The Artist and the Bridge : 1700-1920

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Title: The Artist and the Bridge : 1700-1920
Description: First published in 1999, this book explores how, from the stone bridges of neoclassicism which soar out of wild woods to span pastoral valleys to the post-1750 engineer's bridge with its links to the more industrial landscape, the bridge was a popular feature in painting throughout the period 1700-1920. Why did so many artists choose to portray bridges? In this lavishly illustrated and intriguing book, John Sweetman seeks to answer this question. He traces the history of the bridge in painting and printmaking through a vast range of work, some as familiar as William Etty's The Bridge of Sighs and Claude Monet's The Railway Bridge at Argenteuil and others less well known such as Wassily Kandinsky's Composition IV and C.R.W. Nevinson's Looking Through the Brooklyn Bridge. Distinctive characteristics emerge revealing the complex role of the bridge as both symbol and metaphor, and as a place of vantage, meeting and separation.
Authors: John Sweetman
Resource Type: eBook.
Subjects: Symbolism in art, Bridges in art
Categories: ART / Reference, ART / History / General
Database: eBook Collection (EBSCOhost)
FullText Links:
  – Type: ebook-pdf
  – Type: ebook-epub
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  Availability: 0
Header DbId: nlebk
DbLabel: eBook Collection (EBSCOhost)
An: 2144354
RelevancyScore: 1090
AccessLevel: 6
PubType: eBook
PubTypeId: ebook
PreciseRelevancyScore: 1090.09973144531
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Items – Name: Title
  Label: Title
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  Data: The Artist and the Bridge : 1700-1920
– Name: Abstract
  Label: Description
  Group: Ab
  Data: First published in 1999, this book explores how, from the stone bridges of neoclassicism which soar out of wild woods to span pastoral valleys to the post-1750 engineer's bridge with its links to the more industrial landscape, the bridge was a popular feature in painting throughout the period 1700-1920. Why did so many artists choose to portray bridges? In this lavishly illustrated and intriguing book, John Sweetman seeks to answer this question. He traces the history of the bridge in painting and printmaking through a vast range of work, some as familiar as William Etty's The Bridge of Sighs and Claude Monet's The Railway Bridge at Argenteuil and others less well known such as Wassily Kandinsky's Composition IV and C.R.W. Nevinson's Looking Through the Brooklyn Bridge. Distinctive characteristics emerge revealing the complex role of the bridge as both symbol and metaphor, and as a place of vantage, meeting and separation.
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  Data: <searchLink fieldCode="AR" term="%22John+Sweetman%22">John Sweetman</searchLink>
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  Data: <searchLink fieldCode="DE" term="%22Symbolism+in+art%22">Symbolism in art</searchLink><br /><searchLink fieldCode="DE" term="%22Bridges+in+art%22">Bridges in art</searchLink>
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RecordInfo BibRecord:
  BibEntity:
    Classifications:
      – Code: 704.944
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Symbolism in art
        Type: general
      – SubjectFull: Bridges in art
        Type: general
    Titles:
      – TitleFull: The Artist and the Bridge : 1700-1920
        Type: main
  BibRelationships:
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      – PersonEntity:
          Name:
            NameFull: John Sweetman
      – PersonEntity:
          Name:
            NameFull: John Sweetman
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          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2019
            – D: 31
              M: 05
              Type: profile
              Y: 2019
          Identifiers:
            – Type: isbn-print
              Value: 9781138341517
            – Type: isbn-print
              Value: 9781138341548
            – Type: isbn-electronic
              Value: 9780429801952
            – Type: isbn-electronic
              Value: 9780429801969
            – Type: isbn-electronic
              Value: 9780429440083
          Titles:
            – TitleFull: The Artist and the Bridge : 1700-1920
              Type: main
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