Histories, Legacies, and Futures of Image-Processing.

Saved in:
Bibliographic Details
Title: Histories, Legacies, and Futures of Image-Processing.
Authors: Shaskevich, Helena1 (AUTHOR), Hart, Adam2 (AUTHOR)
Source: Leonardo. Dec2024, Vol. 57 Issue 6, p591-594. 4p.
Subjects: Media art, Image processing equipment, Computer art, Artists' studios, Video art
Abstract: The article in Leonardo delves into the histories, legacies, and futures of image-processing, paying tribute to pioneering figures Louise (Etra) Ledeen and Ralph Hocking. It explores the early emergence and experimentation with image processing equipment, highlighting collaborations between artists, musicians, and engineers in creating the first generation of video processing tools. The text also discusses the philosophical tenets of artists who embraced image processing, emphasizing the live performance aspect and the element of discovery and feedback in creating works of image processing. The special section in the journal revisits these histories, explores legacies, and looks towards future possibilities in bioart and AI spaces. [Extracted from the article]
Copyright of Leonardo is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Engineering Source
Full text is not displayed to guests.
Description
Abstract:The article in Leonardo delves into the histories, legacies, and futures of image-processing, paying tribute to pioneering figures Louise (Etra) Ledeen and Ralph Hocking. It explores the early emergence and experimentation with image processing equipment, highlighting collaborations between artists, musicians, and engineers in creating the first generation of video processing tools. The text also discusses the philosophical tenets of artists who embraced image processing, emphasizing the live performance aspect and the element of discovery and feedback in creating works of image processing. The special section in the journal revisits these histories, explores legacies, and looks towards future possibilities in bioart and AI spaces. [Extracted from the article]
ISSN:0024094X
DOI:10.1162/leon_e_02581