View in EDS

La presencia de la voz. Percepciones y lenguaje poético en Germán Carrasco y Erri De Luca.

Saved in:
Bibliographic Details
Title: La presencia de la voz. Percepciones y lenguaje poético en Germán Carrasco y Erri De Luca.
Authors: BORTIGNON, MARTINA1
Source: Moderna Sprak. 2016, Vol. 110 Issue 1, p1-22. 22p.
Abstract: This article studies the representation of a multi-sensory voice in some works by two contemporary authors - Germán Carrasco (Chile) and Erri De Luca (Italy) - and the way it interrogates the relation between the poetic word and its referent. Particularly, it will consider the interplay between voice and image: on one hand, voice and image come together, generating a synesthetic continuum that emphasizes the materiality of representation; on the other hand, they eclipse each other, so that the frustrated access to the referent through a specific sensory channel make it paradoxically more present. With the support of Maurice Merleau-Ponty's corporeal phenomenology, it will be possible to show that the signification process in poetry and in poetic prose is deep-rooted in the perceptive dimension of the referent, as well as in the materiality of language. The analysis of the corporeal and multisensory voice in both authors will finally result in a sketch of their poetics: Carrasco creates a spacing or inter-body between words in order to expand the subject's perception to what is invisible, while De Luca tends to endow the word with all the intensity of the material referent. [ABSTRACT FROM AUTHOR]
Copyright of Moderna Sprak is the property of Institutionen for Moderna Sprak and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Education Research Complete
Description
Abstract:This article studies the representation of a multi-sensory voice in some works by two contemporary authors - Germán Carrasco (Chile) and Erri De Luca (Italy) - and the way it interrogates the relation between the poetic word and its referent. Particularly, it will consider the interplay between voice and image: on one hand, voice and image come together, generating a synesthetic continuum that emphasizes the materiality of representation; on the other hand, they eclipse each other, so that the frustrated access to the referent through a specific sensory channel make it paradoxically more present. With the support of Maurice Merleau-Ponty's corporeal phenomenology, it will be possible to show that the signification process in poetry and in poetic prose is deep-rooted in the perceptive dimension of the referent, as well as in the materiality of language. The analysis of the corporeal and multisensory voice in both authors will finally result in a sketch of their poetics: Carrasco creates a spacing or inter-body between words in order to expand the subject's perception to what is invisible, while De Luca tends to endow the word with all the intensity of the material referent. [ABSTRACT FROM AUTHOR]
ISSN:20003560
DOI:10.58221/mosp.v110i1.7888