Politics and aesthetics of museum mathematics: the dissensual curriculum of early 21st century mathematics exhibitions.

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Title: Politics and aesthetics of museum mathematics: the dissensual curriculum of early 21st century mathematics exhibitions.
Authors: Kelton, Molly L.1 molly.kelton@wsu.edu, Nemirovsky, Ricardo2
Source: Journal of Curriculum Studies. Feb2023, Vol. 55 Issue 1, p82-104. 23p. 11 Black and White Photographs, 2 Diagrams.
Subject Terms: *Mathematics education, *Curriculum research, *Classroom environment, *School children, *Elementary education, Exhibitions, Museums
Geographic Terms: United States
Abstract: Museum-based mathematics exhibitions are increasingly prominent but under-theorized learning environments. In this study, we analyse the curriculum of United States mathematics exhibitions developed in the early 21st century in terms of their complex suggestions about the nature of mathematics and mathematical sense-making. We apply Rancière's notions of politics and aesthetics to explore what we describe as dissensus present in the texts, images, and multi-sensory exhibits of several major mathematics exhibitions. Our analysis characterizes this dissensus as a paradoxical mix of alternative and familiar mathematical aesthetics. On the one hand, we identify an alternative aesthetic emphasizing everyday ubiquity, sensuality, and informal sense-making. At the same time, we identify a countervailing emphasis on dominant notions of mathematics as esoteric, immaterial, and formal-symbolic. Museum mathematics efforts sometimes describe themselves as expanding how the public views and defines mathematics. A close examination of the exhibitions in this study reveals a complex picture, in which dominant and alternative forms of mathematics are co-present. The analysis suggests that museum-based mathematics researchers and practitioners view their work as containing political and aesthetic dimensions that can disrupt or reify what society counts as mathematics. [ABSTRACT FROM AUTHOR]
Copyright of Journal of Curriculum Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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  Data: <searchLink fieldCode="JN" term="%22Journal+of+Curriculum+Studies%22">Journal of Curriculum Studies</searchLink>. Feb2023, Vol. 55 Issue 1, p82-104. 23p. 11 Black and White Photographs, 2 Diagrams.
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  Data: Museum-based mathematics exhibitions are increasingly prominent but under-theorized learning environments. In this study, we analyse the curriculum of United States mathematics exhibitions developed in the early 21st century in terms of their complex suggestions about the nature of mathematics and mathematical sense-making. We apply Rancière's notions of politics and aesthetics to explore what we describe as dissensus present in the texts, images, and multi-sensory exhibits of several major mathematics exhibitions. Our analysis characterizes this dissensus as a paradoxical mix of alternative and familiar mathematical aesthetics. On the one hand, we identify an alternative aesthetic emphasizing everyday ubiquity, sensuality, and informal sense-making. At the same time, we identify a countervailing emphasis on dominant notions of mathematics as esoteric, immaterial, and formal-symbolic. Museum mathematics efforts sometimes describe themselves as expanding how the public views and defines mathematics. A close examination of the exhibitions in this study reveals a complex picture, in which dominant and alternative forms of mathematics are co-present. The analysis suggests that museum-based mathematics researchers and practitioners view their work as containing political and aesthetic dimensions that can disrupt or reify what society counts as mathematics. [ABSTRACT FROM AUTHOR]
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  Data: <i>Copyright of Journal of Curriculum Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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        Value: 10.1080/00220272.2022.2061301
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        Text: English
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              Text: Feb2023
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