View in EDS HTML Full Text PDF Full Text

Histories, Legacies, and Futures of Image-Processing.

Saved in:
Bibliographic Details
Title: Histories, Legacies, and Futures of Image-Processing.
Authors: Shaskevich, Helena1 (AUTHOR), Hart, Adam2 (AUTHOR)
Source: Leonardo. Dec2024, Vol. 57 Issue 6, p591-594. 4p.
Subjects: Media art, Image processing equipment, Computer art, Artists' studios, Video art
Abstract: The article in Leonardo delves into the histories, legacies, and futures of image-processing, paying tribute to pioneering figures Louise (Etra) Ledeen and Ralph Hocking. It explores the early emergence and experimentation with image processing equipment, highlighting collaborations between artists, musicians, and engineers in creating the first generation of video processing tools. The text also discusses the philosophical tenets of artists who embraced image processing, emphasizing the live performance aspect and the element of discovery and feedback in creating works of image processing. The special section in the journal revisits these histories, explores legacies, and looks towards future possibilities in bioart and AI spaces. [Extracted from the article]
Copyright of Leonardo is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Engineering Source
Full text is not displayed to guests.
FullText Links:
  – Type: pdflink
Text:
  Availability: 1
Header DbId: egs
DbLabel: Engineering Source
An: 181776562
AccessLevel: 6
PubType: Academic Journal
PubTypeId: academicJournal
PreciseRelevancyScore: 0
IllustrationInfo
Items – Name: Title
  Label: Title
  Group: Ti
  Data: Histories, Legacies, and Futures of Image-Processing.
– Name: Author
  Label: Authors
  Group: Au
  Data: <searchLink fieldCode="AR" term="%22Shaskevich%2C+Helena%22">Shaskevich, Helena</searchLink><relatesTo>1</relatesTo> (AUTHOR)<br /><searchLink fieldCode="AR" term="%22Hart%2C+Adam%22">Hart, Adam</searchLink><relatesTo>2</relatesTo> (AUTHOR)
– Name: TitleSource
  Label: Source
  Group: Src
  Data: <searchLink fieldCode="JN" term="%22Leonardo%22">Leonardo</searchLink>. Dec2024, Vol. 57 Issue 6, p591-594. 4p.
– Name: Subject
  Label: Subjects
  Group: Su
  Data: <searchLink fieldCode="DE" term="%22Media+art%22">Media art</searchLink><br /><searchLink fieldCode="DE" term="%22Image+processing+equipment%22">Image processing equipment</searchLink><br /><searchLink fieldCode="DE" term="%22Computer+art%22">Computer art</searchLink><br /><searchLink fieldCode="DE" term="%22Artists'+studios%22">Artists' studios</searchLink><br /><searchLink fieldCode="DE" term="%22Video+art%22">Video art</searchLink>
– Name: Abstract
  Label: Abstract
  Group: Ab
  Data: The article in Leonardo delves into the histories, legacies, and futures of image-processing, paying tribute to pioneering figures Louise (Etra) Ledeen and Ralph Hocking. It explores the early emergence and experimentation with image processing equipment, highlighting collaborations between artists, musicians, and engineers in creating the first generation of video processing tools. The text also discusses the philosophical tenets of artists who embraced image processing, emphasizing the live performance aspect and the element of discovery and feedback in creating works of image processing. The special section in the journal revisits these histories, explores legacies, and looks towards future possibilities in bioart and AI spaces. [Extracted from the article]
– Name: AbstractSuppliedCopyright
  Label:
  Group: Ab
  Data: <i>Copyright of Leonardo is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
PLink https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=egs&AN=181776562
RecordInfo BibRecord:
  BibEntity:
    Identifiers:
      – Type: doi
        Value: 10.1162/leon_e_02581
    Languages:
      – Code: eng
        Text: English
    PhysicalDescription:
      Pagination:
        PageCount: 4
        StartPage: 591
    Subjects:
      – SubjectFull: Media art
        Type: general
      – SubjectFull: Image processing equipment
        Type: general
      – SubjectFull: Computer art
        Type: general
      – SubjectFull: Artists' studios
        Type: general
      – SubjectFull: Video art
        Type: general
    Titles:
      – TitleFull: Histories, Legacies, and Futures of Image-Processing.
        Type: main
  BibRelationships:
    HasContributorRelationships:
      – PersonEntity:
          Name:
            NameFull: Shaskevich, Helena
      – PersonEntity:
          Name:
            NameFull: Hart, Adam
    IsPartOfRelationships:
      – BibEntity:
          Dates:
            – D: 01
              M: 12
              Text: Dec2024
              Type: published
              Y: 2024
          Identifiers:
            – Type: issn-print
              Value: 0024094X
          Numbering:
            – Type: volume
              Value: 57
            – Type: issue
              Value: 6
          Titles:
            – TitleFull: Leonardo
              Type: main
ResultId 1