View in EDS PDF Full Text

Robert Schumann's Leipzig Chamber Works: Music in the Great Stream of Time.

Saved in:
Bibliographic Details
Title: Robert Schumann's Leipzig Chamber Works: Music in the Great Stream of Time.
Authors: TUNBRIDGE, LAURA1
Source: Notes. Dec2025, Vol. 82 Issue 2, p226-229. 4p.
Subject Terms: Musical notation, Autographs, Composers, Musical meter & rhythm, Musical interpretation, Musicologists
Abstract: The article explores the unresolved performance practice question regarding how pianists should interpret the notation of triplets and dotted rhythms when they appear together in musical scores. It discusses the varying perspectives of theorists, composers, and engravers, particularly focusing on the practices of composers like Schubert and Beethoven. While Schubert's autograph of "Wasserflut" suggests a simultaneous performance of these rhythms, Beethoven's works indicate a preference for separating them. The article emphasizes the significance of composers' autographs as reliable guides for understanding their intentions, despite the ongoing debates in performance practices. [Extracted from the article]
Copyright of Notes is the property of Music Library Association Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Education Research Complete
FullText Links:
  – Type: pdflink
Text:
  Availability: 0
Header DbId: ehh
DbLabel: Education Research Complete
An: 189119446
AccessLevel: 6
PubType: Academic Journal
PubTypeId: academicJournal
PreciseRelevancyScore: 0
IllustrationInfo
Items – Name: Title
  Label: Title
  Group: Ti
  Data: Robert Schumann's Leipzig Chamber Works: Music in the Great Stream of Time.
– Name: Author
  Label: Authors
  Group: Au
  Data: <searchLink fieldCode="AR" term="%22TUNBRIDGE%2C+LAURA%22">TUNBRIDGE, LAURA</searchLink><relatesTo>1</relatesTo>
– Name: TitleSource
  Label: Source
  Group: Src
  Data: <searchLink fieldCode="JN" term="%22Notes%22">Notes</searchLink>. Dec2025, Vol. 82 Issue 2, p226-229. 4p.
– Name: Subject
  Label: Subject Terms
  Group: Su
  Data: <searchLink fieldCode="DE" term="%22Musical+notation%22">Musical notation</searchLink><br /><searchLink fieldCode="DE" term="%22Autographs%22">Autographs</searchLink><br /><searchLink fieldCode="DE" term="%22Composers%22">Composers</searchLink><br /><searchLink fieldCode="DE" term="%22Musical+meter+%26+rhythm%22">Musical meter & rhythm</searchLink><br /><searchLink fieldCode="DE" term="%22Musical+interpretation%22">Musical interpretation</searchLink><br /><searchLink fieldCode="DE" term="%22Musicologists%22">Musicologists</searchLink>
– Name: Abstract
  Label: Abstract
  Group: Ab
  Data: The article explores the unresolved performance practice question regarding how pianists should interpret the notation of triplets and dotted rhythms when they appear together in musical scores. It discusses the varying perspectives of theorists, composers, and engravers, particularly focusing on the practices of composers like Schubert and Beethoven. While Schubert's autograph of "Wasserflut" suggests a simultaneous performance of these rhythms, Beethoven's works indicate a preference for separating them. The article emphasizes the significance of composers' autographs as reliable guides for understanding their intentions, despite the ongoing debates in performance practices. [Extracted from the article]
– Name: AbstractSuppliedCopyright
  Label:
  Group: Ab
  Data: <i>Copyright of Notes is the property of Music Library Association Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
PLink https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=ehh&AN=189119446
RecordInfo BibRecord:
  BibEntity:
    Identifiers:
      – Type: doi
        Value: 10.1353/not.2025.a974609
    Languages:
      – Code: eng
        Text: English
    PhysicalDescription:
      Pagination:
        PageCount: 4
        StartPage: 226
    Subjects:
      – SubjectFull: Musical notation
        Type: general
      – SubjectFull: Autographs
        Type: general
      – SubjectFull: Composers
        Type: general
      – SubjectFull: Musical meter & rhythm
        Type: general
      – SubjectFull: Musical interpretation
        Type: general
      – SubjectFull: Musicologists
        Type: general
    Titles:
      – TitleFull: Robert Schumann's Leipzig Chamber Works: Music in the Great Stream of Time.
        Type: main
  BibRelationships:
    HasContributorRelationships:
      – PersonEntity:
          Name:
            NameFull: TUNBRIDGE, LAURA
    IsPartOfRelationships:
      – BibEntity:
          Dates:
            – D: 01
              M: 12
              Text: Dec2025
              Type: published
              Y: 2025
          Identifiers:
            – Type: issn-print
              Value: 00274380
          Numbering:
            – Type: volume
              Value: 82
            – Type: issue
              Value: 2
          Titles:
            – TitleFull: Notes
              Type: main
ResultId 1