Listening to What Cannot Be Said: Broken Narratives and the Lived Body

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Bibliographic Details
Title: Listening to What Cannot Be Said: Broken Narratives and the Lived Body
Language: English
Authors: Kokanovic, Renata, Stone, Meredith
Source: Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice. Feb 2018 17(1):20-31.
Availability: SAGE Publications. 2455 Teller Road, Thousand Oaks, CA 91320. Tel: 800-818-7243; Tel: 805-499-9774; Fax: 800-583-2665; e-mail: journals@sagepub.com; Web site: http://sagepub.com
Peer Reviewed: Y
Page Count: 12
Publication Date: 2018
Document Type: Journal Articles
Reports - Evaluative
Descriptors: Personal Narratives, Human Body, Trauma, Diseases, Resistance (Psychology), Performance, Music, Visual Arts
DOI: 10.1177/1474022217732871
ISSN: 1474-0222
Abstract: The core of this special issue of "Arts and Humanities in Higher Education" emerged from the "Broken Narratives and the Lived Body" conference held in 2016. The "Broken Narrative" essays included in this issue open up a critical space for understanding and theorising illness narratives that defy a conventional cognitive ordering of the self as a bounded spatial and temporal entity. Here, we discuss how narratives might be "broken" by discourse, trauma, "ill" lived bodies and experiences that exceed linguistic representation. We trouble distinctions between coherent and incoherent narratives, attending to what gaps, silences and "nonsenses" can convey about embodied illness experiences. Ultimately, we suggest that "breaks" are in fact a continuation of embodied narration. This is shown in the "Art and Trauma" forum of essays, which reveal how narrative silences can "infect" other embodied subjects and be transformed, achieving musical or visual representation that allow us to apprehend the "constitutive outside" of narratives of illness or trauma.
Abstractor: As Provided
Number of References: 38
Entry Date: 2018
Accession Number: EJ1166305
Database: ERIC
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  Data: The core of this special issue of "Arts and Humanities in Higher Education" emerged from the "Broken Narratives and the Lived Body" conference held in 2016. The "Broken Narrative" essays included in this issue open up a critical space for understanding and theorising illness narratives that defy a conventional cognitive ordering of the self as a bounded spatial and temporal entity. Here, we discuss how narratives might be "broken" by discourse, trauma, "ill" lived bodies and experiences that exceed linguistic representation. We trouble distinctions between coherent and incoherent narratives, attending to what gaps, silences and "nonsenses" can convey about embodied illness experiences. Ultimately, we suggest that "breaks" are in fact a continuation of embodied narration. This is shown in the "Art and Trauma" forum of essays, which reveal how narrative silences can "infect" other embodied subjects and be transformed, achieving musical or visual representation that allow us to apprehend the "constitutive outside" of narratives of illness or trauma.
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