Singing Teacher Perception of Breathiness in Vibrato and Non-Vibrato Tones.

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Title: Singing Teacher Perception of Breathiness in Vibrato and Non-Vibrato Tones.
Authors: Nix, John1, Lester-Smith, Rosemary A.2,3, Cummings, Natalie4, Eidson, Elizabeth5 lizzyeidson11@gmail.com, Derrick, Elaina5 Elainaderrick@gmail.com
Source: Journal of Singing. Jan/Feb2025, Vol. 81 Issue 3, p315-325. 11p.
Subject Terms: *Psychology of teachers, *Students, *College teacher attitudes, Vowels, Vibration (Mechanics), Musical perception, Human voice, Singing, Musical pitch
Abstract: The ability to vary vibrato for stylistic or ensemble purposes is a sought-after skill for many singers, yet the mechanisms for doing so in a sustainable fashion remain somewhat elusive. These mechanisms are of interest to singing teachers and speech pathologists, who must guide the behaviors of the students and clients they teach. In this research study, the authors explored one set of behaviors--varying the amount of breathiness--often used by singers in singing vibrato and non-vibrato. Teacher evaluations of the amount of breathiness were compared for the two conditions (vibrato and non-vibrato) and for two vowels. [ABSTRACT FROM AUTHOR]
Copyright of Journal of Singing is the property of National Association of Teachers of Singing, Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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  Data: Singing Teacher Perception of Breathiness in Vibrato and Non-Vibrato Tones.
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  Data: <searchLink fieldCode="AR" term="%22Nix%2C+John%22">Nix, John</searchLink><relatesTo>1</relatesTo><br /><searchLink fieldCode="AR" term="%22Lester-Smith%2C+Rosemary+A%2E%22">Lester-Smith, Rosemary A.</searchLink><relatesTo>2,3</relatesTo><br /><searchLink fieldCode="AR" term="%22Cummings%2C+Natalie%22">Cummings, Natalie</searchLink><relatesTo>4</relatesTo><br /><searchLink fieldCode="AR" term="%22Eidson%2C+Elizabeth%22">Eidson, Elizabeth</searchLink><relatesTo>5</relatesTo><i> lizzyeidson11@gmail.com</i><br /><searchLink fieldCode="AR" term="%22Derrick%2C+Elaina%22">Derrick, Elaina</searchLink><relatesTo>5</relatesTo><i> Elainaderrick@gmail.com</i>
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  Data: <searchLink fieldCode="JN" term="%22Journal+of+Singing%22">Journal of Singing</searchLink>. Jan/Feb2025, Vol. 81 Issue 3, p315-325. 11p.
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  Data: *<searchLink fieldCode="DE" term="%22Psychology+of+teachers%22">Psychology of teachers</searchLink><br />*<searchLink fieldCode="DE" term="%22Students%22">Students</searchLink><br />*<searchLink fieldCode="DE" term="%22College+teacher+attitudes%22">College teacher attitudes</searchLink><br /><searchLink fieldCode="DE" term="%22Vowels%22">Vowels</searchLink><br /><searchLink fieldCode="DE" term="%22Vibration+%28Mechanics%29%22">Vibration (Mechanics)</searchLink><br /><searchLink fieldCode="DE" term="%22Musical+perception%22">Musical perception</searchLink><br /><searchLink fieldCode="DE" term="%22Human+voice%22">Human voice</searchLink><br /><searchLink fieldCode="DE" term="%22Singing%22">Singing</searchLink><br /><searchLink fieldCode="DE" term="%22Musical+pitch%22">Musical pitch</searchLink>
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  Label: Abstract
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  Data: The ability to vary vibrato for stylistic or ensemble purposes is a sought-after skill for many singers, yet the mechanisms for doing so in a sustainable fashion remain somewhat elusive. These mechanisms are of interest to singing teachers and speech pathologists, who must guide the behaviors of the students and clients they teach. In this research study, the authors explored one set of behaviors--varying the amount of breathiness--often used by singers in singing vibrato and non-vibrato. Teacher evaluations of the amount of breathiness were compared for the two conditions (vibrato and non-vibrato) and for two vowels. [ABSTRACT FROM AUTHOR]
– Name: AbstractSuppliedCopyright
  Label:
  Group: Ab
  Data: <i>Copyright of Journal of Singing is the property of National Association of Teachers of Singing, Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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RecordInfo BibRecord:
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    Identifiers:
      – Type: doi
        Value: 10.53830/sing.00098
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      – Code: eng
        Text: English
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        PageCount: 11
        StartPage: 315
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      – SubjectFull: Psychology of teachers
        Type: general
      – SubjectFull: Students
        Type: general
      – SubjectFull: College teacher attitudes
        Type: general
      – SubjectFull: Vowels
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      – SubjectFull: Vibration (Mechanics)
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      – SubjectFull: Musical perception
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      – SubjectFull: Human voice
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      – SubjectFull: Singing
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      – SubjectFull: Musical pitch
        Type: general
    Titles:
      – TitleFull: Singing Teacher Perception of Breathiness in Vibrato and Non-Vibrato Tones.
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            NameFull: Nix, John
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            NameFull: Cummings, Natalie
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            NameFull: Eidson, Elizabeth
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            – D: 01
              M: 01
              Text: Jan/Feb2025
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              Y: 2025
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