LA ESCENA PATRIMONIAL: HACIA UNA GESTIÓN INTEGRADA DEL VACÍO URBANO EN CENTROS HISTÓRICOS.
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| Title: | LA ESCENA PATRIMONIAL: HACIA UNA GESTIÓN INTEGRADA DEL VACÍO URBANO EN CENTROS HISTÓRICOS. |
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| Alternate Title: | THE HERITAGE SCENE: TOWARD AN INTEGRATED MANAGEMENT OF URBAN VOIDS IN HISTORIC CENTERS. |
| Authors: | PONCE-SÁNCHEZ, ALMA ANDREA1 aponce@userena.cl |
| Source: | Urbano. May2026, Vol. 28 Issue 53, p1-14. 14p. |
| Abstract (English): | This article presents a critique of the traditional heritage preservation paradigm, which focuses on the static, material object, and instead proposes the concept of "Scenic Heritage" as an integrative analytical category. The research, applied to the Typical Zone (Zona Típica) of La Serena, Chile, argues that urban voids are not residual spaces but active spatial devices where the space (the material), act (the immaterial), and time (memory) converge; it is precisely within this interaction that true heritage value emerges. Through a mixed-methods approach that combines evolutionary spatial analysis with qualitative techniques such as architectural ethnography and scenic photomontage, a structural gap is revealed between the lived urban experience and current regulatory frameworks that separate the material from the immaterial. The findings show that the local community values social uses and daily scenes more than the isolated monumentality of buildings, validating the "act" as a primary component of living heritage. Finally, a model based on a "scenic evaluation form" is proposed, advocating for holistic and participatory urban planning to strengthen the identity and cultural sustainability of historic centers. [ABSTRACT FROM AUTHOR] |
| Abstract (Spanish): | Este artículo presenta una crítica al paradigma tradicional de preservación patrimonial, centrado en el objeto estático y material, y propone, en su lugar, el concepto de "Patrimonio Escénico" como categoría analítica integradora. La investigación, aplicada en la Zona Típica de La Serena, Chile, sostiene que el vacío urbano no es un espacio residual, sino un dispositivo espacial activo donde convergen el espacio (lo material), el acto (lo inmaterial) y el tiempo (la memoria); es en esta interacción donde emerge el verdadero valor patrimonial. A través de una metodología mixta que combina el análisis espacial evolutivo con técnicas cualitativas como la etnografía arquitectónica y el fotomontaje escénico, se evidencia una brecha estructural entre la experiencia urbana viva y los marcos regulatorios actuales que separan lo material de lo inmaterial. Los hallazgos revelan que la comunidad local valora más los usos sociales y las escenas cotidianas que la monumentalidad aislada de los edificios, lo que valida el "acto" como componente primario del patrimonio vivo. Finalmente, se propone un modelo basado en una "ficha de evaluación escénica", que aboga por una planificación urbana holística y participativa que fortalezca la identidad y la sostenibilidad cultural de los centros históricos. [ABSTRACT FROM AUTHOR] |
| Copyright of Urbano is the property of Departamento de Planificacion y Diseno Urbano, Universidad del Bio-Bio and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.) | |
| Database: | Engineering Source |
| FullText | Links: – Type: pdflink Text: Availability: 0 |
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| Header | DbId: egs DbLabel: Engineering Source An: 195189732 AccessLevel: 6 PubType: Academic Journal PubTypeId: academicJournal PreciseRelevancyScore: 0 |
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| Items | – Name: Title Label: Title Group: Ti Data: LA ESCENA PATRIMONIAL: HACIA UNA GESTIÓN INTEGRADA DEL VACÍO URBANO EN CENTROS HISTÓRICOS. – Name: TitleAlt Label: Alternate Title Group: TiAlt Data: THE HERITAGE SCENE: TOWARD AN INTEGRATED MANAGEMENT OF URBAN VOIDS IN HISTORIC CENTERS. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22PONCE-SÁNCHEZ%2C+ALMA+ANDREA%22">PONCE-SÁNCHEZ, ALMA ANDREA</searchLink><relatesTo>1</relatesTo><i> aponce@userena.cl</i> – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="JN" term="%22Urbano%22">Urbano</searchLink>. May2026, Vol. 28 Issue 53, p1-14. 14p. – Name: Abstract Label: Abstract (English) Group: Ab Data: This article presents a critique of the traditional heritage preservation paradigm, which focuses on the static, material object, and instead proposes the concept of "Scenic Heritage" as an integrative analytical category. The research, applied to the Typical Zone (Zona Típica) of La Serena, Chile, argues that urban voids are not residual spaces but active spatial devices where the space (the material), act (the immaterial), and time (memory) converge; it is precisely within this interaction that true heritage value emerges. Through a mixed-methods approach that combines evolutionary spatial analysis with qualitative techniques such as architectural ethnography and scenic photomontage, a structural gap is revealed between the lived urban experience and current regulatory frameworks that separate the material from the immaterial. The findings show that the local community values social uses and daily scenes more than the isolated monumentality of buildings, validating the "act" as a primary component of living heritage. Finally, a model based on a "scenic evaluation form" is proposed, advocating for holistic and participatory urban planning to strengthen the identity and cultural sustainability of historic centers. [ABSTRACT FROM AUTHOR] – Name: Abstract Label: Abstract (Spanish) Group: Ab Data: Este artículo presenta una crítica al paradigma tradicional de preservación patrimonial, centrado en el objeto estático y material, y propone, en su lugar, el concepto de "Patrimonio Escénico" como categoría analítica integradora. La investigación, aplicada en la Zona Típica de La Serena, Chile, sostiene que el vacío urbano no es un espacio residual, sino un dispositivo espacial activo donde convergen el espacio (lo material), el acto (lo inmaterial) y el tiempo (la memoria); es en esta interacción donde emerge el verdadero valor patrimonial. A través de una metodología mixta que combina el análisis espacial evolutivo con técnicas cualitativas como la etnografía arquitectónica y el fotomontaje escénico, se evidencia una brecha estructural entre la experiencia urbana viva y los marcos regulatorios actuales que separan lo material de lo inmaterial. Los hallazgos revelan que la comunidad local valora más los usos sociales y las escenas cotidianas que la monumentalidad aislada de los edificios, lo que valida el "acto" como componente primario del patrimonio vivo. Finalmente, se propone un modelo basado en una "ficha de evaluación escénica", que aboga por una planificación urbana holística y participativa que fortalezca la identidad y la sostenibilidad cultural de los centros históricos. [ABSTRACT FROM AUTHOR] – Name: AbstractSuppliedCopyright Label: Group: Ab Data: <i>Copyright of Urbano is the property of Departamento de Planificacion y Diseno Urbano, Universidad del Bio-Bio and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.) |
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| RecordInfo | BibRecord: BibEntity: Identifiers: – Type: doi Value: 10.22320/07183607.2026.29.53.07 Languages: – Code: spa Text: Spanish PhysicalDescription: Pagination: PageCount: 14 StartPage: 1 Titles: – TitleFull: LA ESCENA PATRIMONIAL: HACIA UNA GESTIÓN INTEGRADA DEL VACÍO URBANO EN CENTROS HISTÓRICOS. Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: PONCE-SÁNCHEZ, ALMA ANDREA IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 05 Text: May2026 Type: published Y: 2026 Identifiers: – Type: issn-print Value: 07173997 Numbering: – Type: volume Value: 28 – Type: issue Value: 53 Titles: – TitleFull: Urbano Type: main |
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