Non-invasive identification of synthetic organic pigments in contemporary art paints by visible–excited spectrofluorimetry and visible reflectance spectroscopy.

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Title: Non-invasive identification of synthetic organic pigments in contemporary art paints by visible–excited spectrofluorimetry and visible reflectance spectroscopy.
Authors: Longoni, M.1 (AUTHOR), Freschi, A.1 (AUTHOR), Cicala, N.1 (AUTHOR), Bruni, S.1 (AUTHOR) silvia.bruni@unimi.it
Source: Spectrochimica Acta Part A: Molecular & Biomolecular Spectroscopy. Mar2020, Vol. 229, pN.PAG-N.PAG. 1p.
Subjects: Optical spectroscopy, Reflectance spectroscopy, 21st century art, Pigments, Paint, Emulsion paint, Principal components analysis, Binary mixtures
Abstract: The non-destructive, in-situ identification of synthetic organic pigments employed in contemporary painting still represents a challenge. In the present study, a non-invasive analytical method based on spectrofluorimetry and visible reflectance spectroscopy was developed to this aim and applied to a considerable number of synthetic organic pigments belonging to the main chemical classes and sold by different manufacturers. In order to discriminate among them, the collected data were processed by a multivariate statistical approach, using principal component analysis (PCA). Moreover, the Kubelka-Munk correction for self-absorption of fluorescence emission was successfully applied to identify pigments in binary mixtures. This approach was finally exploited to recognise the organic pigments used by the artist in a contemporary painting. Unlabelled Image • Synthetic organic pigments are identified non-invasively in contemporary art paints. • Visible-excited fluorescence and visible reflectance spectroscopy are combined. • The spectroanalytical protocol is applied to identify pigments in a real painting. [ABSTRACT FROM AUTHOR]
Copyright of Spectrochimica Acta Part A: Molecular & Biomolecular Spectroscopy is the property of Elsevier B.V. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Engineering Source
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  Data: Non-invasive identification of synthetic organic pigments in contemporary art paints by visible–excited spectrofluorimetry and visible reflectance spectroscopy.
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  Data: <searchLink fieldCode="JN" term="%22Spectrochimica+Acta+Part+A%3A+Molecular+%26+Biomolecular+Spectroscopy%22">Spectrochimica Acta Part A: Molecular & Biomolecular Spectroscopy</searchLink>. Mar2020, Vol. 229, pN.PAG-N.PAG. 1p.
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  Data: <searchLink fieldCode="DE" term="%22Optical+spectroscopy%22">Optical spectroscopy</searchLink><br /><searchLink fieldCode="DE" term="%22Reflectance+spectroscopy%22">Reflectance spectroscopy</searchLink><br /><searchLink fieldCode="DE" term="%2221st+century+art%22">21st century art</searchLink><br /><searchLink fieldCode="DE" term="%22Pigments%22">Pigments</searchLink><br /><searchLink fieldCode="DE" term="%22Paint%22">Paint</searchLink><br /><searchLink fieldCode="DE" term="%22Emulsion+paint%22">Emulsion paint</searchLink><br /><searchLink fieldCode="DE" term="%22Principal+components+analysis%22">Principal components analysis</searchLink><br /><searchLink fieldCode="DE" term="%22Binary+mixtures%22">Binary mixtures</searchLink>
– Name: Abstract
  Label: Abstract
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  Data: The non-destructive, in-situ identification of synthetic organic pigments employed in contemporary painting still represents a challenge. In the present study, a non-invasive analytical method based on spectrofluorimetry and visible reflectance spectroscopy was developed to this aim and applied to a considerable number of synthetic organic pigments belonging to the main chemical classes and sold by different manufacturers. In order to discriminate among them, the collected data were processed by a multivariate statistical approach, using principal component analysis (PCA). Moreover, the Kubelka-Munk correction for self-absorption of fluorescence emission was successfully applied to identify pigments in binary mixtures. This approach was finally exploited to recognise the organic pigments used by the artist in a contemporary painting. Unlabelled Image • Synthetic organic pigments are identified non-invasively in contemporary art paints. • Visible-excited fluorescence and visible reflectance spectroscopy are combined. • The spectroanalytical protocol is applied to identify pigments in a real painting. [ABSTRACT FROM AUTHOR]
– Name: AbstractSuppliedCopyright
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  Data: <i>Copyright of Spectrochimica Acta Part A: Molecular & Biomolecular Spectroscopy is the property of Elsevier B.V. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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        Value: 10.1016/j.saa.2019.117907
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        Text: English
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        Type: general
      – SubjectFull: Reflectance spectroscopy
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      – SubjectFull: 21st century art
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      – SubjectFull: Pigments
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      – SubjectFull: Paint
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      – SubjectFull: Emulsion paint
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      – SubjectFull: Principal components analysis
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      – SubjectFull: Binary mixtures
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      – TitleFull: Non-invasive identification of synthetic organic pigments in contemporary art paints by visible–excited spectrofluorimetry and visible reflectance spectroscopy.
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            NameFull: Freschi, A.
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              Text: Mar2020
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