The Portrait and the Book : Illustration and Literary Culture in Early America

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Title: The Portrait and the Book : Illustration and Literary Culture in Early America
Description: In the nineteenth century, new image-making methods like steel engraving and lithography caused a surge in the publication of illustrated books in the United States. Yet even before the widespread use of these technologies, Americans had already established the illustrated book format as central to the nation's literary culture. In The Portrait and the Book, Megan Walsh argues that colonial-era author portraits, such as Benjamin Franklin's and Phillis Wheatley's frontispieces; political portraits that circulated during the debates over the Constitution, such as those of the Founders by Charles Willson Peale; and portraits of beloved fictional characters in the 1790s, such as those of Samuel Richardson's heroine Pamela, shaped readers'conceptions of American literature. Illustrations played a key role in American literary culture despite the fact there was little demand for books by American writers. Indeed, most of the illustrated books bought, sold, and shared by Americans were either imported British works or reprinted versions of those imported editions. As a result, in addition to embellishing books, illustrations provided readers with crucial information about the country's status as a former colony. Through an examination of readers'portrait-collecting habits, writers'employment of ekphrasis, printers'efforts to secure American-made illustrations for periodicals, and engravers'reproductions of British book illustrations, Walsh uncovers in late eighteenth-century America a dynamic but forgotten visual culture that was inextricably tied to the printing industry and to the early US literary imagination.
Authors: Megan Walsh
Resource Type: eBook.
Subjects: Printing--United States--History--17th century, Printing--United States--History--18th century, Illustrated books--History--17th century, Illustrated books--History--18th century, Portraits, Colonial
Categories: LANGUAGE ARTS & DISCIPLINES / General, LANGUAGE ARTS & DISCIPLINES / Publishers & Publishing Industry
Database: eBook Collection (EBSCOhost)
FullText Links:
  – Type: ebook-pdf
  – Type: ebook-epub
Text:
  Availability: 0
Header DbId: nlebk
DbLabel: eBook Collection (EBSCOhost)
An: 1499962
RelevancyScore: 1077
AccessLevel: 6
PubType: eBook
PubTypeId: ebook
PreciseRelevancyScore: 1077.00524902344
IllustrationInfo
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Items – Name: Title
  Label: Title
  Group: Ti
  Data: The Portrait and the Book : Illustration and Literary Culture in Early America
– Name: Abstract
  Label: Description
  Group: Ab
  Data: In the nineteenth century, new image-making methods like steel engraving and lithography caused a surge in the publication of illustrated books in the United States. Yet even before the widespread use of these technologies, Americans had already established the illustrated book format as central to the nation's literary culture. In The Portrait and the Book, Megan Walsh argues that colonial-era author portraits, such as Benjamin Franklin's and Phillis Wheatley's frontispieces; political portraits that circulated during the debates over the Constitution, such as those of the Founders by Charles Willson Peale; and portraits of beloved fictional characters in the 1790s, such as those of Samuel Richardson's heroine Pamela, shaped readers'conceptions of American literature. Illustrations played a key role in American literary culture despite the fact there was little demand for books by American writers. Indeed, most of the illustrated books bought, sold, and shared by Americans were either imported British works or reprinted versions of those imported editions. As a result, in addition to embellishing books, illustrations provided readers with crucial information about the country's status as a former colony. Through an examination of readers'portrait-collecting habits, writers'employment of ekphrasis, printers'efforts to secure American-made illustrations for periodicals, and engravers'reproductions of British book illustrations, Walsh uncovers in late eighteenth-century America a dynamic but forgotten visual culture that was inextricably tied to the printing industry and to the early US literary imagination.
– Name: Author
  Label: Authors
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  Data: <searchLink fieldCode="AR" term="%22Megan+Walsh%22">Megan Walsh</searchLink>
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PLink https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=nlebk&AN=1499962
RecordInfo BibRecord:
  BibEntity:
    Classifications:
      – Code: 704.942
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Printing--United States--History--17th century
        Type: general
      – SubjectFull: Printing--United States--History--18th century
        Type: general
      – SubjectFull: Illustrated books--History--17th century
        Type: general
      – SubjectFull: Illustrated books--History--18th century
        Type: general
      – SubjectFull: Portraits, Colonial
        Type: general
    Titles:
      – TitleFull: The Portrait and the Book : Illustration and Literary Culture in Early America
        Type: main
  BibRelationships:
    HasContributorRelationships:
      – PersonEntity:
          Name:
            NameFull: Megan Walsh
      – PersonEntity:
          Name:
            NameFull: Megan Walsh
    IsPartOfRelationships:
      – BibEntity:
          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2017
            – D: 15
              M: 05
              Type: profile
              Y: 2017
          Identifiers:
            – Type: isbn-print
              Value: 9781609385026
            – Type: isbn-electronic
              Value: 9781609385033
          Titles:
            – TitleFull: The Portrait and the Book : Illustration and Literary Culture in Early America
              Type: main
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