Sujeitos nómadas a escrever na linha de fuga: Novas Cartas Portuguesas das Três Marias e a poesia de Yu Xiuhua.

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Title: Sujeitos nómadas a escrever na linha de fuga: Novas Cartas Portuguesas das Três Marias e a poesia de Yu Xiuhua.
Authors: Huang, Lin1 lin_matilde@yahoo.com
Source: Moderna Sprak. 2025, Vol. 119 Issue 3, p107-123. 17p.
Subject Terms: *Civil disobedience, *Artistic creation, Women authors, Feminine identity, Poets, Social change, Literature
People: Deleuze, Gilles, 1925-1995, Guattari, Félix, 1930-1992
Abstract (English): This paper explores the concept of writing along a "line of flight" by juxtaposing the literary corpora of Novas Cartas Portuguesas by the Three Marias and the poetry of Yu Xiuhua. The "line of flight", a philosophical concept proposed by Deleuze and Guattari (1987), describes a non-linear existence marked by continual rupture and transformation. Writing along this trajectory entails a mode of literary creation grounded in disobedience and resistance to pre-established order. The authors are approached as "nomadic subjects", a term developed by Braidotti (2011) based on Deleuze and Guattari's notion of nomadism, which implies a refusal of fixed identity and a transgression of preconceived boundaries. While resisting essentialist categories, the authors simultaneously assert a female positionality and illuminate the gaps between women situated in diverse social, cultural, and bodily contexts. Novas Cartas Portuguesas constructs a kaleidoscopic female universe rooted in the figure of Mariana Alcoforado, whereas Yu Xiuhua's poetry complements this with the inscription of a differently-abled body, emphasizing the materiality of embodiment and revealing the often-invisible disparities among women across distinct lived realities. [ABSTRACT FROM AUTHOR]
Abstract (Portuguese): O presente trabalho visa discorrer sobre questão de escrita na «linha de fuga» colocando em justaposição os corpora de Novas Cartas Portuguesas das Três Marias e a poesia de Yu Xiuhua. A «linha de fuga» é um conceito filosófico proposto por Deleuze e Guatarri (1987), para descrever uma existência em devir não-linear e perpétuas ruturas. Em relação à escrita na «linha de fuga», implica uma criação literária de desobediência e desafio contra a ordem pré-estabelecida. Enquanto isso, as autoras são vistas como «sujeitos nómadas», um termo desenvolvido por Braidotti (2011) com base nas discussões de Deleuze e Guatarri (1987) sobre o «nomadismo». Ao considerar as autoras como «sujeitos nómadas», revela-se que elas escrevem de forma a fugir de identidade fixa e rompendo limites preconceituados. Ao mesmo tempo, identificam-se evidentemente como mulheres e iluminam lacunas entre diversas mulheres em diferentes condições. Novas Cartas Portuguesas constroem um universo feminino caleidoscópico a partir do protótipo Mariana Alcoforado, entretanto, a poesia de Yu oferece um caso complementar pela inscrição de um corpo com diversidade funcional, destacando a importância de materialidade corporal e tornando visíveis as lacunas entre as mulheres em distintos contextos. [ABSTRACT FROM AUTHOR]
Copyright of Moderna Sprak is the property of Institutionen for Moderna Sprak and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Education Research Complete
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  Data: Sujeitos nómadas a escrever na linha de fuga: Novas Cartas Portuguesas das Três Marias e a poesia de Yu Xiuhua.
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  Data: <searchLink fieldCode="AR" term="%22Huang%2C+Lin%22">Huang, Lin</searchLink><relatesTo>1</relatesTo><i> lin_matilde@yahoo.com</i>
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– Name: Abstract
  Label: Abstract (English)
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  Data: This paper explores the concept of writing along a "line of flight" by juxtaposing the literary corpora of Novas Cartas Portuguesas by the Three Marias and the poetry of Yu Xiuhua. The "line of flight", a philosophical concept proposed by Deleuze and Guattari (1987), describes a non-linear existence marked by continual rupture and transformation. Writing along this trajectory entails a mode of literary creation grounded in disobedience and resistance to pre-established order. The authors are approached as "nomadic subjects", a term developed by Braidotti (2011) based on Deleuze and Guattari's notion of nomadism, which implies a refusal of fixed identity and a transgression of preconceived boundaries. While resisting essentialist categories, the authors simultaneously assert a female positionality and illuminate the gaps between women situated in diverse social, cultural, and bodily contexts. Novas Cartas Portuguesas constructs a kaleidoscopic female universe rooted in the figure of Mariana Alcoforado, whereas Yu Xiuhua's poetry complements this with the inscription of a differently-abled body, emphasizing the materiality of embodiment and revealing the often-invisible disparities among women across distinct lived realities. [ABSTRACT FROM AUTHOR]
– Name: Abstract
  Label: Abstract (Portuguese)
  Group: Ab
  Data: O presente trabalho visa discorrer sobre questão de escrita na «linha de fuga» colocando em justaposição os corpora de Novas Cartas Portuguesas das Três Marias e a poesia de Yu Xiuhua. A «linha de fuga» é um conceito filosófico proposto por Deleuze e Guatarri (1987), para descrever uma existência em devir não-linear e perpétuas ruturas. Em relação à escrita na «linha de fuga», implica uma criação literária de desobediência e desafio contra a ordem pré-estabelecida. Enquanto isso, as autoras são vistas como «sujeitos nómadas», um termo desenvolvido por Braidotti (2011) com base nas discussões de Deleuze e Guatarri (1987) sobre o «nomadismo». Ao considerar as autoras como «sujeitos nómadas», revela-se que elas escrevem de forma a fugir de identidade fixa e rompendo limites preconceituados. Ao mesmo tempo, identificam-se evidentemente como mulheres e iluminam lacunas entre diversas mulheres em diferentes condições. Novas Cartas Portuguesas constroem um universo feminino caleidoscópico a partir do protótipo Mariana Alcoforado, entretanto, a poesia de Yu oferece um caso complementar pela inscrição de um corpo com diversidade funcional, destacando a importância de materialidade corporal e tornando visíveis as lacunas entre as mulheres em distintos contextos. [ABSTRACT FROM AUTHOR]
– Name: AbstractSuppliedCopyright
  Label:
  Group: Ab
  Data: <i>Copyright of Moderna Sprak is the property of Institutionen for Moderna Sprak and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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RecordInfo BibRecord:
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        Value: 10.58221/mosp.v119i3.54763
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      – Code: por
        Text: Portuguese
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        StartPage: 107
    Subjects:
      – SubjectFull: Civil disobedience
        Type: general
      – SubjectFull: Artistic creation
        Type: general
      – SubjectFull: Women authors
        Type: general
      – SubjectFull: Feminine identity
        Type: general
      – SubjectFull: Poets
        Type: general
      – SubjectFull: Social change
        Type: general
      – SubjectFull: Literature
        Type: general
      – SubjectFull: Deleuze, Gilles, 1925-1995
        Type: general
      – SubjectFull: Guattari, Félix, 1930-1992
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      – TitleFull: Sujeitos nómadas a escrever na linha de fuga: Novas Cartas Portuguesas das Três Marias e a poesia de Yu Xiuhua.
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            – D: 01
              M: 09
              Text: 2025
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              Y: 2025
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