Italy's Primacy in Musical History
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| Title: | Italy's Primacy in Musical History |
|---|---|
| Description: | This remarkable revelatory reference work, written in a conversational style that is witty and fast-paced, argues that the Italian people did more for the development and propagation of music than any other people in the world. The book is filled with supporting data that prove this claim, showing that the first written music was an Italian creation, and that the vocabulary of music is primarily Italian. It also notes that the primary instruments were either devised or thoroughly improved by the Italians, the great musical forms, including the opera, ballet, operetta, and symphony, and that the great body of musical geniuses who were the early composers, musicians, conductors and vocalists were Italian. The book eventually closes with a telling of the great musical story to come out of the Italian-American communities. |
| Authors: | Guy Graybill, Author |
| Resource Type: | eBook. |
| Subjects: | Music--Italy--History and criticism |
| Categories: | MUSIC / Genres & Styles / International |
| Database: | eBook Collection (EBSCOhost) |
| FullText | Links: – Type: ebook-pdf Text: Availability: 0 |
|---|---|
| Header | DbId: nlebk DbLabel: eBook Collection (EBSCOhost) An: 2000119 RelevancyScore: 1090 AccessLevel: 6 PubType: eBook PubTypeId: ebook PreciseRelevancyScore: 1090.09973144531 |
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| Items | – Name: Title Label: Title Group: Ti Data: Italy's Primacy in Musical History – Name: Abstract Label: Description Group: Ab Data: This remarkable revelatory reference work, written in a conversational style that is witty and fast-paced, argues that the Italian people did more for the development and propagation of music than any other people in the world. The book is filled with supporting data that prove this claim, showing that the first written music was an Italian creation, and that the vocabulary of music is primarily Italian. It also notes that the primary instruments were either devised or thoroughly improved by the Italians, the great musical forms, including the opera, ballet, operetta, and symphony, and that the great body of musical geniuses who were the early composers, musicians, conductors and vocalists were Italian. The book eventually closes with a telling of the great musical story to come out of the Italian-American communities. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Guy+Graybill%2C+Author%22">Guy Graybill, Author</searchLink> – Name: TypePub Label: Resource Type Group: TypPub Data: eBook. – Name: Subject Label: Subjects Group: Su Data: <searchLink fieldCode="DE" term="%22Music--Italy--History+and+criticism%22">Music--Italy--History and criticism</searchLink> – Name: SubjectBISAC Label: Categories Group: Su Data: <searchLink fieldCode="ZK" term="%22MUSIC+%2F+Genres+%26+Styles+%2F+International%22">MUSIC / Genres & Styles / International</searchLink> |
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| RecordInfo | BibRecord: BibEntity: Classifications: – Code: 780.945 Scheme: ddc Type: prePub Languages: – Code: eng Text: English Subjects: – SubjectFull: Music--Italy--History and criticism Type: general Titles: – TitleFull: Italy's Primacy in Musical History Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Guy Graybill, Author – PersonEntity: Name: NameFull: Guy Graybill, Author IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 01 Type: published Y: 2019 – D: 01 M: 02 Type: profile Y: 2019 Identifiers: – Type: isbn-print Value: 9781527518209 – Type: isbn-electronic Value: 9781527524422 Titles: – TitleFull: Italy's Primacy in Musical History Type: main |
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