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The Return of Images: Photographic Inquiries into the Interaction of Light.

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Title: The Return of Images: Photographic Inquiries into the Interaction of Light.
Authors: Lissel, Edgar Edgar@edgarlissel.de
Source: Leonardo. 2008, Vol. 41 Issue 5, p438-445. 8p. 1 Black and White Photograph.
Subjects: First person narrative, Camera obscuras, Art techniques
Abstract: Edgar Lissel has been using the camera obscura for more than 10 years. He converted a transporter into a mobile pinhole camera and transformed living quarters and museum displays into walk-in pinhole cameras. Since 1999, Lissel has been working with bacteria, using their phototropic properties to produce his images. The bacteria move out of the shadow into the light. In the photographic installations Mnemosyne I and Mnemosyne II, he uses fluorescent color pigments to fix the images. Like a memory, the image is stored and emitted by the pigments. [ABSTRACT FROM AUTHOR]
Copyright of Leonardo is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Engineering Source
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PubType: Academic Journal
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  Data: The Return of Images: Photographic Inquiries into the Interaction of Light.
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  Data: <searchLink fieldCode="JN" term="%22Leonardo%22">Leonardo</searchLink>. 2008, Vol. 41 Issue 5, p438-445. 8p. 1 Black and White Photograph.
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  Data: Edgar Lissel has been using the camera obscura for more than 10 years. He converted a transporter into a mobile pinhole camera and transformed living quarters and museum displays into walk-in pinhole cameras. Since 1999, Lissel has been working with bacteria, using their phototropic properties to produce his images. The bacteria move out of the shadow into the light. In the photographic installations Mnemosyne I and Mnemosyne II, he uses fluorescent color pigments to fix the images. Like a memory, the image is stored and emitted by the pigments. [ABSTRACT FROM AUTHOR]
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  Data: <i>Copyright of Leonardo is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
PLink https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=egs&AN=34793241
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        Value: 10.1162/leon.2008.41.5.438
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      – SubjectFull: Art techniques
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