Making Stereo Fit : The History of a Disquieting Film Technology

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Title: Making Stereo Fit : The History of a Disquieting Film Technology
Description: Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit reveals that, in fact, filmmakers have been creating stereo and surround-sound effects for nearly a century, since the advent of talking pictures, and argues that their endurance owes primarily to the longstanding battles between stereo and mono technologies. Throughout the book, Eric Dienstfrey analyzes newly discovered archival materials and myriad stereo releases, from Hell's Angels (1930) to Get Out (2017), to show how Hollywood's financial dependence on mono prevented filmmakers from seeing surround sound's full aesthetic potential. Though studios initially explored stereo's unique capabilities, Dienstfrey details how filmmakers eventually codified a conservative set of surround-sound techniques that prevail today, despite the arrival of more immersive formats.
Authors: Eric Dienstfrey
Resource Type: eBook.
Subjects: Stereophonic sound systems--Economic aspects, Surround-sound systems--Aesthetics, Sound in motion pictures, Sound--Recording and reproducing--Digital techniques, Motion pictures--Sound effects
Categories: PERFORMING ARTS / Film / General, ART / Film & Video, TECHNOLOGY & ENGINEERING / Acoustics & Sound
Database: eBook Collection (EBSCOhost)
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  – Type: ebook-pdf
  – Type: ebook-epub
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  Availability: 0
Header DbId: nlebk
DbLabel: eBook Collection (EBSCOhost)
An: 3727867
RelevancyScore: 1123
AccessLevel: 6
PubType: eBook
PubTypeId: ebook
PreciseRelevancyScore: 1122.83581542969
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  Data: Making Stereo Fit : The History of a Disquieting Film Technology
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  Data: Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit reveals that, in fact, filmmakers have been creating stereo and surround-sound effects for nearly a century, since the advent of talking pictures, and argues that their endurance owes primarily to the longstanding battles between stereo and mono technologies. Throughout the book, Eric Dienstfrey analyzes newly discovered archival materials and myriad stereo releases, from Hell's Angels (1930) to Get Out (2017), to show how Hollywood's financial dependence on mono prevented filmmakers from seeing surround sound's full aesthetic potential. Though studios initially explored stereo's unique capabilities, Dienstfrey details how filmmakers eventually codified a conservative set of surround-sound techniques that prevail today, despite the arrival of more immersive formats.
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RecordInfo BibRecord:
  BibEntity:
    Classifications:
      – Code: 791.43024
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Stereophonic sound systems--Economic aspects
        Type: general
      – SubjectFull: Surround-sound systems--Aesthetics
        Type: general
      – SubjectFull: Sound in motion pictures
        Type: general
      – SubjectFull: Sound--Recording and reproducing--Digital techniques
        Type: general
      – SubjectFull: Motion pictures--Sound effects
        Type: general
    Titles:
      – TitleFull: Making Stereo Fit : The History of a Disquieting Film Technology
        Type: main
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          Name:
            NameFull: Eric Dienstfrey
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          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2024
            – D: 28
              M: 03
              Type: profile
              Y: 2024
          Identifiers:
            – Type: isbn-print
              Value: 9780520379541
            – Type: isbn-print
              Value: 9780520379558
            – Type: isbn-electronic
              Value: 9780520976795
          Numbering:
            – Type: volume
              Value: 00006
          Titles:
            – TitleFull: Making Stereo Fit : The History of a Disquieting Film Technology
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