Turning It All Upside Down … Imagining a distributed digital audiovisual archive.

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Title: Turning It All Upside Down … Imagining a distributed digital audiovisual archive.
Authors: Barwick, Linda1 linda.barwick@arts.usyd.edu.au
Source: Literary & Linguistic Computing. Sep2004, Vol. 19 Issue 3, p253-263. 11p.
Subjects: Digital libraries, Electronic reference sources, Electronic information resources, Cultural property, Archives, Information services
Abstract: What could and should be the relationship between research archives of endangered cultural heritage materials and the originating community? This paper argues that recent developments in distributed computing in a networked environment have allowed us to re-imagine this relationship in a way that profoundly changes the role of the archive and reinforces the desirability of establishing ongoing reciprocal relationships with cultural heritage communities. Some possibilities are suggested drawing from experience with PARADISEC (the Pacific and Regional Archive for Digital Sources in Endangered Cultures, established in 2003 as a collaborative venture between the University of Sydney, the University of Melbourne, and the Australian National University) and with local community-based digital archives in the remote Australian communities of Belyuen and Wadeye. Repatriation and rights, planning principles for establishment and sustainability of local digital archives in community cultural centres, and models for a staged approach in setting up ongoing relationships with rights holders are discussed. The paper argues that digital archives, as distributed virtual institutions, need to engage with a number of different communities of interest: not only the individuals, communities, and institutions that own the cultural heritage objects we preserve, but also the wider academic community and international standards-setting bodies. Planning for our archives' digital future means imagining ourselves as actors and creators within that virtual society. [ABSTRACT FROM AUTHOR]
Copyright of Literary & Linguistic Computing is the property of Oxford University Press / USA and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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  Data: Turning It All Upside Down … Imagining a distributed digital audiovisual archive.
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  Data: <searchLink fieldCode="DE" term="%22Digital+libraries%22">Digital libraries</searchLink><br /><searchLink fieldCode="DE" term="%22Electronic+reference+sources%22">Electronic reference sources</searchLink><br /><searchLink fieldCode="DE" term="%22Electronic+information+resources%22">Electronic information resources</searchLink><br /><searchLink fieldCode="DE" term="%22Cultural+property%22">Cultural property</searchLink><br /><searchLink fieldCode="DE" term="%22Archives%22">Archives</searchLink><br /><searchLink fieldCode="DE" term="%22Information+services%22">Information services</searchLink>
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  Data: What could and should be the relationship between research archives of endangered cultural heritage materials and the originating community? This paper argues that recent developments in distributed computing in a networked environment have allowed us to re-imagine this relationship in a way that profoundly changes the role of the archive and reinforces the desirability of establishing ongoing reciprocal relationships with cultural heritage communities. Some possibilities are suggested drawing from experience with PARADISEC (the Pacific and Regional Archive for Digital Sources in Endangered Cultures, established in 2003 as a collaborative venture between the University of Sydney, the University of Melbourne, and the Australian National University) and with local community-based digital archives in the remote Australian communities of Belyuen and Wadeye. Repatriation and rights, planning principles for establishment and sustainability of local digital archives in community cultural centres, and models for a staged approach in setting up ongoing relationships with rights holders are discussed. The paper argues that digital archives, as distributed virtual institutions, need to engage with a number of different communities of interest: not only the individuals, communities, and institutions that own the cultural heritage objects we preserve, but also the wider academic community and international standards-setting bodies. Planning for our archives' digital future means imagining ourselves as actors and creators within that virtual society. [ABSTRACT FROM AUTHOR]
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  Data: <i>Copyright of Literary & Linguistic Computing is the property of Oxford University Press / USA and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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        Value: 10.1093/llc/19.3.253
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      – Code: eng
        Text: English
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      – SubjectFull: Digital libraries
        Type: general
      – SubjectFull: Electronic reference sources
        Type: general
      – SubjectFull: Electronic information resources
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      – SubjectFull: Cultural property
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      – SubjectFull: Archives
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      – SubjectFull: Information services
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      – TitleFull: Turning It All Upside Down … Imagining a distributed digital audiovisual archive.
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              Text: Sep2004
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