Revisiting Reggio Emilia through a more-than-human lullaby: diffractive montages as documenting childhood (and) literacy otherwise.

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Title: Revisiting Reggio Emilia through a more-than-human lullaby: diffractive montages as documenting childhood (and) literacy otherwise.
Authors: Caetano-Silva, Giovanna1 giovannacaetano@us.es, Guzmán-Simón, Fernando1, Pacheco-Costa, Alejandra1
Source: Pedagogy, Culture & Society. Aug2024, Vol. 32 Issue 4, p905-922. 18p.
Subject Terms: *Early childhood education, Posthumanism, Narratives, Decolonization
People: Emilia, Reggio
Abstract: The authors draw on posthumanism to expand Reggio Emilia's pedagogical documentation techniques through a diffractive montage. Analysis of a phenomenon involving 4- and 5-year-old children singing a lullaby in a school in Seville (Spain), considers how this diffractive montage leads to a reconfiguration of the pioneering work of Reggio Emilia. The authors also contemplate the narrative of relationships, intra-actions and literacies materialised in this posthumanist diffraction of Reggio Emilia. The diffractive montage sheds light on the new material relations in the phenomenon to enable an expansion of the relational perspective of Reggio Emilia. Throughout this process, learning/play, observer/observed and human/non-human binaries dissolve which troubles the ontological premise of humanistic research. In the diffractive montage epistemic injustice relating to childhood literacies emerges, and so does the imperative to map their multiple familiarities from a de/colonising perspective. [ABSTRACT FROM AUTHOR]
Copyright of Pedagogy, Culture & Society is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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  Data: The authors draw on posthumanism to expand Reggio Emilia's pedagogical documentation techniques through a diffractive montage. Analysis of a phenomenon involving 4- and 5-year-old children singing a lullaby in a school in Seville (Spain), considers how this diffractive montage leads to a reconfiguration of the pioneering work of Reggio Emilia. The authors also contemplate the narrative of relationships, intra-actions and literacies materialised in this posthumanist diffraction of Reggio Emilia. The diffractive montage sheds light on the new material relations in the phenomenon to enable an expansion of the relational perspective of Reggio Emilia. Throughout this process, learning/play, observer/observed and human/non-human binaries dissolve which troubles the ontological premise of humanistic research. In the diffractive montage epistemic injustice relating to childhood literacies emerges, and so does the imperative to map their multiple familiarities from a de/colonising perspective. [ABSTRACT FROM AUTHOR]
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  Data: <i>Copyright of Pedagogy, Culture & Society is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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      – Type: doi
        Value: 10.1080/14681366.2024.2355109
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      – Code: eng
        Text: English
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      – SubjectFull: Narratives
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      – SubjectFull: Decolonization
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      – SubjectFull: Emilia, Reggio
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      – TitleFull: Revisiting Reggio Emilia through a more-than-human lullaby: diffractive montages as documenting childhood (and) literacy otherwise.
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            NameFull: Guzmán-Simón, Fernando
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            – D: 01
              M: 08
              Text: Aug2024
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              Y: 2024
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