Cultural aspects of the study of choreographic interpretations of I. Stravinsky's ballet “The Rite of Spring”.
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| Title: | Cultural aspects of the study of choreographic interpretations of I. Stravinsky's ballet “The Rite of Spring”. |
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| Authors: | Portnova, Tatiana1 portnova.t4223@tanu.pro |
| Source: | Journal of Language & Linguistics Studies. 2021, Vol. 17 Issue 3, p1411-1426. 16p. |
| Subject Terms: | *Cultural studies, Ballet, Choreography, Twenty twenties, Singing, Intonation (Musical pitch) |
| Abstract: | The study of the cognitive process of recognising images (signs) that characterise the content component or emotion is necessary for artistic communication. On the one hand, an interpreter is a representative of a specific society, ethnos, a linguistic personality, a communicant in the historical and modern aspects. On the other hand, in the centre of the ballet is a human with his actions, attitude to other characters, thoughts, feelings and peculiarities of plastic intonations. Since artistic knowledge belongs to the human personality, it has a certain historical, cultural, including social, spacious-hour context. During the “Russian period” of creativity I. Stravinsky created more than twenty works of various genres. The research area does not include the folklorebased “Tale about the Fox, the Rooster, the Cat and the Ram” (1916), “The Tale of the Fugitive Soldier and the Devil, Read, Played and Danced” (1918), in which, along with singing, there was the choreographic action. One of the criteria for selecting material for research is the opportunity to see the choreographic solution of the original versions of the ballets created at Diaghilev's theatre-enterprise. Choreographic reconstructions of “Tales ...” and “Tales of a Soldier” were not undertaken. These scores were not as much in demand by choreographers as the four compositions regarded. [ABSTRACT FROM AUTHOR] |
| Copyright of Journal of Language & Linguistics Studies is the property of Journal of Language & Linguistics Studies and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.) | |
| Database: | Education Research Complete |
| FullText | Links: – Type: pdflink Text: Availability: 0 |
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| Header | DbId: ehh DbLabel: Education Research Complete An: 153168975 AccessLevel: 6 PubType: Academic Journal PubTypeId: academicJournal PreciseRelevancyScore: 0 |
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| Items | – Name: Title Label: Title Group: Ti Data: Cultural aspects of the study of choreographic interpretations of I. Stravinsky's ballet “The Rite of Spring”. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Portnova%2C+Tatiana%22">Portnova, Tatiana</searchLink><relatesTo>1</relatesTo><i> portnova.t4223@tanu.pro</i> – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="JN" term="%22Journal+of+Language+%26+Linguistics+Studies%22">Journal of Language & Linguistics Studies</searchLink>. 2021, Vol. 17 Issue 3, p1411-1426. 16p. – Name: Subject Label: Subject Terms Group: Su Data: *<searchLink fieldCode="DE" term="%22Cultural+studies%22">Cultural studies</searchLink><br /><searchLink fieldCode="DE" term="%22Ballet%22">Ballet</searchLink><br /><searchLink fieldCode="DE" term="%22Choreography%22">Choreography</searchLink><br /><searchLink fieldCode="DE" term="%22Twenty+twenties%22">Twenty twenties</searchLink><br /><searchLink fieldCode="DE" term="%22Singing%22">Singing</searchLink><br /><searchLink fieldCode="DE" term="%22Intonation+%28Musical+pitch%29%22">Intonation (Musical pitch)</searchLink> – Name: Abstract Label: Abstract Group: Ab Data: The study of the cognitive process of recognising images (signs) that characterise the content component or emotion is necessary for artistic communication. On the one hand, an interpreter is a representative of a specific society, ethnos, a linguistic personality, a communicant in the historical and modern aspects. On the other hand, in the centre of the ballet is a human with his actions, attitude to other characters, thoughts, feelings and peculiarities of plastic intonations. Since artistic knowledge belongs to the human personality, it has a certain historical, cultural, including social, spacious-hour context. During the “Russian period” of creativity I. Stravinsky created more than twenty works of various genres. The research area does not include the folklorebased “Tale about the Fox, the Rooster, the Cat and the Ram” (1916), “The Tale of the Fugitive Soldier and the Devil, Read, Played and Danced” (1918), in which, along with singing, there was the choreographic action. One of the criteria for selecting material for research is the opportunity to see the choreographic solution of the original versions of the ballets created at Diaghilev's theatre-enterprise. Choreographic reconstructions of “Tales ...” and “Tales of a Soldier” were not undertaken. These scores were not as much in demand by choreographers as the four compositions regarded. [ABSTRACT FROM AUTHOR] – Name: AbstractSuppliedCopyright Label: Group: Ab Data: <i>Copyright of Journal of Language & Linguistics Studies is the property of Journal of Language & Linguistics Studies and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.) |
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| RecordInfo | BibRecord: BibEntity: Identifiers: – Type: doi Value: 10.52462/jlls.102 Languages: – Code: eng Text: English PhysicalDescription: Pagination: PageCount: 16 StartPage: 1411 Subjects: – SubjectFull: Cultural studies Type: general – SubjectFull: Ballet Type: general – SubjectFull: Choreography Type: general – SubjectFull: Twenty twenties Type: general – SubjectFull: Singing Type: general – SubjectFull: Intonation (Musical pitch) Type: general Titles: – TitleFull: Cultural aspects of the study of choreographic interpretations of I. Stravinsky's ballet “The Rite of Spring”. Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Portnova, Tatiana IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 07 Text: 2021 Type: published Y: 2021 Identifiers: – Type: issn-print Value: 1305578X Numbering: – Type: volume Value: 17 – Type: issue Value: 3 Titles: – TitleFull: Journal of Language & Linguistics Studies Type: main |
| ResultId | 1 |
