Progressive Presentations of Place-Based Identities in Meg Rosoff's How I Live Now.

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Title: Progressive Presentations of Place-Based Identities in Meg Rosoff's How I Live Now.
Authors: Lockney, Karen1 karen.lockney@cumbria.ac.uk
Source: Children's Literature in Education. Dec2013, Vol. 44 Issue 4, p311-325. 15p.
Subject Terms: *Children's literature, *Place-based education, Artistic influence
Reviews & Products: How I Live Now: A Novel (Book : Rosoff)
People: Rosoff, Meg, 1956-
Abstract: This article provides a close reading of Meg Rosoff's award-winning novel How I Live Now. It argues that an understanding of the text can be extended through an application of ideas found in contemporary spatial discourse concerning place. Reading the novel within this context allows a discussion of ways in which it draws on established traditions within children's literature, but also of ways in which it challenges a view of place-based identities, and the social relations inherent within those, as being nostalgic and fixed. Whilst not unique in this respect, How I Live Now offers a particularly strong challenge to conceptions of place as being rooted in stability, a challenge which is pertinent to young readers negotiating postmodern contexts, and which offers them an optimistic and progressive consideration of place. The novel draws on some literary traditions which could be viewed as nostalgic-the imagined rural idyll, the country house and garden, the escape from the city-but Rosoff offers a subtle subversion of these traditions through her progressive consideration of place-based identities. [ABSTRACT FROM AUTHOR]
Copyright of Children's Literature in Education is the property of Springer Nature and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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  Data: This article provides a close reading of Meg Rosoff's award-winning novel How I Live Now. It argues that an understanding of the text can be extended through an application of ideas found in contemporary spatial discourse concerning place. Reading the novel within this context allows a discussion of ways in which it draws on established traditions within children's literature, but also of ways in which it challenges a view of place-based identities, and the social relations inherent within those, as being nostalgic and fixed. Whilst not unique in this respect, How I Live Now offers a particularly strong challenge to conceptions of place as being rooted in stability, a challenge which is pertinent to young readers negotiating postmodern contexts, and which offers them an optimistic and progressive consideration of place. The novel draws on some literary traditions which could be viewed as nostalgic-the imagined rural idyll, the country house and garden, the escape from the city-but Rosoff offers a subtle subversion of these traditions through her progressive consideration of place-based identities. [ABSTRACT FROM AUTHOR]
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  Data: <i>Copyright of Children's Literature in Education is the property of Springer Nature and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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        Value: 10.1007/s10583-013-9198-3
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