Screenwriting for a Global Market : Selling Your Scripts From Hollywood to Hong Kong

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Title: Screenwriting for a Global Market : Selling Your Scripts From Hollywood to Hong Kong
Description: Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global marketplace. It is the first book to offer specific advice on writing for screens large and small, around the world from Hollywood to New Zealand, from Europe to Russia, and for alternative American markets including Native American, regional, and experimental. The book provides valuable insider information, such as • Twenty-five percent of German television is written by Hollywood writers. Screenwriters just need to know how to reach that market. • Many countries, including those in the European Union, have script development money available—to both foreign and local talent--from government-sponsored film funds. • The Web's influence on the film industry has been profound, and here you can find out how to network through the Web. The book also lists the key Web addresses for writers. Andrew Horton, author of two acclaimed books on screenwriting, includes personal essays by accomplished screenwriters from around the world and offers insightful case studies of several films and television scripts, among them My Big Fat Greek Wedding; Crouching Tiger, Hidden Dragon; and The Sopranos. Full of endless enthusiasm for great films and great scripts, this book will be an essential resource for both aspiring writers and accomplished writers hoping to expand their horizons, improve their skills, and increase their chances for success.Includes an interview with Terry Gilliam and contributions from Bernard Gordon, writer for The Day of the Triffids and The Thin Red Line; Lew Hunter, Chair of Screenwriting at UCLA; Karen Hall, writer/producer for Judging Amy and M•A•S•H; and other screenwriters
Authors: Andrew Horton
Resource Type: eBook.
Subjects: Motion picture authorship
Categories: PERFORMING ARTS / Film / General, LANGUAGE ARTS & DISCIPLINES / General, PERFORMING ARTS / Television / General
Database: eBook Collection (EBSCOhost)
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  – Type: ebook-pdf
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  Availability: 0
Header DbId: nlebk
DbLabel: eBook Collection (EBSCOhost)
An: 306060
RelevancyScore: 992
AccessLevel: 6
PubType: eBook
PubTypeId: ebook
PreciseRelevancyScore: 991.891296386719
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  Data: Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global marketplace. It is the first book to offer specific advice on writing for screens large and small, around the world from Hollywood to New Zealand, from Europe to Russia, and for alternative American markets including Native American, regional, and experimental. The book provides valuable insider information, such as • Twenty-five percent of German television is written by Hollywood writers. Screenwriters just need to know how to reach that market. • Many countries, including those in the European Union, have script development money available—to both foreign and local talent--from government-sponsored film funds. • The Web's influence on the film industry has been profound, and here you can find out how to network through the Web. The book also lists the key Web addresses for writers. Andrew Horton, author of two acclaimed books on screenwriting, includes personal essays by accomplished screenwriters from around the world and offers insightful case studies of several films and television scripts, among them My Big Fat Greek Wedding; Crouching Tiger, Hidden Dragon; and The Sopranos. Full of endless enthusiasm for great films and great scripts, this book will be an essential resource for both aspiring writers and accomplished writers hoping to expand their horizons, improve their skills, and increase their chances for success.Includes an interview with Terry Gilliam and contributions from Bernard Gordon, writer for The Day of the Triffids and The Thin Red Line; Lew Hunter, Chair of Screenwriting at UCLA; Karen Hall, writer/producer for Judging Amy and M•A•S•H; and other screenwriters
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RecordInfo BibRecord:
  BibEntity:
    Classifications:
      – Code: 808.066791
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Motion picture authorship
        Type: general
    Titles:
      – TitleFull: Screenwriting for a Global Market : Selling Your Scripts From Hollywood to Hong Kong
        Type: main
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          Name:
            NameFull: Andrew Horton
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            NameFull: Andrew Horton
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          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2004
            – D: 04
              M: 02
              Type: profile
              Y: 2014
          Identifiers:
            – Type: isbn-print
              Value: 9780520232709
            – Type: isbn-print
              Value: 9780520240216
            – Type: isbn-electronic
              Value: 9780520937529
          Titles:
            – TitleFull: Screenwriting for a Global Market : Selling Your Scripts From Hollywood to Hong Kong
              Type: main
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