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Experiments and traditions in Ukrainian contemporary printmaking.

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Title: Experiments and traditions in Ukrainian contemporary printmaking.
Authors: Romanenkova, Julia1 juliia.romanenkova@naoma.edu.ua, Tarannyk, Alla2, Yefimov, Yurii3, Myronova, Anna3
Source: Journal of Graphic Engineering & Design (JGED). Jun2025, Vol. 16 Issue 2, p5-12. 8p.
Subjects: Graphic arts, Etching techniques, Printmaking, Etching, Artists
Abstract: The article covers the phenomenon of synthesis of traditions and innovations in contemporary Ukrainian printmaking. The trends of today's art of circulation graphic arts in Ukraine, novelty, tools of artists of the new generation are considered. The problem of danger of classical techniques disappearing due to strengthening of C.A.D. positions is raised. Attention is focused on ways to preserve classical traditions using the example of intaglio techniques: etching, mezzo-tint, aquatint, dry point. The main trends in the existence of these techniques and ways of their preservation in various combinations are analysed. Work of the most distinctive schools (Lviv, Kyiv, Odesa), their brightest representatives who use traditional intaglio techniques, combining them, experimenting with technology, materials, creating new variations of traditional techniques, is covered. Attention is focused on the work of the Lviv school representative Oleh Denysenko who patented a new technique he invented, “gesography”, which became the most important tool in the process of preserving printmaking, in the modern artistic field and transforming it into an updated stronghold of fine arts of modern times. [ABSTRACT FROM AUTHOR]
Copyright of Journal of Graphic Engineering & Design (JGED) is the property of Journal of Graphic Engineering & Design (JGED) and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Engineering Source
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  Data: Experiments and traditions in Ukrainian contemporary printmaking.
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  Data: <searchLink fieldCode="JN" term="%22Journal+of+Graphic+Engineering+%26+Design+%28JGED%29%22">Journal of Graphic Engineering & Design (JGED)</searchLink>. Jun2025, Vol. 16 Issue 2, p5-12. 8p.
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  Data: <searchLink fieldCode="DE" term="%22Graphic+arts%22">Graphic arts</searchLink><br /><searchLink fieldCode="DE" term="%22Etching+techniques%22">Etching techniques</searchLink><br /><searchLink fieldCode="DE" term="%22Printmaking%22">Printmaking</searchLink><br /><searchLink fieldCode="DE" term="%22Etching%22">Etching</searchLink><br /><searchLink fieldCode="DE" term="%22Artists%22">Artists</searchLink>
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  Label: Abstract
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  Data: The article covers the phenomenon of synthesis of traditions and innovations in contemporary Ukrainian printmaking. The trends of today's art of circulation graphic arts in Ukraine, novelty, tools of artists of the new generation are considered. The problem of danger of classical techniques disappearing due to strengthening of C.A.D. positions is raised. Attention is focused on ways to preserve classical traditions using the example of intaglio techniques: etching, mezzo-tint, aquatint, dry point. The main trends in the existence of these techniques and ways of their preservation in various combinations are analysed. Work of the most distinctive schools (Lviv, Kyiv, Odesa), their brightest representatives who use traditional intaglio techniques, combining them, experimenting with technology, materials, creating new variations of traditional techniques, is covered. Attention is focused on the work of the Lviv school representative Oleh Denysenko who patented a new technique he invented, “gesography”, which became the most important tool in the process of preserving printmaking, in the modern artistic field and transforming it into an updated stronghold of fine arts of modern times. [ABSTRACT FROM AUTHOR]
– Name: AbstractSuppliedCopyright
  Label:
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  Data: <i>Copyright of Journal of Graphic Engineering & Design (JGED) is the property of Journal of Graphic Engineering & Design (JGED) and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
PLink https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=egs&AN=186142088
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        Value: 10.24867/JGED-2025-2-005
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      – Code: eng
        Text: English
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      – SubjectFull: Graphic arts
        Type: general
      – SubjectFull: Etching techniques
        Type: general
      – SubjectFull: Printmaking
        Type: general
      – SubjectFull: Etching
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            – D: 01
              M: 06
              Text: Jun2025
              Type: published
              Y: 2025
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