Bravo! Using Library Dance Collections to Recreate Historical Ballets.

Saved in:
Bibliographic Details
Title: Bravo! Using Library Dance Collections to Recreate Historical Ballets.
Authors: Weiss-Randall, Debra1 (AUTHOR) debraweiss@fau.edu
Source: Reference Librarian. Apr-Jun2016, Vol. 57 Issue 2, p100-113. 14p. 1 Color Photograph, 1 Black and White Photograph.
Subject Terms: Dance notation, Dance reconstruction
Company/Entity: Joffrey Ballet
People: Archer, Kenneth, Hodson, Millicent, Diaghilev, Serge, 1872-1929, Nijinsky, Waslaw, 1890-1950
Abstract: Recreating a kinesthetic art form is not easy. For ballets created in the modern age, film, videotape, and dance notation aid in the reconstruction. For historic masterworks, the process is akin to a detective story, as the dance reconstructors hunt for clues to the missing information. They comb through notated dance and music scores, choreographers’ notes, pictures, libretti, reviews, sketches, and eyewitness accounts. These archival materials are commonly housed in libraries’ special collections. The Jerome Robbins Dance Collection at the New York City Public Library for the Performing Arts is the foremost collection in the United States, but there are many other excellent collections, including at the Library of Congress and in university libraries. The authors explore one of the great reconstructions of the 20th century—Robert Joffrey’s remarkable 16-year effort to recreate Nijinsky’s lost choreography for the 1913 balletThe Rite of Spring. [ABSTRACT FROM PUBLISHER]
Copyright of Reference Librarian is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Education Research Complete
Full text is not displayed to guests.
Description
Abstract:Recreating a kinesthetic art form is not easy. For ballets created in the modern age, film, videotape, and dance notation aid in the reconstruction. For historic masterworks, the process is akin to a detective story, as the dance reconstructors hunt for clues to the missing information. They comb through notated dance and music scores, choreographers’ notes, pictures, libretti, reviews, sketches, and eyewitness accounts. These archival materials are commonly housed in libraries’ special collections. The Jerome Robbins Dance Collection at the New York City Public Library for the Performing Arts is the foremost collection in the United States, but there are many other excellent collections, including at the Library of Congress and in university libraries. The authors explore one of the great reconstructions of the 20th century—Robert Joffrey’s remarkable 16-year effort to recreate Nijinsky’s lost choreography for the 1913 balletThe Rite of Spring. [ABSTRACT FROM PUBLISHER]
ISSN:02763877
DOI:10.1080/02763877.2016.1123562