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LAS DISCAPACIDADES QUE NO SON TALES. EL ESTRABISMO DE GIOVANNI BARBIERI.

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Title: LAS DISCAPACIDADES QUE NO SON TALES. EL ESTRABISMO DE GIOVANNI BARBIERI.
Alternate Title: Disabilities that are not such. The Giovanni Barbieri's strabismus.
Authors: BOTTASSO, Oscar1 bottasso@idicer-conicet.gob.ar
Source: Journal of Medicine & Movies / Revista de Medicina y Cine. Sep2024, Vol. 20 Issue 3, p279-284. 6p.
Subjects: GUERCINO, 1591-1666, STRABISMUS, BAROQUE art, HUMILITY, BAROQUE painting
Abstract (English): In general terms, the manuscript reviews the work of Giovanni Barbieri, nicknamed Il Guercino (the squinting one) as a result of his strabismus, who became one of the most outstanding painters of the Italian Baroque, largely linked to the Carracci Bolognese school. The article also rescues the simplicity and modesty of the maestro, who despite so many offers from European royalty decided to live in his homeland as an unequivocal example of humility, which further honored his quality as a person. [ABSTRACT FROM AUTHOR]
Abstract (Spanish): El manuscrito hace una revisión a grandes rasgos de la obra de Giovanni Barbieri, apodado Il Guercino a raíz de su estrabismo, quien llegó a constituir uno de los pintores más destacados del barroco italiano, en gran medida ligado a la escuela Boloñesa de los Carracci. El escrito también rescata la sencillez y modestia del maestro, que a pesar de tantos ofrecimientos de la realeza europea decidió vivir en su terruño como una muestra inequívoca de humildad, la cual enalteció aún más su calidad de persona. [ABSTRACT FROM AUTHOR]
Copyright of Journal of Medicine & Movies / Revista de Medicina y Cine is the property of Ediciones Universidad de Salamanca and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: MedicLatina
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  Label: Title
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  Data: LAS DISCAPACIDADES QUE NO SON TALES. EL ESTRABISMO DE GIOVANNI BARBIERI.
– Name: TitleAlt
  Label: Alternate Title
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  Data: Disabilities that are not such. The Giovanni Barbieri's strabismus.
– Name: Author
  Label: Authors
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  Data: <searchLink fieldCode="AR" term="%22BOTTASSO%2C+Oscar%22">BOTTASSO, Oscar</searchLink><relatesTo>1</relatesTo><i> bottasso@idicer-conicet.gob.ar</i>
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  Data: <searchLink fieldCode="JN" term="%22Journal+of+Medicine+%26+Movies+%2F+Revista+de+Medicina+y+Cine%22">Journal of Medicine & Movies / Revista de Medicina y Cine</searchLink>. Sep2024, Vol. 20 Issue 3, p279-284. 6p.
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  Data: <searchLink fieldCode="DE" term="%22GUERCINO%2C+1591-1666%22">GUERCINO, 1591-1666</searchLink><br /><searchLink fieldCode="DE" term="%22STRABISMUS%22">STRABISMUS</searchLink><br /><searchLink fieldCode="DE" term="%22BAROQUE+art%22">BAROQUE art</searchLink><br /><searchLink fieldCode="DE" term="%22HUMILITY%22">HUMILITY</searchLink><br /><searchLink fieldCode="DE" term="%22BAROQUE+painting%22">BAROQUE painting</searchLink>
– Name: Abstract
  Label: Abstract (English)
  Group: Ab
  Data: In general terms, the manuscript reviews the work of Giovanni Barbieri, nicknamed Il Guercino (the squinting one) as a result of his strabismus, who became one of the most outstanding painters of the Italian Baroque, largely linked to the Carracci Bolognese school. The article also rescues the simplicity and modesty of the maestro, who despite so many offers from European royalty decided to live in his homeland as an unequivocal example of humility, which further honored his quality as a person. [ABSTRACT FROM AUTHOR]
– Name: Abstract
  Label: Abstract (Spanish)
  Group: Ab
  Data: El manuscrito hace una revisión a grandes rasgos de la obra de Giovanni Barbieri, apodado Il Guercino a raíz de su estrabismo, quien llegó a constituir uno de los pintores más destacados del barroco italiano, en gran medida ligado a la escuela Boloñesa de los Carracci. El escrito también rescata la sencillez y modestia del maestro, que a pesar de tantos ofrecimientos de la realeza europea decidió vivir en su terruño como una muestra inequívoca de humildad, la cual enalteció aún más su calidad de persona. [ABSTRACT FROM AUTHOR]
– Name: AbstractSuppliedCopyright
  Label:
  Group: Ab
  Data: <i>Copyright of Journal of Medicine & Movies / Revista de Medicina y Cine is the property of Ediciones Universidad de Salamanca and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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        Value: 10.14201/rmc.32028
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      – Code: spa
        Text: Spanish
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        PageCount: 6
        StartPage: 279
    Subjects:
      – SubjectFull: GUERCINO, 1591-1666
        Type: general
      – SubjectFull: STRABISMUS
        Type: general
      – SubjectFull: BAROQUE art
        Type: general
      – SubjectFull: HUMILITY
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      – SubjectFull: BAROQUE painting
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      – TitleFull: LAS DISCAPACIDADES QUE NO SON TALES. EL ESTRABISMO DE GIOVANNI BARBIERI.
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            – D: 01
              M: 09
              Text: Sep2024
              Type: published
              Y: 2024
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