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Medieval Laments of the Virgin Mary : Text, Music, Performance, and Genre Liminality

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Title: Medieval Laments of the Virgin Mary : Text, Music, Performance, and Genre Liminality
Description: Laments of the Virgin Mary represent a devotional genre that offered its clerical and lay audiences of the High and Late Middle Ages a deeply inspiring, yet at the same time ambiguous, religious experience. Through the deeply emotional and markedly animated representation of the Passion, seen as if through the eyes of the mother of God, audiences and performers were not only reminded of the redemptive power of the Cross, but encouraged to experience Christ's sacrifice in a more personal and intimate manner. In the pious practice of imitatio Mariae, believers mirrored the sorrow of the mother through their own bodies in order to develop a kind of visceral empathy towards, and hence a deeper understanding of, the divine.
Authors: Eliška Kubartová Poláčková
Resource Type: eBook.
Subjects: Music--500-1400--History and criticism, Laments--History and criticism, Civilization, Medieval
Categories: LITERARY CRITICISM / Medieval, MUSIC / Religious / Christian, PERFORMING ARTS / General, RELIGION / Christian Rituals & Practice / Worship & Liturgy, DRAMA / Medieval
Database: eBook Collection (EBSCOhost)
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  – Type: ebook-pdf
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  Availability: 0
Header DbId: nlebk
DbLabel: eBook Collection (EBSCOhost)
An: 3601775
RelevancyScore: 1116
AccessLevel: 6
PubType: eBook
PubTypeId: ebook
PreciseRelevancyScore: 1116.28857421875
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  Data: Medieval Laments of the Virgin Mary : Text, Music, Performance, and Genre Liminality
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  Data: Laments of the Virgin Mary represent a devotional genre that offered its clerical and lay audiences of the High and Late Middle Ages a deeply inspiring, yet at the same time ambiguous, religious experience. Through the deeply emotional and markedly animated representation of the Passion, seen as if through the eyes of the mother of God, audiences and performers were not only reminded of the redemptive power of the Cross, but encouraged to experience Christ's sacrifice in a more personal and intimate manner. In the pious practice of imitatio Mariae, believers mirrored the sorrow of the mother through their own bodies in order to develop a kind of visceral empathy towards, and hence a deeper understanding of, the divine.
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  Data: <searchLink fieldCode="AR" term="%22Eliška+Kubartová+Poláčková%22">Eliška Kubartová Poláčková</searchLink>
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  Data: <searchLink fieldCode="DE" term="%22Music--500-1400--History+and+criticism%22">Music--500-1400--History and criticism</searchLink><br /><searchLink fieldCode="DE" term="%22Laments--History+and+criticism%22">Laments--History and criticism</searchLink><br /><searchLink fieldCode="DE" term="%22Civilization%2C+Medieval%22">Civilization, Medieval</searchLink>
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RecordInfo BibRecord:
  BibEntity:
    Classifications:
      – Code: 780.902
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Music--500-1400--History and criticism
        Type: general
      – SubjectFull: Laments--History and criticism
        Type: general
      – SubjectFull: Civilization, Medieval
        Type: general
    Titles:
      – TitleFull: Medieval Laments of the Virgin Mary : Text, Music, Performance, and Genre Liminality
        Type: main
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      – PersonEntity:
          Name:
            NameFull: Eliška Kubartová Poláčková
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          Name:
            NameFull: Eliška Kubartová Poláčková
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          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2023
            – D: 16
              M: 08
              Type: profile
              Y: 2023
          Identifiers:
            – Type: isbn-print
              Value: 9781641894562
            – Type: isbn-electronic
              Value: 9781802700787
          Titles:
            – TitleFull: Medieval Laments of the Virgin Mary : Text, Music, Performance, and Genre Liminality
              Type: main
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