Children's Drawings of Significant Figures for a Peer or an Adult Audience
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| Title: | Children's Drawings of Significant Figures for a Peer or an Adult Audience |
|---|---|
| Language: | English |
| Authors: | Burkitt, Esther, Watling, Dawn, Murray, Lucy |
| Source: | Infant and Child Development. Nov-Dec 2011 20(6):466-473. |
| Availability: | Wiley-Blackwell. 111 River Street, Hoboken, NJ 07030-5774. Tel: 800-825-7550; Tel: 201-748-6645; Fax: 201-748-6021; e-mail: subinfo@wiley.com; Web site: http://www3.interscience.wiley.com/browse/?type=JOURNAL |
| Peer Reviewed: | Y |
| Page Count: | 8 |
| Publication Date: | 2011 |
| Document Type: | Journal Articles Reports - Research |
| Descriptors: | Childrens Art, Audiences, Freehand Drawing, Emotional Response, Stimuli, Young Children, Comparative Analysis, Adults, Psychological Patterns, Foreign Countries |
| Geographic Terms: | United Kingdom |
| DOI: | 10.1002/icd.735 |
| ISSN: | 1522-7219 |
| Abstract: | The present study assessed if children would present different information in their drawings of emotion eliciting stimuli when they believed that an adult or a child audience would view their drawings. Seventy-five 6-year-olds (44 boys and 31 girls) were allocated to three groups: the reference group, the child audience group and the adult audience group. All children completed a drawing session where they first drew a neutral uncharacterised figure, followed by drawings of a sad and a happy figure in counterbalanced order. Findings demonstrated that children did consider who would be viewing their drawings when communicating emotional affect and included different features within their drawings. In particular, almost all happy drawings included a smile, but only those drawings where an audience was specified included a wave, and only the adult drawings included flower giving. Within the sad drawings tears and frowns were drawn regardless of audience type, whereas stomping was more likely to be portrayed in drawings with a child audience and thumbs down were more likely to be portrayed in drawings with adult audiences. The findings are discussed in terms of the need to further examine communicative aspects of children's drawings. (Contains 1 table and 1 note.) |
| Abstractor: | As Provided |
| Number of References: | 35 |
| Entry Date: | 2012 |
| Accession Number: | EJ952963 |
| Database: | ERIC |
| FullText | Text: Availability: 0 |
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| Header | DbId: eric DbLabel: ERIC An: EJ952963 AccessLevel: 3 PubType: Academic Journal PubTypeId: academicJournal PreciseRelevancyScore: 0 |
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| Items | – Name: Title Label: Title Group: Ti Data: Children's Drawings of Significant Figures for a Peer or an Adult Audience – Name: Language Label: Language Group: Lang Data: English – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Burkitt%2C+Esther%22">Burkitt, Esther</searchLink><br /><searchLink fieldCode="AR" term="%22Watling%2C+Dawn%22">Watling, Dawn</searchLink><br /><searchLink fieldCode="AR" term="%22Murray%2C+Lucy%22">Murray, Lucy</searchLink> – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="SO" term="%22Infant+and+Child+Development%22"><i>Infant and Child Development</i></searchLink>. Nov-Dec 2011 20(6):466-473. – Name: Avail Label: Availability Group: Avail Data: Wiley-Blackwell. 