Getting to Know Indonesia Through Local Wisdom: Exploration of Indonesian Arts and Culture in the BIPA Program.
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| Title: | Getting to Know Indonesia Through Local Wisdom: Exploration of Indonesian Arts and Culture in the BIPA Program. |
|---|---|
| Alternate Title: | Mengenal Indonesia melalui Kearifan Lokal: Eksplorasi Seni dan Budaya Indonesia dalam Program BIPA. |
| Authors: | Hardika, Meilita1 meilitahardika@unesa.ac.id, Andriyanto, Octo Dendy1 octoandriyanto@unesa.ac.id |
| Source: | Kembara: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya. Oct2025, Vol. 11 Issue 2, p798-811. 14p. |
| Subject Terms: | *Masculinity, *Cultural relations, *Cultural identity, Popular culture, Critical discourse analysis, Indonesians |
| Abstract (English): | This research was motivated by the lack of comprehensive research on the representation of masculinity in classic Indonesian dangdut songs from the 1970s, 1980s, and 1990s. These songs contain authentic social constructions of male roles and characters in society, but have not been analyzed in depth using masculinity theory. This study aims to identify and analyze how male masculinity is represented in the lyrics of classic dangdut songs through the seven dimensions of masculinity proposed by Janet Saltzman Chafetz, namely physical, functional, sexual, emotional, intellectual, interpersonal, and personal characteristics. This study uses a qualitative descriptive method with a critical discourse analysis approach. The results show that masculinity is presented in a multidimensional way: physically strong and tough; responsible as a breadwinner and leader; subtly expressing sexual interest; reflecting emotions such as regret and sadness; thinking logically and wisely; maintaining relationships with responsibility and maturity; and adhering to spiritual values and principles of life. These findings confirm that masculinity in classic dangdut songs is not merely synonymous with dominance, but also reflects the emotional, rational, and spiritual sides of men in Indonesian popular culture. [ABSTRACT FROM AUTHOR] |
| Abstract (Indonesian): | Penelitian ini dilatarbelakangi oleh minimnya kajian komprehensif mengenai representasi maskulinitas dalam lagu dangdut klasik Indonesia era 1970-an, 1980-an, dan 1990-an. Lagu-lagu tersebut memuat konstruksi sosial yang autentik mengenai peran dan karakter laki-laki dalam masyarakat, namun belum banyak dianalisis secara mendalam menggunakan teori maskulinitas. Penelitian ini bertujuan untuk mengidentifikasi dan menganalisis bagaimana maskulinitas laki-laki direpresentasikan dalam lirik lagu dangdut klasik melalui tujuh dimensi maskulinitas yang dikemukakan oleh Janet Saltzman Chafetz, yaitu dimensi fisik, fungsional, seksual, emosional, intelektual, interpersonal, dan karakteristik pribadi. Penelitian ini menggunakan metode deskriptif kualitatif dengan pendekatan analisis wacana kritis. Hasil penelitian menunjukkan bahwa maskulinitas ditampilkan secara multidimensi: kuat dan tangguh secara fisik; bertanggung jawab sebagai pencari nafkah dan pemimpin; mengekspresikan ketertarikan seksual secara halus; merefleksikan emosi seperti penyesalan dan kesedihan; berpikir logis dan bijaksana; menjaga relasi dengan tanggung jawab dan kedewasaan; serta berpegang pada nilai spiritual dan prinsip hidup. Temuan ini menegaskan bahwa maskulinitas dalam lagu dangdut klasik tidak semata-mata identik dengan dominasi, melainkan juga mencerminkan sisi emosional, rasional, dan spiritual laki-laki dalam budaya populer Indonesia. [ABSTRACT FROM AUTHOR] |
| Copyright of Kembara: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya is the property of Universitas Muhammadiyah Malang and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.) | |
| Database: | Education Research Complete |
| FullText | Text: Availability: 0 |
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| Header | DbId: ehh DbLabel: Education Research Complete An: 190310819 AccessLevel: 6 PubType: Academic Journal PubTypeId: academicJournal PreciseRelevancyScore: 0 |
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| Items | – Name: Title Label: Title Group: Ti Data: Getting to Know Indonesia Through Local Wisdom: Exploration of Indonesian Arts and Culture in the BIPA Program. – Name: TitleAlt Label: Alternate Title Group: TiAlt Data: Mengenal Indonesia melalui Kearifan Lokal: Eksplorasi Seni dan Budaya Indonesia dalam Program BIPA. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Hardika%2C+Meilita%22">Hardika, Meilita</searchLink><relatesTo>1</relatesTo><i> meilitahardika@unesa.ac.id</i><br /><searchLink fieldCode="AR" term="%22Andriyanto%2C+Octo+Dendy%22">Andriyanto, Octo Dendy</searchLink><relatesTo>1</relatesTo><i> octoandriyanto@unesa.ac.id</i> – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="JN" term="%22Kembara%3A+Jurnal+Keilmuan+Bahasa%2C+Sastra%2C+dan+Pengajarannya%22">Kembara: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya</searchLink>. Oct2025, Vol. 11 Issue 2, p798-811. 