The Interactive Documentary in Canada
Saved in:
| Title: | The Interactive Documentary in Canada |
|---|---|
| Description: | Interactive documentary emerged rapidly from a constellation of changing technologies and practices to much excitement, yet its history is short and its future uncertain. In the mid-2010s Canada was a world leader in the creation of i-docs. Less than a decade later technological obsolescence has rendered many of these celebrated projects inaccessible, while rapid digital innovation continues to change the i-doc form and its modes of experience.The Interactive Documentary in Canada captures this transitional moment in documentary filmmaking and media production. Bringing together a range of historical, theoretical, and critical approaches, this collection examines the past – and the imagined future – of a nonfiction storytelling phenomenon that has Canadian institutions, figures, and works at its centre. Embracing a polyphonic conception of interactive documentary, the volume includes explorations of web-based, app-based, installation, and virtual reality works that push the boundaries of what is understood as documentary cinema. Leading documentary scholars and makers consider the historical and technological contexts of i-doc production, innovation, and exhibition; the political and pedagogical potential of the genre; the ethics of the i‐doc experience; and the format's future lifespan in the contemporary media landscape.The Interactive Documentary in Canada establishes a place for the i-doc in the history of Canadian film, highlighting the genre's significant impact on the National Film Board of Canada and on contemporary global documentary media. |
| Authors: | Michael Brendan Baker, Jessica Mulvogue |
| Resource Type: | eBook. |
| Subjects: | Documentary films--Canada--History and criticism, Interactive multimedia--Canada |
| Categories: | PERFORMING ARTS / Film / Genres / Documentary |
| Database: | eBook Collection (EBSCOhost) |
| FullText | Links: – Type: ebook-pdf – Type: ebook-epub Text: Availability: 0 |
|---|---|
| Header | DbId: nlebk DbLabel: eBook Collection (EBSCOhost) An: 3892833 RelevancyScore: 1123 AccessLevel: 6 PubType: eBook PubTypeId: ebook PreciseRelevancyScore: 1122.83581542969 |
| IllustrationInfo | |
| ImageInfo | – Size: thumb Target: https://rps2images.ebscohost.com/rpsweb/othumb?id=NL$3892833$PDF&s=r – Size: medium Target: https://rps2images.ebscohost.com/rpsweb/othumb?id=NL$3892833$PDF&s=d |
| Items | – Name: Title Label: Title Group: Ti Data: The Interactive Documentary in Canada – Name: Abstract Label: Description Group: Ab Data: Interactive documentary emerged rapidly from a constellation of changing technologies and practices to much excitement, yet its history is short and its future uncertain. In the mid-2010s Canada was a world leader in the creation of i-docs. Less than a decade later technological obsolescence has rendered many of these celebrated projects inaccessible, while rapid digital innovation continues to change the i-doc form and its modes of experience.The Interactive Documentary in Canada captures this transitional moment in documentary filmmaking and media production. Bringing together a range of historical, theoretical, and critical approaches, this collection examines the past – and the imagined future – of a nonfiction storytelling phenomenon that has Canadian institutions, figures, and works at its centre. Embracing a polyphonic conception of interactive documentary, the volume includes explorations of web-based, app-based, installation, and virtual reality works that push the boundaries of what is understood as documentary cinema. Leading documentary scholars and makers consider the historical and technological contexts of i-doc production, innovation, and exhibition; the political and pedagogical potential of the genre; the ethics of the i‐doc experience; and the format's future lifespan in the contemporary media landscape.The Interactive Documentary in Canada establishes a place for the i-doc in the history of Canadian film, highlighting the genre's significant impact on the National Film Board of Canada and on contemporary global documentary media. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Michael+Brendan+Baker%22">Michael Brendan Baker</searchLink><br /><searchLink fieldCode="AR" term="%22Jessica+Mulvogue%22">Jessica Mulvogue</searchLink> – Name: TypePub Label: Resource Type Group: TypPub Data: eBook. – Name: Subject Label: Subjects Group: Su Data: <searchLink fieldCode="DE" term="%22Documentary+films--Canada--History+and+criticism%22">Documentary films--Canada--History and criticism</searchLink><br /><searchLink fieldCode="DE" term="%22Interactive+multimedia--Canada%22">Interactive multimedia--Canada</searchLink> – Name: SubjectBISAC Label: Categories Group: Su Data: <searchLink fieldCode="ZK" term="%22PERFORMING+ARTS+%2F+Film+%2F+Genres+%2F+Documentary%22">PERFORMING ARTS / Film / Genres / Documentary</searchLink> |
| PLink | https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=nlebk&AN=3892833 |
| RecordInfo | BibRecord: BibEntity: Classifications: – Code: 070.18 Scheme: ddc Type: prePub Languages: – Code: eng Text: English Subjects: – SubjectFull: Documentary films--Canada--History and criticism Type: general – SubjectFull: Interactive multimedia--Canada Type: general Titles: – TitleFull: The Interactive Documentary in Canada Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Michael Brendan Baker – PersonEntity: Name: NameFull: Jessica Mulvogue – PersonEntity: Name: NameFull: Michael Brendan Baker – PersonEntity: Name: NameFull: Jessica Mulvogue IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 01 Type: published Y: 2024 – D: 24 M: 05 Type: profile Y: 2024 Identifiers: – Type: isbn-print Value: 9780228021070 – Type: isbn-print Value: 9780228021087 – Type: isbn-electronic Value: 9780228021612 – Type: isbn-electronic Value: 9780228021629 Titles: – TitleFull: The Interactive Documentary in Canada Type: main |
| ResultId | 1 |