Paper Dancers: Art as Information in Twentieth-Century America.

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Title: Paper Dancers: Art as Information in Twentieth-Century America.
Authors: Laemmli, Whitney E.1
Source: Information & Culture. 2017, Vol. 52 Issue 1, preceding p1-30. 31p.
Subject Terms: *Memory, Labanotation, New York City history, 1898-1951, New York City history, 1951-
Company/Entity: Library of Congress. Copyright Office
Abstract: Around 1940, a New York City organization known as the Dance Notation Bureau (DNB) began a decades-long effort to promote a system known as "Labanotation." Designed to capture the ephemeral, three- dimensional complexity of dance on the fl at surface of paper, the DNB believed that Labanotation held the key to modernizing the art form. Focusing on the period between 1940 and 1975, this article catalogues the Dance Notation Bureau's efforts to make dance both "literate" and "scientifi c" and explores how these efforts contributed to broader transformations in the defi nitions of creativity, preservation, authorship, and dance itself. [ABSTRACT FROM AUTHOR]
Copyright of Information & Culture is the property of University of Texas Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Education Research Complete
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PubType: Academic Journal
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  Data: Around 1940, a New York City organization known as the Dance Notation Bureau (DNB) began a decades-long effort to promote a system known as "Labanotation." Designed to capture the ephemeral, three- dimensional complexity of dance on the fl at surface of paper, the DNB believed that Labanotation held the key to modernizing the art form. Focusing on the period between 1940 and 1975, this article catalogues the Dance Notation Bureau's efforts to make dance both "literate" and "scientifi c" and explores how these efforts contributed to broader transformations in the defi nitions of creativity, preservation, authorship, and dance itself. [ABSTRACT FROM AUTHOR]
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  Data: <i>Copyright of Information & Culture is the property of University of Texas Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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        Value: 10.7560/IC52101
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        Text: English
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      – SubjectFull: Labanotation
        Type: general
      – SubjectFull: New York City history, 1898-1951
        Type: general
      – SubjectFull: New York City history, 1951-
        Type: general
      – SubjectFull: Library of Congress. Copyright Office
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      – TitleFull: Paper Dancers: Art as Information in Twentieth-Century America.
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              Text: 2017
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