It's Not Personal : Post 60s Body Art and Performance

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Title: It's Not Personal : Post 60s Body Art and Performance
Description: How does something as potent and evocative as the body become a relatively neutral artistic material? From the 1960s, much body art and performance conformed to the anti-expressive ethos of minimalism and conceptualism, whilst still using the compelling human form. But how is this strange mismatch of vigour and impersonality able to transform the body into an expressive medium for visual art? Focusing on renowned artists such as Lygia Clark, Marina Abramovic and Angelica Mesiti, Susan Best examines how bodies are configured in late modern and contemporary art. She identifies three main ways in which they are used as material and argues that these formulations allow for the exposure of pressing social and psychological issues. In skilfully aligning this new typology for body art and performance with critical theory, she raises questions pertaining to gender, inter-subjectivity, relation and community that continue to dominate both our artistic and cultural conversation.
Authors: Susan Best
Resource Type: eBook.
Subjects: Body art
Categories: PHILOSOPHY / General, ART / History / General, PHILOSOPHY / Aesthetics, SOCIAL SCIENCE / Gender Studies, PHILOSOPHY / Movements / Critical Theory
Database: eBook Collection (EBSCOhost)
FullText Links:
  – Type: ebook-pdf
  – Type: ebook-epub
Text:
  Availability: 0
Header DbId: nlebk
DbLabel: eBook Collection (EBSCOhost)
An: 2925642
RelevancyScore: 1103
AccessLevel: 6
PubType: eBook
PubTypeId: ebook
PreciseRelevancyScore: 1103.19409179688
IllustrationInfo
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  Data: It's Not Personal : Post 60s Body Art and Performance
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  Data: How does something as potent and evocative as the body become a relatively neutral artistic material? From the 1960s, much body art and performance conformed to the anti-expressive ethos of minimalism and conceptualism, whilst still using the compelling human form. But how is this strange mismatch of vigour and impersonality able to transform the body into an expressive medium for visual art? Focusing on renowned artists such as Lygia Clark, Marina Abramovic and Angelica Mesiti, Susan Best examines how bodies are configured in late modern and contemporary art. She identifies three main ways in which they are used as material and argues that these formulations allow for the exposure of pressing social and psychological issues. In skilfully aligning this new typology for body art and performance with critical theory, she raises questions pertaining to gender, inter-subjectivity, relation and community that continue to dominate both our artistic and cultural conversation.
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RecordInfo BibRecord:
  BibEntity:
    Classifications:
      – Code: 709.040752
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Body art
        Type: general
    Titles:
      – TitleFull: It's Not Personal : Post 60s Body Art and Performance
        Type: main
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      – PersonEntity:
          Name:
            NameFull: Susan Best
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            NameFull: Susan Best
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      – BibEntity:
          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2021
            – D: 19
              M: 06
              Type: profile
              Y: 2021
          Identifiers:
            – Type: isbn-print
              Value: 9781350144132
            – Type: isbn-print
              Value: 9781350144149
            – Type: isbn-electronic
              Value: 9781350144156
            – Type: isbn-electronic
              Value: 9781350144163
          Titles:
            – TitleFull: It's Not Personal : Post 60s Body Art and Performance
              Type: main
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