Autobiographical Poetry in England and Spain, 1950-1980: Narrating Oneself in Verse

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Title: Autobiographical Poetry in England and Spain, 1950-1980: Narrating Oneself in Verse
Description: The volume traces the founding critical theories of the autobiographical genre, from the Enlightenment period to the most recent developments, which, since the Sixties and the essays of Roy Pascal and Jean Starobinski, have had a greater and greater influence. It offers – in contrast to the essential, and by now classic, definition of Philippe Lejeune – an increased effectiveness of the poem to express the narrative purposes of autobiography, recognizing poetic writing that has the extraordinary ability to say what “the mortal language does not say,” to quote Leopardi. The works of Seamus Heaney, Thom Gunn, Carlos Barral and Jaime Gil de Biedma are analyzed here, and show an unveiling of the self through memories, places and objects that often characterize them and that allow, to whomever recalls one's own experience through writing, the recovery and restoration of essential meanings to the reconstruction not only of subjective identity, but also of one's own community.
Authors: Menotti Lerro, Author
Resource Type: eBook.
Subjects: Autobiographical poetry, Spanish--20th century--History and criticism, Autobiographical poetry, English--20th century--History and criticism, Autobiography in literature
Categories: POETRY / European / English, Irish, Scottish, Welsh
Database: eBook Collection (EBSCOhost)
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  – Type: ebook-pdf
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  Availability: 0
Header DbId: nlebk
DbLabel: eBook Collection (EBSCOhost)
An: 1483875
RelevancyScore: 1077
AccessLevel: 6
PubType: eBook
PubTypeId: ebook
PreciseRelevancyScore: 1077.00524902344
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  Data: Autobiographical Poetry in England and Spain, 1950-1980: Narrating Oneself in Verse
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  Data: The volume traces the founding critical theories of the autobiographical genre, from the Enlightenment period to the most recent developments, which, since the Sixties and the essays of Roy Pascal and Jean Starobinski, have had a greater and greater influence. It offers – in contrast to the essential, and by now classic, definition of Philippe Lejeune – an increased effectiveness of the poem to express the narrative purposes of autobiography, recognizing poetic writing that has the extraordinary ability to say what “the mortal language does not say,” to quote Leopardi. The works of Seamus Heaney, Thom Gunn, Carlos Barral and Jaime Gil de Biedma are analyzed here, and show an unveiling of the self through memories, places and objects that often characterize them and that allow, to whomever recalls one's own experience through writing, the recovery and restoration of essential meanings to the reconstruction not only of subjective identity, but also of one's own community.
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RecordInfo BibRecord:
  BibEntity:
    Classifications:
      – Code: 821.91409
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Autobiographical poetry, Spanish--20th century--History and criticism
        Type: general
      – SubjectFull: Autobiographical poetry, English--20th century--History and criticism
        Type: general
      – SubjectFull: Autobiography in literature
        Type: general
    Titles:
      – TitleFull: Autobiographical Poetry in England and Spain, 1950-1980: Narrating Oneself in Verse
        Type: main
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          Name:
            NameFull: Menotti Lerro, Author
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          Name:
            NameFull: Menotti Lerro, Author
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          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2017
            – D: 24
              M: 03
              Type: profile
              Y: 2017
          Identifiers:
            – Type: isbn-print
              Value: 9781443832748
            – Type: isbn-electronic
              Value: 9781443874847
          Titles:
            – TitleFull: Autobiographical Poetry in England and Spain, 1950-1980: Narrating Oneself in Verse
              Type: main
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