Deconstructing the Frame: Siting Absence.

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Bibliographic Details
Title: Deconstructing the Frame: Siting Absence.
Authors: Wallin, Jason
Source: Journal of Social Theory in Art Education. 2006, Issue 26, p346-362. 17p. 1 Black and White Photograph.
Subject Terms: *Critical thinking, *Visual perception, Portrait frames, Art, Aesthetic experience
People: Derrida, Jacques, 1930-2004
Abstract: The article discusses several issues regarding the way artist Jacques Derrida has shown that the frame is never questioned in the western aesthetic tradition. Derrida notes that the notion of exteriority is predicated on the illusion of exteriority as induced by the frame. She also questions the assumption that the frame is subordinate to the ergonal work proper. The author cites that the frame deploys the illusion of coherence and internal stability, holds an art work together and elicits spectatorial gaze.
Database: Education Research Complete
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  Availability: 0
Header DbId: ehh
DbLabel: Education Research Complete
An: 25431518
AccessLevel: 6
PubType: Academic Journal
PubTypeId: academicJournal
PreciseRelevancyScore: 0
IllustrationInfo
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  Data: Deconstructing the Frame: Siting Absence.
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  Data: <searchLink fieldCode="JN" term="%22Journal+of+Social+Theory+in+Art+Education%22">Journal of Social Theory in Art Education</searchLink>. 2006, Issue 26, p346-362. 17p. 1 Black and White Photograph.
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  Data: *<searchLink fieldCode="DE" term="%22Critical+thinking%22">Critical thinking</searchLink><br />*<searchLink fieldCode="DE" term="%22Visual+perception%22">Visual perception</searchLink><br /><searchLink fieldCode="DE" term="%22Portrait+frames%22">Portrait frames</searchLink><br /><searchLink fieldCode="DE" term="%22Art%22">Art</searchLink><br /><searchLink fieldCode="DE" term="%22Aesthetic+experience%22">Aesthetic experience</searchLink>
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  Data: The article discusses several issues regarding the way artist Jacques Derrida has shown that the frame is never questioned in the western aesthetic tradition. Derrida notes that the notion of exteriority is predicated on the illusion of exteriority as induced by the frame. She also questions the assumption that the frame is subordinate to the ergonal work proper. The author cites that the frame deploys the illusion of coherence and internal stability, holds an art work together and elicits spectatorial gaze.
PLink https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=ehh&AN=25431518
RecordInfo BibRecord:
  BibEntity:
    Languages:
      – Code: eng
        Text: English
    PhysicalDescription:
      Pagination:
        PageCount: 17
        StartPage: 346
    Subjects:
      – SubjectFull: Critical thinking
        Type: general
      – SubjectFull: Visual perception
        Type: general
      – SubjectFull: Portrait frames
        Type: general
      – SubjectFull: Art
        Type: general
      – SubjectFull: Aesthetic experience
        Type: general
      – SubjectFull: Derrida, Jacques, 1930-2004
        Type: general
    Titles:
      – TitleFull: Deconstructing the Frame: Siting Absence.
        Type: main
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          Name:
            NameFull: Wallin, Jason
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      – BibEntity:
          Dates:
            – D: 01
              M: 06
              Text: 2006
              Type: published
              Y: 2006
          Identifiers:
            – Type: issn-print
              Value: 10570292
          Numbering:
            – Type: issue
              Value: 26
          Titles:
            – TitleFull: Journal of Social Theory in Art Education
              Type: main
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