From People's Theatre for Revolution to Popular Theatre for Reconstruction: Diary of a Zimbabwean Workshop. CESO Verhandeling No. 33.
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| Title: | From People's Theatre for Revolution to Popular Theatre for Reconstruction: Diary of a Zimbabwean Workshop. CESO Verhandeling No. 33. |
|---|---|
| Language: | English |
| Authors: | Kidd, Ross, International Council for Adult Education, Toronto (Ontario)., Centre for the Study of Education in Developing Countries, The Hague (Netherlands). |
| Availability: | Center for the Study of Education in Developing Countries. Badhuisweg 251, P.O. Box 90734 2509 LS The Hague, the Netherlands. (Ofl.5,50). |
| Peer Reviewed: | N |
| Page Count: | 95 |
| Publication Date: | 1984 |
| Document Type: | Reports - Descriptive |
| Descriptors: | Community Development, Community Involvement, Developing Nations, Drama, Economic Development, Educational Innovation, Feminism, Folk Culture, Nonformal Education, Popular Culture, Social Values, Theater Arts |
| Geographic Terms: | Zimbabwe |
| ISBN: | 978-90-6443-371-9 |
| Abstract: | Focusing on the experience of one of seven working groups at a theater-for-development workshop in Zimbabwe, this report details the process followed by many groups, and reveals some of the major learnings, dilemmas, contradictions, strengths, and limiting factors found in a practical village-based theater-for-development process. A brief discussion of theater-for-development (TFD) presents this drama form as an experimental collaborative process designed to take theater out of urban enclaves and make it accessible to the masses, presenting such common concerns as crop production, water shortages, immunization, literacy, and family planning. A day-by-day diary account of this working group illustrates an overview of, and specific tasks involved with, the production of a "theater pungwe"--people's theater. A TFD model lists educational objectives for the drama process and defines the workshop objectives, which are: (1) to train development cadres and theater artists in theater-for-development, and (2) to start a TFD program in Murewa area of Zimbabwe as a training and popular education/culture program. The report's concluding sections provide an analysis of the workshop, including constraints, relationship with villagers, organizational strategy, and team work. An extensive bibliography is included. (JB) |
| Entry Date: | 1985 |
| Accession Number: | ED259694 |
| Database: | ERIC |
| FullText | Text: Availability: 0 CustomLinks: – Url: https://eric.ed.gov/contentdelivery/servlet/ERICServlet?accno=ED259694 Name: ERIC Full Text Category: fullText Text: Full Text from ERIC |
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| Header | DbId: eric DbLabel: ERIC An: ED259694 AccessLevel: 3 PubType: Report PubTypeId: report PreciseRelevancyScore: 0 |
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| Items | – Name: Title Label: Title Group: Ti Data: From People's Theatre for Revolution to Popular Theatre for Reconstruction: Diary of a Zimbabwean Workshop. CESO Verhandeling No. 33. – Name: Language Label: Language Group: Lang Data: English – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Kidd%2C+Ross%22">Kidd, Ross</searchLink><br /><searchLink fieldCode="AR" term="%22International+Council+for+Adult+Education%2C+Toronto+%28Ontario%29%2E%22">International Council for Adult Education, Toronto (Ontario).</searchLink><br /><searchLink fieldCode="AR" term="%22Centre+for+the+Study+of+Education+in+Developing+Countries%2C+The+Hague+%28Netherlands%29%2E%22">Centre for the Study of Education in Developing Countries, The Hague (Netherlands).