The Making of Dolls and Figurative Clay Sculpture among Black Indigenous People of South Africa.

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Title: The Making of Dolls and Figurative Clay Sculpture among Black Indigenous People of South Africa.
Language: English
Authors: Mpako, Nombeko, Australian Inst. of Art Education, Melbourne.
Availability: Australian Inst. of Art Education, Melbourne., C/Suite 125, 283 Glenhuntley Road, Eisternwick, VIC, 3185, Australia.
Peer Reviewed: N
Page Count: 8
Publication Date: 1999
Document Type: Reports - Descriptive
Speeches/Meeting Papers
Descriptors: African Culture, Blacks, Clay, Community Involvement, Creative Expression, Foreign Countries, Indigenous Populations, Informal Education, Sculpture
Geographic Terms: South Africa
Abstract: Among African cultures, the creative process is regarded as the most important because it is usually done jointly as a culturally shared communal activity. For Africans, art is normally functional and the artifacts carry more meaning when they are in use. This paper focuses on the communal making of art, rather than just the aesthetic appreciation of artifacts, in an effort to highlight this activity as an important social phenomenon among African people. The paper presents the author's own experience of making and playing with these artifacts, followed by an analysis of the interpretation of this process by other authors. It concludes with some speculations about the cultural, personal, and educational effects of the loss of this cultural activity among the present generation of the Nguni young people to which the author belongs. (BT)
Entry Date: 2001
Accession Number: ED455153
Database: ERIC
FullText Text:
  Availability: 0
CustomLinks:
  – Url: https://eric.ed.gov/contentdelivery/servlet/ERICServlet?accno=ED455153
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AccessLevel: 3
PubType: Report
PubTypeId: report
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IllustrationInfo
Items – Name: Title
  Label: Title
  Group: Ti
  Data: The Making of Dolls and Figurative Clay Sculpture among Black Indigenous People of South Africa.
– Name: Language
  Label: Language
  Group: Lang
  Data: English
– Name: Author
  Label: Authors
  Group: Au
  Data: <searchLink fieldCode="AR" term="%22Mpako%2C+Nombeko%22">Mpako, Nombeko</searchLink><br /><searchLink fieldCode="AR" term="%22Australian+Inst%2E+of+Art+Education%2C+Melbourne%2E%22">Australian Inst. of Art Education, Melbourne.</searchLink>
– Name: Avail
  Label: Availability
  Group: Avail
  Data: Australian Inst. of Art Education, Melbourne., C/Suite 125, 283 Glenhuntley Road, Eisternwick, VIC, 3185, Australia.
– Name: PeerReviewed
  Label: Peer Reviewed
  Group: SrcInfo
  Data: N
– Name: Pages
  Label: Page Count
  Group: Src
  Data: 8
– Name: DatePubCY
  Label: Publication Date
  Group: Date
  Data: 1999
– Name: TypeDocument
  Label: Document Type
  Group: TypDoc
  Data: Reports - Descriptive<br />Speeches/Meeting Papers
– Name: Subject
  Label: Descriptors
  Group: Su
  Data: <searchLink fieldCode="DE" term="%22African+Culture%22">African Culture</searchLink><br /><searchLink fieldCode="DE" term="%22Blacks%22">Blacks</searchLink><br /><searchLink fieldCode="DE" term="%22Clay%22">Clay</searchLink><br /><searchLink fieldCode="DE" term="%22Community+Involvement%22">Community Involvement</searchLink><br /><searchLink fieldCode="DE" term="%22Creative+Expression%22">Creative Expression</searchLink><br /><searchLink fieldCode="DE" term="%22Foreign+Countries%22">Foreign Countries</searchLink><br /><searchLink fieldCode="DE" term="%22Indigenous+Populations%22">Indigenous Populations</searchLink><br /><searchLink fieldCode="DE" term="%22Informal+Education%22">Informal Education</searchLink><br /><searchLink fieldCode="DE" term="%22Sculpture%22">Sculpture</searchLink>
– Name: Subject
  Label: Geographic Terms
  Group: Su
  Data: <searchLink fieldCode="DE" term="%22South+Africa%22">South Africa</searchLink>
– Name: Abstract
  Label: Abstract
  Group: Ab
  Data: Among African cultures, the creative process is regarded as the most important because it is usually done jointly as a culturally shared communal activity. For Africans, art is normally functional and the artifacts carry more meaning when they are in use. This paper focuses on the communal making of art, rather than just the aesthetic appreciation of artifacts, in an effort to highlight this activity as an important social phenomenon among African people. The paper presents the author's own experience of making and playing with these artifacts, followed by an analysis of the interpretation of this process by other authors. It concludes with some speculations about the cultural, personal, and educational effects of the loss of this cultural activity among the present generation of the Nguni young people to which the author belongs. (BT)
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  Data: 2001
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  Label: Accession Number
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  Data: ED455153
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RecordInfo BibRecord:
  BibEntity:
    Languages:
      – Text: English
    PhysicalDescription:
      Pagination:
        PageCount: 8
    Subjects:
      – SubjectFull: African Culture
        Type: general
      – SubjectFull: Blacks
        Type: general
      – SubjectFull: Clay
        Type: general
      – SubjectFull: Community Involvement
        Type: general
      – SubjectFull: Creative Expression
        Type: general
      – SubjectFull: Foreign Countries
        Type: general
      – SubjectFull: Indigenous Populations
        Type: general
      – SubjectFull: Informal Education
        Type: general
      – SubjectFull: Sculpture
        Type: general
      – SubjectFull: South Africa
        Type: general
    Titles:
      – TitleFull: The Making of Dolls and Figurative Clay Sculpture among Black Indigenous People of South Africa.
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            NameFull: Australian Inst. of Art Education, Melbourne.
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          Name:
            NameFull: Mpako, Nombeko
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          Dates:
            – D: 01
              M: 09
              Type: published
              Y: 1999
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