Employing a Reverse Process in Design and Performance with Emphasis on Time from Gilles Deleuze's Perspective (Case Study: 'Incendies,' a Play by Wajdi Mouawad)

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Title: Employing a Reverse Process in Design and Performance with Emphasis on Time from Gilles Deleuze's Perspective (Case Study: 'Incendies,' a Play by Wajdi Mouawad)
Language: English
Authors: Masoud Kazemi
Source: International Journal of Education & the Arts. 2025 26(9).
Availability: International Journal of Education & the Arts. 1310 South 6th Street, Champaign, IL 61820. Tel: 402-472-9958; Fax: 402-472-2837; Web site: http://www.ijea.org
Peer Reviewed: Y
Page Count: 14
Publication Date: 2025
Document Type: Journal Articles
Reports - Research
Descriptors: Theater Arts, Playwriting, Dramatics, Cooperation, Collaborative Writing, Creative Development, Time
ISSN: 1529-8094
Abstract: This article aims to provide a comparative study between theater and performance art, focusing on a particular approach to design and execution in theater. In this approach, everything happens collaboratively, and instead of individual directing and playwriting, design and execution are carried out as a group effort, with the author primarily guiding and directing the group. This method has been employed in several plays by Wajdi Mouawad, a French-Lebanese playwright, actor, and director. Using a close reading of the play "Incendies" by Wajdi Mouawad as a case study, this article examines this distinct style of design and performance in theater. Additionally, it delves into the qualitative aspect of time, considering the element of time within this play from the perspective of Gilles Deleuze.
Abstractor: As Provided
Entry Date: 2025
Accession Number: EJ1463643
Database: ERIC
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  Data: International Journal of Education & the Arts. 1310 South 6th Street, Champaign, IL 61820. Tel: 402-472-9958; Fax: 402-472-2837; Web site: http://www.ijea.org
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  Data: This article aims to provide a comparative study between theater and performance art, focusing on a particular approach to design and execution in theater. In this approach, everything happens collaboratively, and instead of individual directing and playwriting, design and execution are carried out as a group effort, with the author primarily guiding and directing the group. This method has been employed in several plays by Wajdi Mouawad, a French-Lebanese playwright, actor, and director. Using a close reading of the play "Incendies" by Wajdi Mouawad as a case study, this article examines this distinct style of design and performance in theater. Additionally, it delves into the qualitative aspect of time, considering the element of time within this play from the perspective of Gilles Deleuze.
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