The American Musical and the Performance of Personal Identity
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| Title: | The American Musical and the Performance of Personal Identity |
|---|---|
| Description: | The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project. This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers three overlapping genres that are central, in quite different ways, to the projection of personal identity: operetta, movie musicals, and operatic musicals. Among the musicals discussed are Camelot, Candide; Chicago; Company; Evita; Gypsy; Into the Woods; Kiss Me, Kate; A Little Night Music; Man of La Mancha; Meet Me in St. Louis; The Merry Widow; Moulin Rouge; My Fair Lady; Passion; The Rocky Horror Picture Show; Singin'in the Rain; Stormy Weather; Sweeney Todd; and The Wizard of Oz. Complementing the author's earlier work, The American Musical and the Formation of National Identity, this book completes a two-volume thematic history of the genre, designed for general audiences and specialists alike. |
| Authors: | Raymond Knapp |
| Resource Type: | eBook. |
| Subjects: | Personality and culture, Musical films--United States--History and criticism, Musicals--United States--History and criticism, Musicals--Social aspects--United States |
| Categories: | MUSIC / Genres & Styles / Musicals, MUSIC / History & Criticism |
| Database: | eBook Collection (EBSCOhost) |
| FullText | Links: – Type: ebook-pdf – Type: ebook-epub Text: Availability: 0 |
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| Header | DbId: nlebk DbLabel: eBook Collection (EBSCOhost) An: 329815 RelevancyScore: 1025 AccessLevel: 6 PubType: eBook PubTypeId: ebook PreciseRelevancyScore: 1024.62744140625 |
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| Items | – Name: Title Label: Title Group: Ti Data: The American Musical and the Performance of Personal Identity – Name: Abstract Label: Description Group: Ab Data: The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project. This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers three overlapping genres that are central, in quite different ways, to the projection of personal identity: operetta, movie musicals, and operatic musicals. Among the musicals discussed are Camelot, Candide; Chicago; Company; Evita; Gypsy; Into the Woods; Kiss Me, Kate; A Little Night Music; Man of La Mancha; Meet Me in St. Louis; The Merry Widow; Moulin Rouge; My Fair Lady; Passion; The Rocky Horror Picture Show; Singin'in the Rain; Stormy Weather; Sweeney Todd; and The Wizard of Oz. Complementing the author's earlier work, The American Musical and the Formation of National Identity, this book completes a two-volume thematic history of the genre, designed for general audiences and specialists alike. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Raymond+Knapp%22">Raymond Knapp</searchLink> – Name: TypePub Label: Resource Type Group: TypPub Data: eBook. – Name: Subject Label: Subjects Group: Su Data: <searchLink fieldCode="DE" term="%22Personality+and+culture%22">Personality and culture</searchLink><br /><searchLink fieldCode="DE" term="%22Musical+films--United+States--History+and+criticism%22">Musical films--United States--History and criticism</searchLink><br /><searchLink fieldCode="DE" term="%22Musicals--United+States--History+and+criticism%22">Musicals--United States--History and criticism</searchLink><br /><searchLink fieldCode="DE" term="%22Musicals--Social+aspects--United+States%22">Musicals--Social aspects--United States</searchLink> – Name: SubjectBISAC Label: Categories Group: Su Data: <searchLink fieldCode="ZK" term="%22MUSIC+%2F+Genres+%26+Styles+%2F+Musicals%22">MUSIC / Genres & Styles / Musicals</searchLink><br /><searchLink fieldCode="ZK" term="%22MUSIC+%2F+History+%26+Criticism%22">MUSIC / History & Criticism</searchLink> |
| PLink | https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=nlebk&AN=329815 |
| RecordInfo | BibRecord: BibEntity: Classifications: – Code: 782.140973 Scheme: ddc Type: prePub Languages: – Code: eng Text: English Subjects: – SubjectFull: Personality and culture Type: general – SubjectFull: Musical films--United States--History and criticism Type: general – SubjectFull: Musicals--United States--History and criticism Type: general – SubjectFull: Musicals--Social aspects--United States Type: general Titles: – TitleFull: The American Musical and the Performance of Personal Identity Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Raymond Knapp – PersonEntity: Name: NameFull: Raymond Knapp IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 01 Type: published Y: 2009 – D: 04 M: 02 Type: profile Y: 2014 Identifiers: – Type: isbn-print Value: 9780691141053 – Type: isbn-print Value: 9780691125244 – Type: isbn-electronic Value: 9781400832682 Titles: – TitleFull: The American Musical and the Performance of Personal Identity Type: main |
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