Modeling Musical Analysis.

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Bibliographic Details
Title: Modeling Musical Analysis.
Authors: FLOYD, JAMES MICHAEL1
Source: Notes. Jun2026, Vol. 82 Issue 4, p523-525. 3p.
Subject Terms: *Scholars, Musical analysis, Popular music genres, Composers, Contemporary classical music, Popular music
Abstract: The article reviews two recent music scholarship books, focusing primarily on *Modeling Musical Analysis*, edited by Kimberly Goddard Loeffert and John Peterson. This 2024 collection features 28 essays by predominantly minoritized scholars that apply diverse analytical approaches to a wide range of musical genres, including classical, popular, and non-Western music. The volume aims to enhance inclusivity in music theory pedagogy by providing accessible yet rigorous analyses suitable for advanced undergraduates, with detailed examples, bibliographies, and a companion website. The second book, *Bruckner’s Fourth: The Biography of a Symphony* by Benjamin M. Korstvedt, traces the compositional evolution and multiple versions of Anton Bruckner’s Fourth Symphony, contextualizing it within scholarly debates over authenticity and editorial interventions known as the Bruckner-Streit. Both works contribute significantly to their respective fields by combining scholarly depth with attention to historical and cultural contexts. [Extracted from the article]
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Database: Education Research Complete
Description
Abstract:The article reviews two recent music scholarship books, focusing primarily on *Modeling Musical Analysis*, edited by Kimberly Goddard Loeffert and John Peterson. This 2024 collection features 28 essays by predominantly minoritized scholars that apply diverse analytical approaches to a wide range of musical genres, including classical, popular, and non-Western music. The volume aims to enhance inclusivity in music theory pedagogy by providing accessible yet rigorous analyses suitable for advanced undergraduates, with detailed examples, bibliographies, and a companion website. The second book, *Bruckner’s Fourth: The Biography of a Symphony* by Benjamin M. Korstvedt, traces the compositional evolution and multiple versions of Anton Bruckner’s Fourth Symphony, contextualizing it within scholarly debates over authenticity and editorial interventions known as the Bruckner-Streit. Both works contribute significantly to their respective fields by combining scholarly depth with attention to historical and cultural contexts. [Extracted from the article]
ISSN:00274380