Richard Wagner : Self-Promotion and the Making of a Brand

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Title: Richard Wagner : Self-Promotion and the Making of a Brand
Description: All modern artists have had to market themselves in some way. Richard Wagner may just have done it better than anyone else. In a self-promotional effort that began around 1840 in Paris, and lasted for the remainder of his career, Wagner claimed convincingly that he was the most German composer ever and the true successor of Beethoven. More significantly, he was an opera composer who declared that he was not composing operas. Instead, during the 1850s, he mapped out a new direction, conceiving of works that would break with tradition and be literally'brand new'. This is the first study to examine the innovative ways in which Wagner made himself a celebrity, promoting himself using every means available: autobiography, journal articles, short stories, newspaper announcements, letters, even his operas themselves. Vazsonyi reveals how Wagner created a niche for his works in the crowded opera market that continues to be unique.
Authors: Nicholas Vazsonyi
Resource Type: eBook.
Subjects: Music trade--Europe--History, Composers--Germany--Biography
Categories: BIOGRAPHY & AUTOBIOGRAPHY / Music, MUSIC / Genres & Styles / Opera
Database: eBook Collection (EBSCOhost)
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  – Type: ebook-pdf
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  Availability: 0
Header DbId: nlebk
DbLabel: eBook Collection (EBSCOhost)
An: 313381
RelevancyScore: 1031
AccessLevel: 6
PubType: eBook
PubTypeId: ebook
PreciseRelevancyScore: 1031.17456054688
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  Data: Richard Wagner : Self-Promotion and the Making of a Brand
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  Label: Description
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  Data: All modern artists have had to market themselves in some way. Richard Wagner may just have done it better than anyone else. In a self-promotional effort that began around 1840 in Paris, and lasted for the remainder of his career, Wagner claimed convincingly that he was the most German composer ever and the true successor of Beethoven. More significantly, he was an opera composer who declared that he was not composing operas. Instead, during the 1850s, he mapped out a new direction, conceiving of works that would break with tradition and be literally'brand new'. This is the first study to examine the innovative ways in which Wagner made himself a celebrity, promoting himself using every means available: autobiography, journal articles, short stories, newspaper announcements, letters, even his operas themselves. Vazsonyi reveals how Wagner created a niche for his works in the crowded opera market that continues to be unique.
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  Data: <searchLink fieldCode="AR" term="%22Nicholas+Vazsonyi%22">Nicholas Vazsonyi</searchLink>
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  Data: <searchLink fieldCode="DE" term="%22Music+trade--Europe--History%22">Music trade--Europe--History</searchLink><br /><searchLink fieldCode="DE" term="%22Composers--Germany--Biography%22">Composers--Germany--Biography</searchLink>
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RecordInfo BibRecord:
  BibEntity:
    Classifications:
      – Code: 782.1092
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Music trade--Europe--History
        Type: general
      – SubjectFull: Composers--Germany--Biography
        Type: general
    Titles:
      – TitleFull: Richard Wagner : Self-Promotion and the Making of a Brand
        Type: main
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      – PersonEntity:
          Name:
            NameFull: Nicholas Vazsonyi
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            NameFull: Nicholas Vazsonyi
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          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2010
            – D: 04
              M: 02
              Type: profile
              Y: 2014
          Identifiers:
            – Type: isbn-print
              Value: 9780521519960
            – Type: isbn-print
              Value: 9781107404397
            – Type: isbn-electronic
              Value: 9780511677243
          Titles:
            – TitleFull: Richard Wagner : Self-Promotion and the Making of a Brand
              Type: main
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