Keeping time in dance archives: moving towards the phenomenological archive space.
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| Title: | Keeping time in dance archives: moving towards the phenomenological archive space. |
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| Authors: | Oke, Arike1 (AUTHOR) arike.oke@rambert.org.uk |
| Source: | Archives & Records. Autumn2017, Vol. 38 Issue 2, p197-211. 15p. |
| Subject Terms: | Dance archives, Dance improvisation, Phenomenology, Dance in art, Dance libraries |
| Abstract: | Dance is one of the most public art forms; outside of improvisation, private practice and rehearsal, dance usually requires an audience. The creation and performance of dance takes place in liminal space, in the passage of time, within performers’ bodies, within the experiential exchange between the audience and the performers. The time-based phenomenology of dance is a challenge for dance archivists. It is also a challenge for the potential users of a dance archive to understand how or what from the experience of performed dance can be saved or preserved. In this article, I look at the ongoing debates in ballet and contemporary dance communities about the value of attempting to archive dance, resistance to attempts to essentialize their art-form into archivable formats and whether what the dance world recognizes as an archive is what the archive world would recognize as such. [ABSTRACT FROM PUBLISHER] |
| Copyright of Archives & Records is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.) | |
| Database: | Education Research Complete |
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| Header | DbId: ehh DbLabel: Education Research Complete An: 125035665 AccessLevel: 6 PubType: Academic Journal PubTypeId: academicJournal PreciseRelevancyScore: 0 |
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| Items | – Name: Title Label: Title Group: Ti Data: Keeping time in dance archives: moving towards the phenomenological archive space. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Oke%2C+Arike%22">Oke, Arike</searchLink><relatesTo>1</relatesTo> (AUTHOR)<i> arike.oke@rambert.org.uk</i> – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="JN" term="%22Archives+%26+Records%22">Archives & Records</searchLink>. Autumn2017, Vol. 38 Issue 2, p197-211. 15p. – Name: Subject Label: Subject Terms Group: Su Data: <searchLink fieldCode="DE" term="%22Dance+archives%22">Dance archives</searchLink><br /><searchLink fieldCode="DE" term="%22Dance+improvisation%22">Dance improvisation</searchLink><br /><searchLink fieldCode="DE" term="%22Phenomenology%22">Phenomenology</searchLink><br /><searchLink fieldCode="DE" term="%22Dance+in+art%22">Dance in art</searchLink><br /><searchLink fieldCode="DE" term="%22Dance+libraries%22">Dance libraries</searchLink> – Name: Abstract Label: Abstract Group: Ab Data: Dance is one of the most public art forms; outside of improvisation, private practice and rehearsal, dance usually requires an audience. The creation and performance of dance takes place in liminal space, in the passage of time, within performers’ bodies, within the experiential exchange between the audience and the performers. The time-based phenomenology of dance is a challenge for dance archivists. It is also a challenge for the potential users of a dance archive to understand how or what from the experience of performed dance can be saved or preserved. In this article, I look at the ongoing debates in ballet and contemporary dance communities about the value of attempting to archive dance, resistance to attempts to essentialize their art-form into archivable formats and whether what the dance world recognizes as an archive is what the archive world would recognize as such. [ABSTRACT FROM PUBLISHER] – Name: AbstractSuppliedCopyright Label: Group: Ab Data: <i>Copyright of Archives & Records is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.) |
| PLink | https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=ehh&AN=125035665 |
| RecordInfo | BibRecord: BibEntity: Identifiers: – Type: doi Value: 10.1080/23257962.2016.1274255 Languages: – Code: eng Text: English PhysicalDescription: Pagination: PageCount: 15 StartPage: 197 Subjects: – SubjectFull: Dance archives Type: general – SubjectFull: Dance improvisation Type: general – SubjectFull: Phenomenology Type: general – SubjectFull: Dance in art Type: general – SubjectFull: Dance libraries Type: general Titles: – TitleFull: Keeping time in dance archives: moving towards the phenomenological archive space. Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Oke, Arike IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 09 Text: Autumn2017 Type: published Y: 2017 Identifiers: – Type: issn-print Value: 23257962 Numbering: – Type: volume Value: 38 – Type: issue Value: 2 Titles: – TitleFull: Archives & Records Type: main |
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