14p. – Name: Subject Label: Subject Terms Group: Su Data: *<searchLink fieldCode="DE" term="%22Masculinity%22">Masculinity</searchLink><br />*<searchLink fieldCode="DE" term="%22Cultural+relations%22">Cultural relations</searchLink><br />*<searchLink fieldCode="DE" term="%22Cultural+identity%22">Cultural identity</searchLink><br /><searchLink fieldCode="DE" term="%22Popular+culture%22">Popular culture</searchLink><br /><searchLink fieldCode="DE" term="%22Critical+discourse+analysis%22">Critical discourse analysis</searchLink><br /><searchLink fieldCode="DE" term="%22Indonesians%22">Indonesians</searchLink> – Name: Abstract Label: Abstract (English) Group: Ab Data: This research was motivated by the lack of comprehensive research on the representation of masculinity in classic Indonesian dangdut songs from the 1970s, 1980s, and 1990s. These songs contain authentic social constructions of male roles and characters in society, but have not been analyzed in depth using masculinity theory. This study aims to identify and analyze how male masculinity is represented in the lyrics of classic dangdut songs through the seven dimensions of masculinity proposed by Janet Saltzman Chafetz, namely physical, functional, sexual, emotional, intellectual, interpersonal, and personal characteristics. This study uses a qualitative descriptive method with a critical discourse analysis approach. The results show that masculinity is presented in a multidimensional way: physically strong and tough; responsible as a breadwinner and leader; subtly expressing sexual interest; reflecting emotions such as regret and sadness; thinking logically and wisely; maintaining relationships with responsibility and maturity; and adhering to spiritual values and principles of life. These findings confirm that masculinity in classic dangdut songs is not merely synonymous with dominance, but also reflects the emotional, rational, and spiritual sides of men in Indonesian popular culture. [ABSTRACT FROM AUTHOR] – Name: Abstract Label: Abstract (Indonesian) Group: Ab Data: Penelitian ini dilatarbelakangi oleh minimnya kajian komprehensif mengenai representasi maskulinitas dalam lagu dangdut klasik Indonesia era 1970-an, 1980-an, dan 1990-an. Lagu-lagu tersebut memuat konstruksi sosial yang autentik mengenai peran dan karakter laki-laki dalam masyarakat, namun belum banyak dianalisis secara mendalam menggunakan teori maskulinitas. Penelitian ini bertujuan untuk mengidentifikasi dan menganalisis bagaimana maskulinitas laki-laki direpresentasikan dalam lirik lagu dangdut klasik melalui tujuh dimensi maskulinitas yang dikemukakan oleh Janet Saltzman Chafetz, yaitu dimensi fisik, fungsional, seksual, emosional, intelektual, interpersonal, dan karakteristik pribadi. Penelitian ini menggunakan metode deskriptif kualitatif dengan pendekatan analisis wacana kritis. Hasil penelitian menunjukkan bahwa maskulinitas ditampilkan secara multidimensi: kuat dan tangguh secara fisik; bertanggung jawab sebagai pencari nafkah dan pemimpin; mengekspresikan ketertarikan seksual secara halus; merefleksikan emosi seperti penyesalan dan kesedihan; berpikir logis dan bijaksana; menjaga relasi dengan tanggung jawab dan kedewasaan; serta berpegang pada nilai spiritual dan prinsip hidup. Temuan ini menegaskan bahwa maskulinitas dalam lagu dangdut klasik tidak semata-mata identik dengan dominasi, melainkan juga mencerminkan sisi emosional, rasional, dan spiritual laki-laki dalam budaya populer Indonesia. [ABSTRACT FROM AUTHOR] – Name: AbstractSuppliedCopyright Label: Group: Ab Data: <i>Copyright of Kembara: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya is the property of Universitas Muhammadiyah Malang and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.) |
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| RecordInfo | BibRecord: BibEntity: Identifiers: – Type: doi Value: 10.22219/kembara.v11i2.41255 Languages: – Code: eng Text: English PhysicalDescription: Pagination: PageCount: 14 StartPage: 798 Subjects: – SubjectFull: Masculinity Type: general – SubjectFull: Cultural relations Type: general – SubjectFull: Cultural identity Type: general – SubjectFull: Popular culture Type: general – SubjectFull: Critical discourse analysis Type: general – SubjectFull: Indonesians Type: general Titles: – TitleFull: Getting to Know Indonesia Through Local Wisdom: Exploration of Indonesian Arts and Culture in the BIPA Program. Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Hardika, Meilita – PersonEntity: Name: NameFull: Andriyanto, Octo Dendy IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 10 Text: Oct2025 Type: published Y: 2025 Identifiers: – Type: issn-print Value: 24427632 Numbering: – Type: volume Value: 11 – Type: issue Value: 2 Titles: – TitleFull: Kembara: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Type: main |
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