Homosexuality Inverted: José Sarria's Performance Archive and the Making of Nelly Queens, 1958–1963.
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| Title: | Homosexuality Inverted: José Sarria's Performance Archive and the Making of Nelly Queens, 1958–1963. |
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| Authors: | Reithmayr, Mori (AUTHOR) |
| Source: | Journal of the History of Sexuality. May2026, Vol. 35 Issue 2, p270-301. 32p. |
| Abstract: | At the height of postwar antigay oppression, San Franciscan activist and female impersonator José Sarria staged a series of gay-themed operas at the local Black Cat café. Reading Sarria's oral histories alongside her neglected performance archive, this article contends that Sarria's shows were as much engaged in creating as in politically mobilizing an incipient gay audience. This fuller reconstruction of Sarria's operas and her unusual vision of an inverted male homosexuality makes three contributions to histories of homophile activism and homosexuality. First, it reveals US homophiles to be more ideologically diverse and open to challenging a conservative postwar gender politics than often assumed. Second, it helps unsettle accounts of the ostensibly smooth transition to the homo/heterosexual binary across the mid-century by revealing the underappreciated ability of homophile activists to develop alternative interpretations of the binary itself. And third, it shows how a currently resurgent gay respectability politics that is based on the rejection of an abnormalized, trans other has encountered imaginative resistance in one of its periods of greatest success. [ABSTRACT FROM AUTHOR] |
| Copyright of Journal of the History of Sexuality is the property of University of Texas Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.) | |
| Database: | Education Research Complete |
| FullText | Text: Availability: 0 |
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| Header | DbId: ehh DbLabel: Education Research Complete An: 193890381 AccessLevel: 6 PubType: Academic Journal PubTypeId: academicJournal PreciseRelevancyScore: 0 |
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| Items | – Name: Title Label: Title Group: Ti Data: Homosexuality Inverted: José Sarria's Performance Archive and the Making of Nelly Queens, 1958–1963. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Reithmayr%2C+Mori%22">Reithmayr, Mori</searchLink> (AUTHOR) – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="JN" term="%22Journal+of+the+History+of+Sexuality%22">Journal of the History of Sexuality</searchLink>. May2026, Vol. 35 Issue 2, p270-301. 32p. – Name: Abstract Label: Abstract Group: Ab Data: At the height of postwar antigay oppression, San Franciscan activist and female impersonator José Sarria staged a series of gay-themed operas at the local Black Cat café. Reading Sarria's oral histories alongside her neglected performance archive, this article contends that Sarria's shows were as much engaged in creating as in politically mobilizing an incipient gay audience. This fuller reconstruction of Sarria's operas and her unusual vision of an inverted male homosexuality makes three contributions to histories of homophile activism and homosexuality. First, it reveals US homophiles to be more ideologically diverse and open to challenging a conservative postwar gender politics than often assumed. Second, it helps unsettle accounts of the ostensibly smooth transition to the homo/heterosexual binary across the mid-century by revealing the underappreciated ability of homophile activists to develop alternative interpretations of the binary itself. And third, it shows how a currently resurgent gay respectability politics that is based on the rejection of an abnormalized, trans other has encountered imaginative resistance in one of its periods of greatest success. [ABSTRACT FROM AUTHOR] – Name: AbstractSuppliedCopyright Label: Group: Ab Data: <i>Copyright of Journal of the History of Sexuality is the property of University of Texas Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.) |
| PLink | https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=ehh&AN=193890381 |
| RecordInfo | BibRecord: BibEntity: Languages: – Code: eng Text: English PhysicalDescription: Pagination: PageCount: 32 StartPage: 270 Titles: – TitleFull: Homosexuality Inverted: José Sarria's Performance Archive and the Making of Nelly Queens, 1958–1963. Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Reithmayr, Mori IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 05 Text: May2026 Type: published Y: 2026 Identifiers: – Type: issn-print Value: 10434070 Numbering: – Type: volume Value: 35 – Type: issue Value: 2 Titles: – TitleFull: Journal of the History of Sexuality Type: main |
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