M: 07
              Type: profile
              Y: 2025
          Identifiers:
            – Type: isbn-print
              Value: 9780826501790
            – Type: isbn-print
              Value: 9780826501806
            – Type: isbn-electronic
              Value: 9780826501813
          Titles:
            – TitleFull: To Embody the Marvelous : The Making of Illusions in Early Modern Spain
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