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Time and light.

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Title: Time and light.
Authors: Dinneen, James (AUTHOR)
Source: New Scientist. 6/7/2025, Vol. 266 Issue 3546, p24-25. 2p. 1 Color Photograph.
Subjects: Trees in art, Hawthorns, Rural geography, Research institutes, Loneliness
Abstract: The article focuses on artist Clare Hewitt's project involving oak leaf prints created over five years at the Birmingham Institute of Forest Research in the UK. Inspired by the concept of connection and resource sharing in nature, Hewitt engaged with the trees, producing prints by placing fallen leaves on expired photo paper and exposing them to sunlight, while returning the leaves to the forest. This work is part of her exhibition titled "Everything in the Forest is the Forest," displayed at the Impressions Gallery in Bradford, UK, until August 23. The exhibition also features a biodegradable book made from mushroom-based paper and plant-based inks, highlighting the interplay of art and nature. [Extracted from the article]
Copyright of New Scientist is the property of New Scientist Ltd. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Engineering Source
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  Data: <searchLink fieldCode="AR" term="%22Dinneen%2C+James%22">Dinneen, James</searchLink> (AUTHOR)
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  Data: <searchLink fieldCode="JN" term="%22New+Scientist%22">New Scientist</searchLink>. 6/7/2025, Vol. 266 Issue 3546, p24-25. 2p. 1 Color Photograph.
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  Data: The article focuses on artist Clare Hewitt's project involving oak leaf prints created over five years at the Birmingham Institute of Forest Research in the UK. Inspired by the concept of connection and resource sharing in nature, Hewitt engaged with the trees, producing prints by placing fallen leaves on expired photo paper and exposing them to sunlight, while returning the leaves to the forest. This work is part of her exhibition titled "Everything in the Forest is the Forest," displayed at the Impressions Gallery in Bradford, UK, until August 23. The exhibition also features a biodegradable book made from mushroom-based paper and plant-based inks, highlighting the interplay of art and nature. [Extracted from the article]
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  Data: <i>Copyright of New Scientist is the property of New Scientist Ltd. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
PLink https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=egs&AN=185672818
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      – Type: doi
        Value: 10.1016/s0262-4079(25)00916-9
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      – Code: eng
        Text: English
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        StartPage: 24
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      – SubjectFull: Trees in art
        Type: general
      – SubjectFull: Hawthorns
        Type: general
      – SubjectFull: Rural geography
        Type: general
      – SubjectFull: Research institutes
        Type: general
      – SubjectFull: Loneliness
        Type: general
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      – TitleFull: Time and light.
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              Text: 6/7/2025
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              Y: 2025
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