Texts and Textiles: Affect, Synaesthesia and Metaphor in Fiction

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Title: Texts and Textiles: Affect, Synaesthesia and Metaphor in Fiction
Description: This study shows how fiction that makes use of textiles as an essential element utilizes synaesthetic writing and synaesthetic metaphor to create an affective link to, and response in, the reader. These links and responses are examined using affect theory from Silvan Tomkins and Brian Massumi and work on synaesthesia by Richard Cytowic, Lawrence Marks, and V.S. Ramachandran, among others. Synaesthetic writing, including synaesthetic metaphors, has been explored in poetry since the 1920s and, more recently, in fiction, but these studies have been general in nature. By narrowing the field of investigation to those novels that specifically employ three types of hand-crafted textiles (quilt-making, knitting and embroidery), the book isolates how these textiles are used in fiction. The combination of synaesthesia, memory, metaphor and, particularly, synaesthetic metaphor in fiction with textiles in the text of the case studies selected, shows how these are used to create affect in readers, enhancing their engagement in the story.The work is framed within the context of the history of textile production and the use of textiles in fiction internationally, but concentrates on Australian authors who have used textiles in their writing. The decision to focus on Australian authors was taken in light of the quality and depth of the writing of textile fiction produced in Australia between 1980 and 2005 in the three categories of hand-crafted textiles – quilt-making, knitting and embroidery. The texts chosen for intensive study are: Kate Grenville's The Idea of Perfection (1999, quilting); Marele Day's Lambs of God (1997, knitting) and Anne Bartlett's Knitting (2005, knitting); Jessica Anderson's Tirra Lirra by the River (1978, embroidery) and Marion Halligan's Spider Cup (1990, embroidery).
Authors: Diana Mary Eva Thomas, Author
Resource Type: eBook.
Subjects: Textile fabrics--Australia, Women authors, Australian, Australian literature--Women authors--History and criticism
Categories: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
Database: eBook Collection (EBSCOhost)
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DbLabel: eBook Collection (EBSCOhost)
An: 1483916
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  Data: Texts and Textiles: Affect, Synaesthesia and Metaphor in Fiction
– Name: Abstract
  Label: Description
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  Data: This study shows how fiction that makes use of textiles as an essential element utilizes synaesthetic writing and synaesthetic metaphor to create an affective link to, and response in, the reader. These links and responses are examined using affect theory from Silvan Tomkins and Brian Massumi and work on synaesthesia by Richard Cytowic, Lawrence Marks, and V.S. Ramachandran, among others. Synaesthetic writing, including synaesthetic metaphors, has been explored in poetry since the 1920s and, more recently, in fiction, but these studies have been general in nature. By narrowing the field of investigation to those novels that specifically employ three types of hand-crafted textiles (quilt-making, knitting and embroidery), the book isolates how these textiles are used in fiction. The combination of synaesthesia, memory, metaphor and, particularly, synaesthetic metaphor in fiction with textiles in the text of the case studies selected, shows how these are used to create affect in readers, enhancing their engagement in the story.The work is framed within the context of the history of textile production and the use of textiles in fiction internationally, but concentrates on Australian authors who have used textiles in their writing. The decision to focus on Australian authors was taken in light of the quality and depth of the writing of textile fiction produced in Australia between 1980 and 2005 in the three categories of hand-crafted textiles – quilt-making, knitting and embroidery. The texts chosen for intensive study are: Kate Grenville's The Idea of Perfection (1999, quilting); Marele Day's Lambs of God (1997, knitting) and Anne Bartlett's Knitting (2005, knitting); Jessica Anderson's Tirra Lirra by the River (1978, embroidery) and Marion Halligan's Spider Cup (1990, embroidery).
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  Data: <searchLink fieldCode="DE" term="%22Textile+fabrics--Australia%22">Textile fabrics--Australia</searchLink><br /><searchLink fieldCode="DE" term="%22Women+authors%2C+Australian%22">Women authors, Australian</searchLink><br /><searchLink fieldCode="DE" term="%22Australian+literature--Women+authors--History+and+criticism%22">Australian literature--Women authors--History and criticism</searchLink>
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RecordInfo BibRecord:
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    Classifications:
      – Code: 820.992870994
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Textile fabrics--Australia
        Type: general
      – SubjectFull: Women authors, Australian
        Type: general
      – SubjectFull: Australian literature--Women authors--History and criticism
        Type: general
    Titles:
      – TitleFull: Texts and Textiles: Affect, Synaesthesia and Metaphor in Fiction
        Type: main
  BibRelationships:
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      – PersonEntity:
          Name:
            NameFull: Diana Mary Eva Thomas, Author
      – PersonEntity:
          Name:
            NameFull: Diana Mary Eva Thomas, Author
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      – BibEntity:
          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2016
            – D: 13
              M: 03
              Type: profile
              Y: 2017
          Identifiers:
            – Type: isbn-print
              Value: 9781443800792
            – Type: isbn-electronic
              Value: 9781443879422
          Titles:
            – TitleFull: Texts and Textiles: Affect, Synaesthesia and Metaphor in Fiction
              Type: main
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