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The Musical Relationship between Claude Debussy and Igor Stravinsky.

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Title: The Musical Relationship between Claude Debussy and Igor Stravinsky.
Authors: Shirts, Peter1
Source: Notes. Jun2025, Vol. 81 Issue 4, p746-748. 3p.
Subject Terms: *Music theory, Musical form, Composers, Pianists
People: Debussy, Claude, 1862-1918, Stravinsky, Igor, 1882-1971
Abstract: The article "The Musical Relationship between Claude Debussy and Igor Stravinsky" by Mark McFarland delves into the influence of Stravinsky on Debussy's music during the years 1910-1914. McFarland's analysis focuses on Debussy's adoption of Stravinsky's compositional techniques, particularly stratified form, and explores the musical dialogue between the two composers. While the book may be challenging for some readers due to its theoretical depth, McFarland's detailed analyses provide valuable insights for those studying Debussy's music, making it a recommended resource for advanced music theory students in university libraries. [Extracted from the article]
Copyright of Notes is the property of Music Library Association Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Education Research Complete
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PubType: Academic Journal
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  Data: The article "The Musical Relationship between Claude Debussy and Igor Stravinsky" by Mark McFarland delves into the influence of Stravinsky on Debussy's music during the years 1910-1914. McFarland's analysis focuses on Debussy's adoption of Stravinsky's compositional techniques, particularly stratified form, and explores the musical dialogue between the two composers. While the book may be challenging for some readers due to its theoretical depth, McFarland's detailed analyses provide valuable insights for those studying Debussy's music, making it a recommended resource for advanced music theory students in university libraries. [Extracted from the article]
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  Data: <i>Copyright of Notes is the property of Music Library Association Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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        Value: 10.1353/not.2025.a960817
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      – Code: eng
        Text: English
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      – SubjectFull: Music theory
        Type: general
      – SubjectFull: Musical form
        Type: general
      – SubjectFull: Composers
        Type: general
      – SubjectFull: Pianists
        Type: general
      – SubjectFull: Debussy, Claude, 1862-1918
        Type: general
      – SubjectFull: Stravinsky, Igor, 1882-1971
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              Text: Jun2025
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