The Effects of Modeling and Sequence on the Expressivity of Young Voices
Saved in:
| Title: | The Effects of Modeling and Sequence on the Expressivity of Young Voices |
|---|---|
| Language: | English |
| Authors: | Craig R. Hurley (ORCID |
| Source: | Update: Applications of Research in Music Education. 2025 43(3):11-18. |
| Availability: | SAGE Publications. 2455 Teller Road, Thousand Oaks, CA 91320. Tel: 800-818-7243; Tel: 805-499-9774; Fax: 800-583-2665; e-mail: journals@sagepub.com; Web site: https://sagepub.com |
| Peer Reviewed: | Y |
| Page Count: | 8 |
| Publication Date: | 2025 |
| Document Type: | Journal Articles Reports - Research |
| Education Level: | Junior High Schools Middle Schools Secondary Education |
| Descriptors: | Singing, Music Education, Teaching Methods, Music Activities, Music Teachers, Sequential Approach, Middle School Teachers, Middle School Students, Cues |
| DOI: | 10.1177/87551233241249666 |
| ISSN: | 8755-1233 1945-0109 |
| Abstract: | Choral method textbooks include various strategies on when and how to introduce expression in song acquisition including vocal modeling. In two previous studies, participants who learned expressive elements early in a song-learning sequence (infused-expression) performed those elements more accurately than those who learned them at the end of the sequence (post-expression). However, the infused-expression sequence had an expressive model throughout, whereas the post-expression sequence had an expressive model only at the beginning and end. The purpose of this study was to remove the modeling variance between sequences. Middle schoolers learned two songs with an expressive model throughout, using two different sequences (infused-expression and post-expression). We found no significant difference in expressive accuracy between sequences. When students learned a song with an expressive model, regardless of sequence, students sang with expression. Teachers should consider always modeling with expression regardless of whether or not the objective of the rehearsal is about expressive elements. |
| Abstractor: | As Provided |
| Entry Date: | 2025 |
| Accession Number: | EJ1475771 |
| Database: | ERIC |
| FullText | Text: Availability: 0 |
|---|---|
| Header | DbId: eric DbLabel: ERIC An: EJ1475771 AccessLevel: 3 PubType: Academic Journal PubTypeId: academicJournal PreciseRelevancyScore: 0 |
| IllustrationInfo | |
| Items | – Name: Title Label: Title Group: Ti Data: The Effects of Modeling and Sequence on the Expressivity of Young Voices – Name: Language Label: Language Group: Lang Data: English – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Craig+R%2E+Hurley%22">Craig R. Hurley</searchLink> (ORCID <externalLink term="https://orcid.org/0000-0002-1273-6694">0000-0002-1273-6694</externalLink>)<br /><searchLink fieldCode="AR" term="%22Rebecca+L%2E+Atkins%22">Rebecca L. Atkins</searchLink> – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="SO" term="%22Update%3A+Applications+of+Research+in+Music+Education%22"><i>Update: Applications of Research in Music Education</i></searchLink>. 2025 43(3):11-18. – Name: Avail Label: Availability Group: Avail Data: SAGE Publications. 2455 Teller Road, Thousand Oaks, CA 91320. Tel: 800-818-7243; Tel: 805-499-9774; Fax: 800-583-2665; e-mail: journals@sagepub.com; Web site: https://sagepub.com – Name: PeerReviewed Label: Peer Reviewed Group: SrcInfo Data: Y – Name: Pages Label: Page Count Group: Src Data: 8 – Name: DatePubCY Label: Publication Date Group: Date Data: 2025 – Name: TypeDocument Label: Document Type Group: TypDoc Data: Journal Articles<br />Reports - Research – Name: Audience Label: Education Level Group: Audnce Data: <searchLink fieldCode="EL" term="%22Junior+High+Schools%22">Junior High Schools</searchLink><br /><searchLink fieldCode="EL" term="%22Middle+Schools%22">Middle Schools</searchLink><br /><searchLink fieldCode="EL" term="%22Secondary+Education%22">Secondary Education</searchLink> – Name: Subject Label: Descriptors Group: Su Data: <searchLink fieldCode="DE" term="%22Singing%22">Singing</searchLink><br /><searchLink fieldCode="DE" term="%22Music+Education%22">Music Education</searchLink><br /><searchLink fieldCode="DE" term="%22Teaching+Methods%22">Teaching Methods</searchLink><br /><searchLink fieldCode="DE" term="%22Music+Activities%22">Music Activities</searchLink><br /><searchLink fieldCode="DE" term="%22Music+Teachers%22">Music Teachers</searchLink><br /><searchLink fieldCode="DE" term="%22Sequential+Approach%22">Sequential Approach</searchLink><br /><searchLink fieldCode="DE" term="%22Middle+School+Teachers%22">Middle School Teachers</searchLink><br /><searchLink fieldCode="DE" term="%22Middle+School+Students%22">Middle School Students</searchLink><br /><searchLink fieldCode="DE" term="%22Cues%22">Cues</searchLink> – Name: DOI Label: DOI Group: ID Data: 10.1177/87551233241249666 – Name: ISSN Label: ISSN Group: ISSN Data: 8755-1233<br />1945-0109 – Name: Abstract Label: Abstract Group: Ab Data: Choral method textbooks include various strategies on when and how to introduce expression in song acquisition including vocal modeling. In two previous studies, participants who learned expressive elements early in a song-learning sequence (infused-expression) performed those elements more accurately than those who learned them at the end of the sequence (post-expression). However, the infused-expression sequence had an expressive model throughout, whereas the post-expression sequence had an expressive model only at the beginning and end. The purpose of this study was to remove the modeling variance between sequences. Middle schoolers learned two songs with an expressive model throughout, using two different sequences (infused-expression and post-expression). We found no significant difference in expressive accuracy between sequences. When students learned a song with an expressive model, regardless of sequence, students sang with expression. Teachers should consider always modeling with expression regardless of whether or not the objective of the rehearsal is about expressive elements. – Name: AbstractInfo Label: Abstractor Group: Ab Data: As Provided – Name: DateEntry Label: Entry Date Group: Date Data: 2025 – Name: AN Label: Accession Number Group: ID Data: EJ1475771 |
| PLink | https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=eric&AN=EJ1475771 |
| RecordInfo | BibRecord: BibEntity: Identifiers: – Type: doi Value: 10.1177/87551233241249666 Languages: – Text: English PhysicalDescription: Pagination: PageCount: 8 StartPage: 11 Subjects: – SubjectFull: Singing Type: general – SubjectFull: Music Education Type: general – SubjectFull: Teaching Methods Type: general – SubjectFull: Music Activities Type: general – SubjectFull: Music Teachers Type: general – SubjectFull: Sequential Approach Type: general – SubjectFull: Middle School Teachers Type: general – SubjectFull: Middle School Students Type: general – SubjectFull: Cues Type: general Titles: – TitleFull: The Effects of Modeling and Sequence on the Expressivity of Young Voices Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Craig R. Hurley – PersonEntity: Name: NameFull: Rebecca L. Atkins IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 06 Type: published Y: 2025 Identifiers: – Type: issn-print Value: 8755-1233 – Type: issn-electronic Value: 1945-0109 Numbering: – Type: volume Value: 43 – Type: issue Value: 3 Titles: – TitleFull: Update: Applications of Research in Music Education Type: main |
| ResultId | 1 |