LASZLO SZABÓ DE DOBOS, SU APORTE AL ARTE SACRO MODERNO EN LA PROVINCIA DE BUENOS AIRES, 1955 - 1980.
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| Title: | LASZLO SZABÓ DE DOBOS, SU APORTE AL ARTE SACRO MODERNO EN LA PROVINCIA DE BUENOS AIRES, 1955 - 1980. |
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| Alternate Title: | LASZLO SZABÓ DE DOBOS, HIS CONTRIBUTION TO MODERN SACRED ART IN THE PROVINCE OF BUENOS AIRES, 1955-1980. ALASZLO SZABÓ DE DOBOS, SEU APORTE À ARTE SACRA MODERNA NA PROVÍNCIA DE BUENOS AIRES, 1955-1980. |
| Authors: | Benítez, Analía E.1,2 abenitez@mdp.edu.ar, Irouléguy, María Silvina3,4 irouleguys@yahoo.com.ar, Ros, Claudia F.3,4,5 cfros@mdp.edu.ar |
| Source: | I + A: Investigación + Acción. 2025, Issue 26, p192-218. 27p. |
| Subjects: | Religious art, Vatican Council (2nd : 1962-1965), Mosaics (Art), Bauhaus, Catholic Church, Architectural design, Artists |
| Geographic Terms: | Argentina, Buenos Aires (Argentina) |
| Abstract (English): | The architect and engineer László Dobosi Szabó, a graduate in Budapest and a student at the Bauhaus school, arrived in Argentina in 1948 from his native Hungary at the end of the Second World War. His works in the country ranged from painting landscapes, nudes and portraits, to the design of altars, stained glass windows and complete buildings for various churches in the city and province of Buenos Aires. His architectural projects, combined with his works of mural mosaic and altarpieces, highlighted him in the panorama of great changes and profound transformations that the Church was going through around the Second Vatican Council. Through research in personal and institutional archives and family interviews, this article discovers the personality and almost unknown work of this pioneer in the paths of renewal and dialogue of the Church with the art world in Argentina. [ABSTRACT FROM AUTHOR] |
| Abstract (Spanish): | El arquitecto e ingeniero László Dobosi Szabó, diplomado en Budapest y alumno de la escuela de la Bauhaus, llegó a la Argentina en 1948 desde su Hungría natal al terminar la Segunda Guerra Mundial. Sus trabajos en el país abarcaron desde pintura de paisajes, desnudos y retratos, hasta el diseño de altares, vitrales y edificios completos para diversas iglesias en la ciudad y en la provincia de Buenos Aires. Sus proyectos arquitectónicos en combinación con sus obras de mosaico mural y retablos, lo destacaron en el panorama de grandes cambios y profundas transformaciones que atravesaba la Iglesia en torno al Concilio Vaticano II. A través de la indagación en archivos personales e institucionales y entrevistas familiares, este artículo descubre la personalidad y obra casi desconocida, de este pionero en los caminos de renovación y diálogo de la Iglesia con el mundo del arte en Argentina. [ABSTRACT FROM AUTHOR] |
| Abstract (Portuguese): | O arquiteto e engenheiro László Dobosi Szabó, formado em Budapeste e aluno da escola Bauhaus, chegou à Argentina em 1948 vindo de sua Hungria natal, no final da Segunda Guerra Mundial. Seus trabalhos no país vão desde a pintura de paisagens, nus e retratos, até o desenho de altares, vitrais e edifícios completos para diversas igrejas da cidade e província de Buenos Aires. Os seus projectos arquitectónicos, aliados às suas obras de mosaico mural e retábulos, destacaram-no no panorama de grandes mudanças e profundas transformações que a Igreja atravessava por volta do Concílio Vaticano II. Através de pesquisas em arquivos pessoais e institucionais e entrevistas familiares, este artigo descobre a personalidade e a obra quase desconhecida deste pioneiro nos caminhos de renovação e diálogo da Igreja com o mundo da arte na Argentina. [ABSTRACT FROM AUTHOR] |
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| Database: | Engineering Source |
| Abstract: | The architect and engineer László Dobosi Szabó, a graduate in Budapest and a student at the Bauhaus school, arrived in Argentina in 1948 from his native Hungary at the end of the Second World War. His works in the country ranged from painting landscapes, nudes and portraits, to the design of altars, stained glass windows and complete buildings for various churches in the city and province of Buenos Aires. His architectural projects, combined with his works of mural mosaic and altarpieces, highlighted him in the panorama of great changes and profound transformations that the Church was going through around the Second Vatican Council. Through research in personal and institutional archives and family interviews, this article discovers the personality and almost unknown work of this pioneer in the paths of renewal and dialogue of the Church with the art world in Argentina. [ABSTRACT FROM AUTHOR] |
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| ISSN: | 18501117 |