</searchLink> – Name: Avail Label: Availability Group: Avail Data: Center for the Study of Education in Developing Countries. Badhuisweg 251, P.O. Box 90734 2509 LS The Hague, the Netherlands. (Ofl.5,50). – Name: PeerReviewed Label: Peer Reviewed Group: SrcInfo Data: N – Name: Pages Label: Page Count Group: Src Data: 95 – Name: DatePubCY Label: Publication Date Group: Date Data: 1984 – Name: TypeDocument Label: Document Type Group: TypDoc Data: Reports - Descriptive – Name: Subject Label: Descriptors Group: Su Data: <searchLink fieldCode="DE" term="%22Community+Development%22">Community Development</searchLink><br /><searchLink fieldCode="DE" term="%22Community+Involvement%22">Community Involvement</searchLink><br /><searchLink fieldCode="DE" term="%22Developing+Nations%22">Developing Nations</searchLink><br /><searchLink fieldCode="DE" term="%22Drama%22">Drama</searchLink><br /><searchLink fieldCode="DE" term="%22Economic+Development%22">Economic Development</searchLink><br /><searchLink fieldCode="DE" term="%22Educational+Innovation%22">Educational Innovation</searchLink><br /><searchLink fieldCode="DE" term="%22Feminism%22">Feminism</searchLink><br /><searchLink fieldCode="DE" term="%22Folk+Culture%22">Folk Culture</searchLink><br /><searchLink fieldCode="DE" term="%22Nonformal+Education%22">Nonformal Education</searchLink><br /><searchLink fieldCode="DE" term="%22Popular+Culture%22">Popular Culture</searchLink><br /><searchLink fieldCode="DE" term="%22Social+Values%22">Social Values</searchLink><br /><searchLink fieldCode="DE" term="%22Theater+Arts%22">Theater Arts</searchLink> – Name: Subject Label: Geographic Terms Group: Su Data: <searchLink fieldCode="DE" term="%22Zimbabwe%22">Zimbabwe</searchLink> – Name: ISBN Label: ISBN Group: ISBN Data: 978-90-6443-371-9 – Name: Abstract Label: Abstract Group: Ab Data: Focusing on the experience of one of seven working groups at a theater-for-development workshop in Zimbabwe, this report details the process followed by many groups, and reveals some of the major learnings, dilemmas, contradictions, strengths, and limiting factors found in a practical village-based theater-for-development process. A brief discussion of theater-for-development (TFD) presents this drama form as an experimental collaborative process designed to take theater out of urban enclaves and make it accessible to the masses, presenting such common concerns as crop production, water shortages, immunization, literacy, and family planning. A day-by-day diary account of this working group illustrates an overview of, and specific tasks involved with, the production of a "theater pungwe"--people's theater. A TFD model lists educational objectives for the drama process and defines the workshop objectives, which are: (1) to train development cadres and theater artists in theater-for-development, and (2) to start a TFD program in Murewa area of Zimbabwe as a training and popular education/culture program. The report's concluding sections provide an analysis of the workshop, including constraints, relationship with villagers, organizational strategy, and team work. An extensive bibliography is included. (JB) – Name: DateEntry Label: Entry Date Group: Date Data: 1985 – Name: AN Label: Accession Number Group: ID Data: ED259694 |
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| RecordInfo | BibRecord: BibEntity: Languages: – Text: English PhysicalDescription: Pagination: PageCount: 95 Subjects: – SubjectFull: Community Development Type: general – SubjectFull: Community Involvement Type: general – SubjectFull: Developing Nations Type: general – SubjectFull: Drama Type: general – SubjectFull: Economic Development Type: general – SubjectFull: Educational Innovation Type: general – SubjectFull: Feminism Type: general – SubjectFull: Folk Culture Type: general – SubjectFull: Nonformal Education Type: general – SubjectFull: Popular Culture Type: general – SubjectFull: Social Values Type: general – SubjectFull: Theater Arts Type: general – SubjectFull: Zimbabwe Type: general Titles: – TitleFull: From People's Theatre for Revolution to Popular Theatre for Reconstruction: Diary of a Zimbabwean Workshop. CESO Verhandeling No. 33. Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: International Council for Adult Education, Toronto (Ontario). – PersonEntity: Name: NameFull: Centre for the Study of Education in Developing Countries, The Hague (Netherlands). – PersonEntity: Name: NameFull: Kidd, Ross IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 05 Type: published Y: 1984 Identifiers: – Type: isbn-print Value: 978-90-6443-371-9 |
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