Gordon Pask: Cybernetic Polymath.

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Bibliographic Details
Title: Gordon Pask: Cybernetic Polymath.
Authors: Fernández, María1 mf252@cornell.edu
Source: Leonardo. 2008, Vol. 41 Issue 2, p162-168. 7p. 1 Black and White Photograph.
Subjects: Pask, Gordon, Cybernetic art, Cybernetics, Art & technology, Machinery in art, Arts & electronics
Abstract: Despite his influence in art, architecture and theater, British cybernetician Gordon Pask is rarely acknowledged in histories of digital culture and virtually unknown in the history of art. Pask is better known as a theoretician than as an artist or designer, although his machines, artwork and theories were closely related. This article investigates the relevance of specific aspects of Pask's theories to his best-known artwork, The Colloquy of Mobiles, to illustrate his characteristic unification of science and art, and theory and material experimentation. Select works of contemporary art are discussed to indicate Pask's significance to contemporary art practices. [ABSTRACT FROM AUTHOR]
Copyright of Leonardo is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Engineering Source
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  Data: Despite his influence in art, architecture and theater, British cybernetician Gordon Pask is rarely acknowledged in histories of digital culture and virtually unknown in the history of art. Pask is better known as a theoretician than as an artist or designer, although his machines, artwork and theories were closely related. This article investigates the relevance of specific aspects of Pask's theories to his best-known artwork, The Colloquy of Mobiles, to illustrate his characteristic unification of science and art, and theory and material experimentation. Select works of contemporary art are discussed to indicate Pask's significance to contemporary art practices. [ABSTRACT FROM AUTHOR]
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  Data: <i>Copyright of Leonardo is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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      – Code: eng
        Text: English
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      – SubjectFull: Pask, Gordon
        Type: general
      – SubjectFull: Cybernetic art
        Type: general
      – SubjectFull: Cybernetics
        Type: general
      – SubjectFull: Art & technology
        Type: general
      – SubjectFull: Machinery in art
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      – SubjectFull: Arts & electronics
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      – TitleFull: Gordon Pask: Cybernetic Polymath.
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              Text: 2008
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