Generating Rhythmic Graphic Patterns and Paul Klee's Concept of the Active Line.

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Title: Generating Rhythmic Graphic Patterns and Paul Klee's Concept of the Active Line.
Authors: Maden, Seçkin1 madens@itu.edu.tr
Source: Leonardo. Dec2021, Vol. 54 Issue 6, p657-662. 6p. 5 Diagrams.
Subjects: Industrial design coordination, Data types (Computer science), Music databases, Analogy, Information science
Abstract: Most studies that investigate auditory influence on visual design scenarios disregard the inherent temporal nature of sonic entities. This article addresses problems posed in the interaction of multiple data types—e.g. the visual representation of musical data—and the ways in which one type of information may shape another in simultaneous generations. The author's proposed method for analogy takes advantage of the structural organization behind several rhythmic sequences to generate visual geometric patterns in which the temporal characteristics of the former affect the spatial features of the latter. The structural analysis of auditory rhythms shows that similar cyclical organizations also exist in their geometric correspondents. [ABSTRACT FROM AUTHOR]
Copyright of Leonardo is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Engineering Source
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DbLabel: Engineering Source
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  Data: Generating Rhythmic Graphic Patterns and Paul Klee's Concept of the Active Line.
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  Data: <searchLink fieldCode="JN" term="%22Leonardo%22">Leonardo</searchLink>. Dec2021, Vol. 54 Issue 6, p657-662. 6p. 5 Diagrams.
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  Data: Most studies that investigate auditory influence on visual design scenarios disregard the inherent temporal nature of sonic entities. This article addresses problems posed in the interaction of multiple data types—e.g. the visual representation of musical data—and the ways in which one type of information may shape another in simultaneous generations. The author's proposed method for analogy takes advantage of the structural organization behind several rhythmic sequences to generate visual geometric patterns in which the temporal characteristics of the former affect the spatial features of the latter. The structural analysis of auditory rhythms shows that similar cyclical organizations also exist in their geometric correspondents. [ABSTRACT FROM AUTHOR]
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  Data: <i>Copyright of Leonardo is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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        Value: 10.1162/leon_a_01826
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      – Code: eng
        Text: English
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        PageCount: 6
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      – SubjectFull: Industrial design coordination
        Type: general
      – SubjectFull: Data types (Computer science)
        Type: general
      – SubjectFull: Music databases
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      – SubjectFull: Analogy
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      – SubjectFull: Information science
        Type: general
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      – TitleFull: Generating Rhythmic Graphic Patterns and Paul Klee's Concept of the Active Line.
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            NameFull: Maden, Seçkin
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            – D: 01
              M: 12
              Text: Dec2021
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              Y: 2021
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