111 River Street, Hoboken, NJ 07030-5774. Tel: 800-825-7550; Tel: 201-748-6645; Fax: 201-748-6021; e-mail: subinfo@wiley.com; Web site: http://www3.interscience.wiley.com/browse/?type=JOURNAL – Name: PeerReviewed Label: Peer Reviewed Group: SrcInfo Data: Y – Name: Pages Label: Page Count Group: Src Data: 8 – Name: DatePubCY Label: Publication Date Group: Date Data: 2011 – Name: TypeDocument Label: Document Type Group: TypDoc Data: Journal Articles<br />Reports - Research – Name: Subject Label: Descriptors Group: Su Data: <searchLink fieldCode="DE" term="%22Childrens+Art%22">Childrens Art</searchLink><br /><searchLink fieldCode="DE" term="%22Audiences%22">Audiences</searchLink><br /><searchLink fieldCode="DE" term="%22Freehand+Drawing%22">Freehand Drawing</searchLink><br /><searchLink fieldCode="DE" term="%22Emotional+Response%22">Emotional Response</searchLink><br /><searchLink fieldCode="DE" term="%22Stimuli%22">Stimuli</searchLink><br /><searchLink fieldCode="DE" term="%22Young+Children%22">Young Children</searchLink><br /><searchLink fieldCode="DE" term="%22Comparative+Analysis%22">Comparative Analysis</searchLink><br /><searchLink fieldCode="DE" term="%22Adults%22">Adults</searchLink><br /><searchLink fieldCode="DE" term="%22Psychological+Patterns%22">Psychological Patterns</searchLink><br /><searchLink fieldCode="DE" term="%22Foreign+Countries%22">Foreign Countries</searchLink> – Name: Subject Label: Geographic Terms Group: Su Data: <searchLink fieldCode="DE" term="%22United+Kingdom%22">United Kingdom</searchLink> – Name: DOI Label: DOI Group: ID Data: 10.1002/icd.735 – Name: ISSN Label: ISSN Group: ISSN Data: 1522-7219 – Name: Abstract Label: Abstract Group: Ab Data: The present study assessed if children would present different information in their drawings of emotion eliciting stimuli when they believed that an adult or a child audience would view their drawings. Seventy-five 6-year-olds (44 boys and 31 girls) were allocated to three groups: the reference group, the child audience group and the adult audience group. All children completed a drawing session where they first drew a neutral uncharacterised figure, followed by drawings of a sad and a happy figure in counterbalanced order. Findings demonstrated that children did consider who would be viewing their drawings when communicating emotional affect and included different features within their drawings. In particular, almost all happy drawings included a smile, but only those drawings where an audience was specified included a wave, and only the adult drawings included flower giving. Within the sad drawings tears and frowns were drawn regardless of audience type, whereas stomping was more likely to be portrayed in drawings with a child audience and thumbs down were more likely to be portrayed in drawings with adult audiences. The findings are discussed in terms of the need to further examine communicative aspects of children's drawings. (Contains 1 table and 1 note.) – Name: AbstractInfo Label: Abstractor Group: Ab Data: As Provided – Name: Ref Label: Number of References Group: RefInfo Data: 35 – Name: DateEntry Label: Entry Date Group: Date Data: 2012 – Name: AN Label: Accession Number Group: ID Data: EJ952963 |
| PLink | https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=eric&AN=EJ952963 |
| RecordInfo | BibRecord: BibEntity: Identifiers: – Type: doi Value: 10.1002/icd.735 Languages: – Text: English PhysicalDescription: Pagination: PageCount: 8 StartPage: 466 Subjects: – SubjectFull: Childrens Art Type: general – SubjectFull: Audiences Type: general – SubjectFull: Freehand Drawing Type: general – SubjectFull: Emotional Response Type: general – SubjectFull: Stimuli Type: general – SubjectFull: Young Children Type: general – SubjectFull: Comparative Analysis Type: general – SubjectFull: Adults Type: general – SubjectFull: Psychological Patterns Type: general – SubjectFull: Foreign Countries Type: general – SubjectFull: United Kingdom Type: general Titles: – TitleFull: Children's Drawings of Significant Figures for a Peer or an Adult Audience Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Burkitt, Esther – PersonEntity: Name: NameFull: Watling, Dawn – PersonEntity: Name: NameFull: Murray, Lucy IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 01 Type: published Y: 2011 Identifiers: – Type: issn-print Value: 1522-7219 Numbering: – Type: volume Value: 20 – Type: issue Value: 6 Titles: – TitleFull: Infant and Child Development Type: main |
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