The Other Transformed: Orientalist Discourse in Book IV of Keats Endymion.

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Title: The Other Transformed: Orientalist Discourse in Book IV of Keats Endymion.
Authors: Pirnajmuddin, Hossein1, Shiran, Parisa1
Source: Journal of Language Teaching & Research. Jan2013, Vol. 4 Issue 1, p67-73. 7p.
Subject Terms: *Masculinity, Endymion (Greek mythology), Ambivalence, Women household employees in literature
People: Keats, John, 1795-1821
Abstract: As a Romantic orientalist text, book IV of Keats's Endymion is a "semi-mythical construct". This paper is an attempt to examine the cultural pressure of what Edward Said has called "orientalist discourse" on Keats, a marginal figure during his lifetime. The focus will be on the "Janus-faced ambivalence", in Homi K. Bhabha's terms, characteristic of the margins of a nation's space. Written in the post-Waterlooian period, Endymion is an archetypal quest for identity and self-recognition. The other is represented in the figure of the sorrowful Indian maid who is both the feminine and the oriental Other for the English masculine Self. Associated with exotic beauty, subjected to the "oriental scrutiny" and masculine gaze, the Indian maid is transformed and possessed to confirm the poet's masculine self. However, it is argued, issues such as mythologically significant figures, unheimlich images in the poetic space, orientalist assumptions, digressive passages, vacillating tone of the poem, partial cancelation of the recognized selves, control of the point of view, aestheticizing and spiritualizing of the love for the Indian maid and finally the dreamy quality of the poem complicate the issue of orientalism in the poem. Surveying such complexities, the study seeks to account for what has usually been considered poetic immaturity in Keats's Endymion. It is suggested that the artistic drawbacks of the poem are in part the result of the disturbing presence of an oriental Other figuring as a surrogate for a love Keats felt he could not have. [ABSTRACT FROM AUTHOR]
Copyright of Journal of Language Teaching & Research is the property of Academy Publication Co., LTD and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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  Data: The Other Transformed: Orientalist Discourse in Book IV of Keats Endymion.
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  Data: <searchLink fieldCode="JN" term="%22Journal+of+Language+Teaching+%26+Research%22">Journal of Language Teaching & Research</searchLink>. Jan2013, Vol. 4 Issue 1, p67-73. 7p.
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  Data: *<searchLink fieldCode="DE" term="%22Masculinity%22">Masculinity</searchLink><br /><searchLink fieldCode="DE" term="%22Endymion+%28Greek+mythology%29%22">Endymion (Greek mythology)</searchLink><br /><searchLink fieldCode="DE" term="%22Ambivalence%22">Ambivalence</searchLink><br /><searchLink fieldCode="DE" term="%22Women+household+employees+in+literature%22">Women household employees in literature</searchLink>
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  Data: As a Romantic orientalist text, book IV of Keats's Endymion is a "semi-mythical construct". This paper is an attempt to examine the cultural pressure of what Edward Said has called "orientalist discourse" on Keats, a marginal figure during his lifetime. The focus will be on the "Janus-faced ambivalence", in Homi K. Bhabha's terms, characteristic of the margins of a nation's space. Written in the post-Waterlooian period, Endymion is an archetypal quest for identity and self-recognition. The other is represented in the figure of the sorrowful Indian maid who is both the feminine and the oriental Other for the English masculine Self. Associated with exotic beauty, subjected to the "oriental scrutiny" and masculine gaze, the Indian maid is transformed and possessed to confirm the poet's masculine self. However, it is argued, issues such as mythologically significant figures, unheimlich images in the poetic space, orientalist assumptions, digressive passages, vacillating tone of the poem, partial cancelation of the recognized selves, control of the point of view, aestheticizing and spiritualizing of the love for the Indian maid and finally the dreamy quality of the poem complicate the issue of orientalism in the poem. Surveying such complexities, the study seeks to account for what has usually been considered poetic immaturity in Keats's Endymion. It is suggested that the artistic drawbacks of the poem are in part the result of the disturbing presence of an oriental Other figuring as a surrogate for a love Keats felt he could not have. [ABSTRACT FROM AUTHOR]
– Name: AbstractSuppliedCopyright
  Label:
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  Data: <i>Copyright of Journal of Language Teaching & Research is the property of Academy Publication Co., LTD and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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        Value: 10.4304/jltr.4.1.67-73
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        Text: English
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      – SubjectFull: Ambivalence
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      – SubjectFull: Women household employees in literature
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